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Credit Line Yale Center for British Art, Paul Mellon Collection
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601
- S. Pietro Regalato
- 1746
602
- Jonah: An Oratorio, Disposed For Voice And Harpsicord
- 1775
603
- The Prosperity Of Great Britain, Contrasted With The Misery of France
- 1794
604
- A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
- 1773
605
- Angelica, e Medoro in Varj Modi..
- 1773
606
- Socrates
- 1780
607
- Stava Ella Nel Sepolcro; e Quivi Attrita..
- 1773
608
- Antony and Cleopatra, Act I, Scene II
- 1794
609
- Portrait Of An Aged Man, Looking Upward
- 1796
610
- Meditation
- 1792
611
- La Passione
- 1779
612
- Poetry And History, Presenting Painting, With Subjects For Her Pencil
- 1794
613
- Premio Della Virtu
- 1779
614
- Classical Figures Including Woman With Cornucopia Of Coins
- ca.1790
615
- Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
- ca.1785
616
- George, Prince of Wales
- 1791
617
- Vignette: Angel Holding Medallion Of Composer. G.F. Handel
- ca.1785
618
- Portrait Of Annibale Caracci
- 1796
619
- Luís Pinto De Sousa Coutinho, Visconde De Balsemão
- 1797
620
- Twelfth Night, Act V, Scene I: The Street
- 1803
621
- Accurate Perspective View of the Outside of the Royal Exchange in London
- 1788
622
- Lord Burghersh as a Boy
- 1788
623
- The Apotheosis of A Beautiful Female
- 1797
624
- Lady Anne Bingham
- undated
625
- Reverend Hugh Blair, D.D
- 1801
626
- To the Royal Kentish Bowmen, This Plate of His Royal Highness, The Prince of Wales
- 1795
627
- Francesco Bartolozzi, Esqr. R.A
- 1795
628
- Noon
- undated
629
- Jane Shore
- 1790
630
- Night
- undated
631
- King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I
- 1800
632
- Ticket: For the Benefit of Mr. Salpietro
- 1799
633
- Ticket for the Benefit of Mr. Giardini
- 1770
634
- Ticket for the Benefit of Mr. Giardini
- between 1768 and 1776
635
- Ticket to Mr. Fierville's Ball
- 1781
636
- Hanover Square
- 1782
637
- Orpheus and Eurydice
638
- For the Benefit of Mr. Borghi
- 1789
639
- Gainsborough
- undated
640
- Ticket to Concert of Ancient Vocal and Instrumental Music
- 1786
641
- Lady Gertrude, Marchioness of Halifax
- 1776
642
- Ticket to Westminster Abbey
- before 1791
643
- Mrs. Abington as Thalia
- 1783
644
- Gainsborough
- undated
645
- Ticket to a Concert of Ancient Vocal and Instrumental Music
- 1786
646
- Ticket to a Concert of Ancient Vocal and Instrumental Music
- 1786
647
- Lady Gertrude, Marchioness of Halifax
- 1776
648
- Ticket: For the Benefit of Mr. Salpietro
- 1799
649
- Ticket for the Benefit of Mr. Giardini
- 1782
650
- Ticket for the Benefit of Mr. Giardini
- 1780
651
- Ticket for the Benefit of Mr. Giardini
- 1778
652
- For the Benefit of Mr. Guadagni
- 1767
653
- Ticket for the Benefit of Mr. Giardini
654
- Ticket for the Benefit of Mr. Giardini
- 1780
655
- Ticket for the Benefit of Mr. Giardini
656
- Ticket for the Benefit of Mr. Giardini
- between 1769 and 1787
657
- Ticket for the Benefit of Mr. Giardini
- between 1768 and 1776
658
- Ticket for the Benefit of Mr. Giardini
- between 1769 and 1787
659
- Ticket for the Benefit of Mr. Giardini
- 1782
660
- Ticket to Mr. Fierville's Ball
- 1781
661
- Ticket to Mr. Fierville's Ball
- 1781
662
- Francis Grose
- 1787
663
- John Henderson as Iago
- 1786
664
- Ticket: Anacreontic Society Meeting
- 1773
665
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- before 1797
666
- Ticket for the Benefit of Mr. Giardini
667
- Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces, &c., &c., & c
- 1781
668
- Dr. John Fothergill
- 1782
669
- Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão
- undated
670
- John Dunning
- 1787
671
- Ticket for the Benefit of Mr. Giardini
- 1763
672
- A Lecture on Gadding
- 1789
673
- Transitium S. Joseph
674
- Zeuxis Composing the Picture of Juno
- 1785