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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms men
Remove constraint Subject Terms: menSearch Results
1
- The Ferry
- ca. 1840
2
- Arab Horsemen, Two Grey Horses
- 1965
3
- Under the Hammer
- between 1912 and 1913
4
- Crocks
- ca. 1924
5
- Over the Bank, Exmoor
- ca. 1895
6
- The Bayhorse, Tattersall’s
- 1921
7
- Sale at Ward's Repository, No. 2
- ca. 1918
8
- Timber Hauling
- ca. 1917
9
- Ploughing the Hillside
- ca. 1905
10
- The Horse Mart (with further sketches in the margin)
- ca. 1918
11
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
12
- The Meet
- 1898-1899
13
- Found!
- 1898-1899
14
- Who-o-p!
- 1898-1899
15
- The Flying Pack
- 1898-1899
16
- The Homeward Star
- begun ca. 1880
17
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
18
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
19
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
20
- Labourers
- 1789
21
- Human Figure, Lateral View
- 1795 to 1806
22
- Grotesque Male Head
- undated
23
- Grotesque Male Head
- undated
24
- Grotesque Male Head
- undated
25
- Grotesque Male Head
- undated
26
- Grotesque Male Head
- undated
27
- Grotesque Male Head
- undated
28
- Grotesque Male Head
- undated
29
- The First Stage of Cruelty
- ca. 1750
30
- Grotesque Male Head
- undated
31
- Grotesque Male Head
- undated
32
- Gabriel Hunt
- undated
33
- Lake of Thun, Switzerland
- 1808
34
- The Deluge
- between 1813 and 1823
35
- Christ and the Woman of Samaria
- 1819
36
- Rome from Monte Mario
- ca. 1818
37
- Teignmouth, Devonshire
- ca. 1813
38
- Folkestone Harbour and Coast to Dover
- ca. 1829
39
- Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
- 1789
40
- Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
- 1789
41
- Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
- 1794
42
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
43
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
44
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
45
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
46
- Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
- ca. 1797
47
- Young's Night Thoughts, Page 27, "O treacherous conscience!"
- ca. 1797
48
- Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"
- ca. 1797
49
- Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
- ca. 1797
50
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
51
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
52
- The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
- 1794
53
- The First Book of Urizen, Plate 5 (Bentley 12)
- 1794
54
- The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
- 1794
55
- The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)
- 1794
56
- The First Book of Urizen, Plate 8 (Bentley 9)
- 1794
57
- The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
- 1794
58
- The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
- 1794
59
- The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
- 1794
60
- The First Book of Urizen, Plate 12 (Bentley 22)
- 1794
61
- The First Book of Urizen, Plate 14 (Bentley 14)
- 1794
62
- The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)
- 1794
63
- The First Book of Urizen, Plate 22 (Bentley 24)
- 1794
64
- Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
- 1804 to 1820
65
- Jerusalem, Plate 45, "Bath, healing City!...."
- 1804 to 1820
66
- Jerusalem, Plate 47, "From Camberwell to Highgate...."
- 1804 to 1820
67
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
68
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
69
- Jerusalem, Plate 76
- 1804 to 1820
70
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
71
- Jerusalem, Plate 91, "It is easier to forgive an enemy...."
- 1804 to 1820
72
- Jerusalem, Plate 96, "As the Sun & Moon lead forward...."
- 1804 to 1820
73
- Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
- 1797
74
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
75
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
76
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
77
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
78
- Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
- 1797
79
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
80
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
81
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
82
- Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
- 1797
83
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
84
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
85
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
86
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
87
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 59, "The Bard."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
95
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
96
- Jerusalem, Plate 12, "Why wilt thou give to her...."
- 1804 to 1820
97
- Jerusalem, Plate 19, "His children exil'd from his breast...."
- 1804 to 1820
98
- The Poems of Thomas Gray, Design 25, "A Long Story."
- between 1797 and 1798
99
- The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
- between 1797 and 1798
100
- The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."
- between 1797 and 1798