Search Constraints
You searched for:
Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Use Free to Use
Remove constraint Image Use: Free to UseSubject Terms genre subject
Remove constraint Subject Terms: genre subjectSearch Results
1
- The Ferry
- ca. 1840
2
- Sussex Farm Wagon
- ca. 1906
3
- The Bayhorse, Tattersall’s
- 1921
4
- Under the Hammer
- between 1912 and 1913
5
- Crocks
- ca. 1924
6
- Sale at Ward's Repository, No. 2
- ca. 1918
7
- Timber Hauling
- ca. 1917
8
- Ploughing the Hillside
- ca. 1905
9
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
10
- The Horse Mart (with further sketches in the margin)
- ca. 1918
11
- A Pastoral Scene
- 1835
12
- Ivy Cottage, Shoreham
- undated
13
- Study of a Pilgrim
- undated
14
- The Sleeping Shepherd
- 1857
15
- The Weary Ploughman
- 1858
16
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
17
- The Rising Moon
- 1857
18
- The Rising Moon
- 1857
19
- The Rising Moon
- 1857
20
- The Herdsman's Cottage
- 1850
21
- The Herdsman's Cottage
- 1850
22
- The Rising Moon
- 1857
23
- The Weary Ploughman
- 1858
24
- The Rising Moon
- 1857
25
- Timber Wagon Crossing a Stream
- undated
26
- The Wayside Smithy
- undated
27
- The Timber Wain
- between 1833 and 1834
28
- A Recollection of the New R.A
- 1837
29
- Mr. Hobson of Markfield and Family
- ca. 1806
30
- A Country Girl in the Lake District
- 1806
31
- The Farmer's Wife and the Raven
- 1788
32
- Labourers
- 1789
33
- The First Stage of Cruelty
- ca. 1750
34
- Grotesque Male Head
- undated
35
- Southwark Fair
- 1733
36
- A Midnight Modern Conversation
- 1733
37
- The Sleeping Congregation
- 1736
38
- Study for the Foundlings
- ca. 1739
39
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
40
- Cricket on the Goodwin Sands
- undated
41
- Christ Church Gate, Canterbury
- 1793 to 1794
42
- A View of Boppart, with Figures on the River Bank
- 1817
43
- Young Anglers
- 1811
44
- The Straw Yard
- 1808
45
- Lulworth Castle, Dorset
- ca. 1820
46
- Steeton Manor House, Near Farnley
- between 1815 and 1818
47
- Ingleborough from Chapel-Le-Dale
- between 1810 and 1815
48
- Autumn Sowing of the Grain
- ca. 1794
49
- Rome from Monte Mario
- ca. 1818
50
- Newark - upon - Trent
- ca. 1796
51
- Man with Horse and Cart Entering a Quarry
- ca. 1797
52
- The Angler
- 1794
53
- Dartmoor: The Source of the Tamar and the Torridge
- ca. 1813
54
- High Street, Edinburgh
- ca. 1818
55
- Landscape with Trees and Figures
- ca. 1796
56
- Leeds
- 1816
57
- Saint Catherine's Hill, Guildford, Surrey
- 1830
58
- Interior of St. John's Palace, Eltham
- ca. 1793
59
- A Study of Ferns, Civitella
- 1842
60
- The Widow Embracing Her Husband's Grave
- 1805 to 1808
61
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
62
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
63
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
64
- Study of the Head of a Young Man
- undated
65
- Country Scene: Cottage and Figures on a Winding Road
- undated
66
- Figures on the Bank of a Wooded Lane, with Sea in Distance Left
- undated
67
- Landscape with Shepherd and Sheep
- undated
68
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
69
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
70
- Notre Dame, Paris
- between 1831 and 1845
71
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
72
- Street Scene at Stratford by Bow
- undated
73
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
74
- A Christening
- undated
75
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
76
- The Smock Exposed
- 1817
77
- Fountain in the Gardens, Paris: Evening
- undated
78
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
79
- The Reconcilation
- 1817
80
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
81
- Hogarth Drawing Sarah Malcolm
- 1817
82
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
83
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
84
- Hogarth Sitting to Roubiliac for His Bust
- 1817
85
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
86
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
87
- Interior of a Coppersmith's, Shoe Lane
- undated
88
- The Eleventh Hour
- 1817
89
- A Fireworks Display
- undated
90
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
91
- Design for Medal: Both Hands Fil'd for Britain
- undated
92
- Design for a Medal: Figure of Britannia (?) and Fortune (?) or Victory (?)
- undated
93
- Three Ladies Standing on a Terrace
- undated
94
- On the River Wye, Monmouthshire
95
- Musicians and a Performing Bear
- undated
96
- Two Girls Carrying a Basket
- undated
97
- Lady in a Bonnet
- between 1760 and 1765
98
- Shepherd and Shepherdess by Moonlight
- undated
99
- Figures in a Landscape by a River
- undated
100
- A Fruit Stall in a Market
- undated