Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
ca. 1745
Not on view
4
Joseph Farington, 1747–1821
Westminster Abbey and Bridge
1794
Not on view
5
Canaletto, 1697–1768
Westminster Bridge, with the Lord Mayor's Procession on the Thames
1747
Not on view
6
Samuel Scott, 1701/2–1772
Arches of Westminster Bridge
ca. 1750
Not on view
7
Richard Wilson, 1713/4–1782
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
8
unknown artist
The Interior of Westminster Abbey
ca. 1714
Not on view
9
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
10
unknown artist
An Imaginary View of Westminster Bridge
mid-18th century
Not on view
11
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
12
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
13
Edward Edwards, 1738–1806
Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
ca. 1790
Not on view
14
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
15
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
16
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
17
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
18
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
19
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
20
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
21
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
22
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
23
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
24
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
25
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
26
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
27
Thomas Bowles, ca. 1712–died 1753
The Inside of Westminster Abby
28
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
29
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
30
Print made by Pietro Antonio Martini, 1738–1797
Exhibition of Royal Academy
1787
31
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
32
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
33
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
34
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
35
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
36
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
37
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
38
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
39
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
40
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
41
unknown artist
A view of the inside of Westminster Hall
ca. 1700
42
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
43
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
44
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
45
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
46
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
47
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
48
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
49
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
50
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
51
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
52
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
53
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
54
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
56
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
58
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
60
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
61
Thomas Bowles, ca. 1712–died 1753
A South View of Westminster Abby & St. Margarets Church
62
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
63
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
64
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
65
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
66
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
67
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
68
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
69
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
70
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
71
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
72
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
73
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
74
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
75
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
76
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
77
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
78
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
79
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
80
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
81
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
82
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
83
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
84
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
85
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
86
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
87
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
88
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
89
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
90
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
91
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
92
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
93
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
94
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
95
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
96
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
97
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
98
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
99
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
100
John Warwick Smith, 1749–1831
A View of St. James's Park, taken near the Stable Yard