Little Devil's Bridge over the Russ above Altdorft, Switzerland
1812
5
after Joseph Mallord William Turner, 1775–1851
Crowhurst
1812
6
after Joseph Mallord William Turner, 1775–1851
Windsor Castle from Salt Hill
1812
7
after Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
8
after Joseph Mallord William Turner, 1775–1851
Hedging and Ditching
1812
9
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
10
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
11
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
12
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
13
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
14
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
15
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
16
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
1826
17
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
18
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
19
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
20
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
21
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
22
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
23
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
24
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
1826
25
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
26
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
27
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
28
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
29
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
30
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
31
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
32
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
33
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
34
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
35
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
36
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
37
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
38
William Blake, 1757–1827
Theocritus
1821
39
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
40
William Blake, 1757–1827
Epicurus
1821
41
William Blake, 1757–1827
From Antique Coins
1821
42
William Blake, 1757–1827
Caius Julius Cæsar
1821
43
Print made by William Blake, 1757–1827
A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
1804
44
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
45
Print made by William Blake, 1757–1827
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
1804
46
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
47
Print made by James S. Storer, 1771–1853
Hampton Court, Herefordshire
1801
48
Print made by William Miller, 1796–1882
Rouen, looking down the River
1834
49
Print made by John Pye, 1782–1874
Pope's Villa
1811
50
Print made by Robert Brandard, 1805–1862
Tours
1833
51
Print made by James T. Willmore, 1800–1863
Saumur
1833
52
Print made by Robert Wallis, 1794–1878
Tours - Looking Backwards
1833
53
Print made by Robert Brandard, 1805–1862
St. Florent
1833
54
Print made by James T. Willmore, 1800–1863
Montjen
1833
55
Print made by Robert Brandard, 1805–1862
Château Hamelin
1833
56
Print made by William Miller, 1796–1882
Between Clairmont and Mauves
1833
57
Print made by Robert Wallis, 1794–1878
Château de Nantes
1833
58
Print made by James T. Willmore, 1800–1863
Clairmont
1833
59
Print made by William Miller, 1796–1882
Rouen
1834
60
Print made by Robert Brandard, 1805–1862
Quilleboeuf
1834
61
Print made by Robert Brandard, 1805–1862
Château de la Mailleraie
1834
62
Print made by Edward Goodall, 1795–1870
The Forum
1830
63
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1833
64
Print made by Robert Wallis, 1794–1878
Scene on the Loire
1833
65
Print made by John Cousen, 1804–1880
Honfleur
1834
66
Print made by John Smith, 1799–1843
Château Gaillard, from the East
1835
67
Print made by Robert Brandard, 1805–1862
Rouen, looking up the River
1834
68
Print made by John Cousen, 1804–1880
Château Gaillard, from the South (Vignette Title)
1835
69
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
70
Print made by James T. Willmore, 1800–1863
Vernon
1835
71
Print made by William Radclyffe, 1780–1855
Mantes
1835
72
Print made by Robert Brandard, 1805–1862
View of the Siene between Mantes and Vernon
1835
73
Print made by Thomas Jeavons, ca. 1800–1867
Hotel de Ville and Pont d'Arcole
1835
74
Print made by John Horsburgh, 1791–1869
Bemerside Tower (Vignette)
1834
75
Print made by William Richardson, active 1842–1877
Ashestiel (Vignette)
1854 reprint
76
Print made by John Horsburgh, 1791–1869
Ashestiel (Vignette)
1834
77
Print made by William Miller, 1796–1882
Loch Katrine
1834
78
Print made by William Miller, 1796–1882
Loch Achray (Vignette)
1834
79
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
80
Print made by Edward Webb, active 1805–1854
Bowes Tower (Vignette)
1834
81
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
82
Print made by William Miller, 1796–1882
Skiddaw
1834
83
Print made by Edward Goodall, 1795–1870
Fingal's Cave, Staffa
1833
84
Print made by Henry Le Keux, 1787–1868
Loch Coriskin
1834
85
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
86
Print made by William Miller, 1796–1882
Mayence (Vignette)
1834
87
Print made by Edward Goodall, 1795–1870
HMS Bellerophon, Plymouth Sound (Vignette Title)
1835
88
Print made by William Miller, 1796–1882
Malmaison
1835
89
Print made by W. R. Smith, active 1819–1851
Roslin Castle
1834
90
Print made by James H. Kernot, active early 19th century