Materials & Techniques: etching (printing process) and line engraving / Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Genre: religious and mythological subject / Image Available: Available / Classification: Prints

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Materials & Techniques etching (printing process)

Materials & Techniques line engraving

Collection Prints and Drawings

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

Genre religious and mythological subject

Image Available Available

Classification Prints

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by Edward Goodall, 1795–1870

Dido Building Carthage

between 1859 and 1861

Print made by James T. Willmore, 1800–1863

Dido and Aeneas

between 1859 and 1861

Print made by Robert Brandard, 1805–1862

The Bay of Baiæ

between 1859 and 1861

Print made by James T. Willmore, 1800–1863

Mercury and Argus

between 1859 and 1861

Print made by Edward P. Brandard, 1819–1898

Apollo and Daphne in the Vale of Tempe

between 1859 and 1861

Print made by Thomas Abiel Prior, 1809–1886

The Goddess of Discord in the Garden of Hesperides

between 1859 and 1861

Print made by Lumb Stocks, 1812–1892

Apollo Killing the Python

between 1859 and 1861

Print made by James Baylis Allen, 1803–1876

Decline of Carthage

between 1859 and 1861

Print made by James Baylis Allen, 1803–1876

Temple of Jupiter Panhellenius, Aegina

between 1859 and 1861

Print made by Edward Goodall, 1795–1870

Ulysses Deriding Polyphemus

between 1859 and 1861

Print made by James Baylis Allen, 1803–1876

Phryne going to the Bath as Venus

between 1859 and 1861

Print made by Charles Cousen, ca. 1819–1889

Bacchus and Ariadne

between 1859 and 1861

Print made by Thomas Abiel Prior, 1809–1886

The Golden Bough

1875

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

Print made by W. R. Smith, active 1819–1851

Dido and Aeneas; The Morning of the Chase

1842

Print made by John Cousen, 1804–1880

Mercury and Herse

1842

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by Robert Wallis, 1794–1878

Stone Henge, Wiltshire

1829

Print made by Robert Wallis, 1794–1878

Stone Henge

1829

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by W. R. Smith, active 1819–1851

Leicester Abbey

1834

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by James T. Willmore, 1800–1863

Mercury and Argus

1841

George C. Finden, 1811–1885

A Mythological Battle

1853

Print made by Edward Alfred Goodall, 1819–1908

The Pilgrim

1830

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by James Redway, active 1827–1838

Christ Church College, Oxford

1834

Print made by Daniel Allen, active 1830s

A Bacchanalian Vase

1830

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by Thomas Higham, 1796–1844

Part of the Ghaut at Hurdwar

1836

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

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