Materials & Techniques: gray ink / Period: 18th century / Work Type: watercolor

1. Satan Approaching the Court of Chaos

Creator:: William Blake, 1757–1827
Date:: 1784 to 1785
Materials & Techniques:: Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Langley Park, Norfolk: Elevation of the South Front

Creator:: John Sanderson, active 1730; died 1774
Date:: ca. 1750
Materials & Techniques:: Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Elevations of a Room

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black and gray ink with gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 12 3/8 inches (44.8 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Sundorne Castle, Near Shrewsbury, Shropshire

Creator:: John Sanders, 1768–1826
Date:: 1783
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 10 1/4 x 16in. (26 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. View of Bath from Spring Gardens

Creator:: Thomas Hearne, 1744–1817
Date:: 1790
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 18 1/8 inches (30.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Unidentified Office or Stables: Front Elevation

Creator:: James Gibbs, 1682–1754
Date:: ca. 1720
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 14 7/16 inches (21 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Port d'Arona

Creator:: Charles Gore, 1729–1807
Date:: 1795
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 27 inches (33.7 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Ruins of the College of Lincluden, Near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The Open-Air Preacher

Creator:: John Griffiths, active 1764–1774
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured cream laid paper
Dimensions:: Sheet: 10 1/2 x 8 1/2in. (26.7 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Seven Bishops Going To Trial

Creator:: Richard Westall, 1765–1836
Date:: 1790
Materials & Techniques:: Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card
Dimensions:: Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

12. The Acacia Tree - Figures in a Park

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 3/8 inches (35.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

14. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

15. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

16. Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 1/2 inches (38.4 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

17. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

18. Le Port de L'Orient: Dessine du Point B. Marque fur la Carte:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 7/16 inches (38.4 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

19. Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

20. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, red ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 11/16 × 20 11/16 inches (37.3 × 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

21. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 5/16 × 21 9/16 inches (36.4 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

22. L'Orient 1776: Map of the Port of Orient

Creator:: unknown artist
Date:: 1776
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

23. The Gate at Blenheim

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1787
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Tree Study with Stags (Landscape)

Creator:: George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Farmyard Animals: Tribulation

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1797
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 1/4 inches (21.9 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Cascade at Chiswick House, Middlesex: Elevation and Plan

Creator:: William Kent, ca.1686–1748
Date:: between 1720 and 1735
Materials & Techniques:: Pen and gray ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 x 10 5/8 inches (36.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Tivoli

Creator:: William Marlow, 1740–1813
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 15 1/8in. (27.3 x 38.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Lambeth Palace from Across the River

Creator:: Thomas Priest, active 1738–1750
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 10 5/8 inches (13.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Falls at Powerscourt, Co. Wicklow, Ireland

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Unidentified Town House: Front Elevation

Creator:: Colen Campbell, 1676–1729
Date:: undated
Materials & Techniques:: Graphite, pen and wash within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 19 1/4 inches (31.3 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. A View of Rome Taken from the Pincio

Creator:: William Pars, 1742–1782
Date:: 1776
Materials & Techniques:: Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. London Cries: Flowers

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

Creator:: Paul Sandby, 1731–1809
Date:: 1760
Materials & Techniques:: Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 1/8 inches (19.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and gray ink , black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 3/8 inches (19.7 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Design for Court of Edinburgh University

Creator:: Robert Morrison, active ca. 1791
Date:: 1779
Materials & Techniques:: Watercolor, with pen in black ink, gray ink, and brown ink over graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 17 x 22 3/4 inches (43.2 x 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. View of the Falls of Niagara

Creator:: Isaac Weld, 1774–1856
Date:: between 1795 and 1797
Materials & Techniques:: Pen, and black ink, gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 10 11/16 × 13 3/16 inches (27.1 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Political Caricature: "The Spiritualists"

Creator:: Anthony Walker, 1726–1765
Date:: undated
Materials & Techniques:: Gray wash and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 10 1/2 inches (22.9 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Haymaking

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1792
Materials & Techniques:: Pen and gray ink, watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Position pour la Garde en Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Premiere Position pour tirer L'Epée

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Position pour la Garde en Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Premiere Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 10 1/16 inches (26 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Seconde Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/8 × 10 3/16 inches (25.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Quatrieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 10 15/16 inches (26.7 × 27.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Troisieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 15/16 × 10 inches (25.2 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Cinquieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. De la Parade de Prime sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. De la Parade du Cavé sur le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 17 11/16 inches (28.3 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. De la Parade Dequinte sur le Coup de Quinte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 15/16 inches (27.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Position Aprés Avoir Desarmé sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Du Desarmement Aprés la Parade au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Du Desarmement sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 3/16 inches (28.4 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Risposte Aprés Avoir Trompé la Parade du Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 7/16 inches (27.3 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Junk Ship Employed Against Gibralter..Single Junk Ship

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 3/16 × 16 15/16 inches (33.5 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

77. A View of Boxhill from Norbury Park, Surrey

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1775
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 39 1/8 inches (30.8 × 99.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 inches (27.6 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. De la Risposte en Quinte de Pied forme sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 17 1/4 inches (27 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. De la Volte sur la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/8 × 15 1/8 inches (28.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Demi Volte sur les Coups Forcés au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 16 inches (27.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Du Desarmement Aprés Avoir Paré le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 1/2 inches (28.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 15 1/16 inches (26.4 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Position Aprés Avoir Désarmé sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 7/16 × 14 1/8 inches (29.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 11/16 × 15 1/4 inches (27.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1789
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Westminster Bridge from Lambeth Walk

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 7/8 × 20 3/16 inches (35.2 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1784
Materials & Techniques:: Pen and gray ink, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 x 2 7/8in. (11.9 x 7.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Wilmarth S. Lewis, B.A. 1918

90. An Asian Openbill Stork (Anastomus oscitans)

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 7/16 × 17 5/16 inches (64.6 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 21 1/4 x 15 inches (54 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. View of a Valley with Ruins at Sardis

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with gray ink and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 7/8 x 21 5/16 inches (37.8 x 54.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Bucks of the First Head

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Recruiting Officer

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Purple Heron

Creator:: unknown artist
Date:: Undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, gouache, and graphite, on medium, moderately textured, cream wove paper, mounted on card
Dimensions:: Mount: 20 11/16 × 26 9/16 inches (52.5 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Landscape with Castle, River and Mountain

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 7 13/16 inches (13.7 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

97. View of Windermere

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1762 and 1783
Materials & Techniques:: Gray wash, graphite, pen and gray ink and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 6 1/4 × 9 3/8 inches (15.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

98. Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1765
Materials & Techniques:: Gray wash, graphite, pen and gray ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 5/8 × 4 13/16 inches (19.4 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

99. Landscape with Castle on Riverbank

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 13 5/8 inches (24.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

100. Landscape with Road Leading to Abbey

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1762
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/16 × 13 1/4 inches (25.6 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques gray ink

Period 18th century

Work Type watercolor

Search Results

1. Satan Approaching the Court of Chaos

2. Howard Visiting a Prison

3. Langley Park, Norfolk: Elevation of the South Front

4. Elevations of a Room

5. Sundorne Castle, Near Shrewsbury, Shropshire

6. View of Bath from Spring Gardens

7. Unidentified Office or Stables: Front Elevation

8. Port d'Arona

9. The Ruins of the College of Lincluden, Near Dumfries

10. The Open-Air Preacher

11. The Seven Bishops Going To Trial

12. The Acacia Tree - Figures in a Park

13. Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:

14. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

15. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

16. Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan

17. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

18. Le Port de L'Orient: Dessine du Point B. Marque fur la Carte:

19. Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan

20. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

21. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

22. L'Orient 1776: Map of the Port of Orient

23. The Gate at Blenheim

24. Position de la Garde de Tierce et le Coup de Seconde

25. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

26. Tree Study with Stags (Landscape)

27. Farmyard Animals: Tribulation

28. The Cascade at Chiswick House, Middlesex: Elevation and Plan

29. Tivoli

30. Lambeth Palace from Across the River

31. The Falls at Powerscourt, Co. Wicklow, Ireland

32. Unidentified Town House: Front Elevation

33. A View of Rome Taken from the Pincio

34. London Cries: Flowers

35. London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

36. My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes

37. Design for Court of Edinburgh University

38. View of the Falls of Niagara

39. Political Caricature: "The Spiritualists"

40. Haymaking

41. Position pour la Garde en Tierce

42. Premiere Position pour tirer L'Epée

43. Position pour la Garde en Quarte

44. Position pour le Garde en Tierce et le Coup de Tierce

45. Position pour la Garde en Quarte et le Coup de Quarte

46. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

47. Premiere Position du Salut

48. Seconde Position du Salut

49. Quatrieme Position du Salut

50. Position de la Garde en Quarte, et le Coup de Flanconnade

51. Troisieme Position du Salut

52. Cinquieme Position du Salut

53. De la Parade de Tierce, sur le Coup de Tierce

54. De la Parade de Seconde sur le Coup de Seconde

55. De la Parade de Prime sur le Coup de Seconde

56. De la Parade du Cavé sur le Coup de Flanconnade

57. De la Parade du Demi-Cercle sur le Coup, de Quarte Basse

58. De la Parade Dequinte sur le Coup de Quinte

59. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

60. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

61. De la Risposte de Quarte apres la Parade de Quarte

62. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

63. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

64. De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche

65. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

66. Position Aprés Avoir Desarmé sur le Coup de Quarte

67. Du Desarmement Aprés la Parade au Dehors des Armes

68. Du Desarmement sur le Coup de Tierce

69. Risposte Aprés Avoir Trompé la Parade du Poignard

70. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

71. De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise

72. Position de la Garde Italienne de L'Epée & Poignard

73. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne