Cobham Hall, Kent: Elevation of South Front of South Wing
undated
40
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
41
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
42
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
43
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
44
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
45
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
46
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
47
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
48
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
49
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
50
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
51
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
52
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
53
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
54
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
55
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
56
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
57
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
58
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
59
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
60
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
61
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
62
Prints made by Philippe Soye, active 1565–1568
Onvphrii Panvinii Veronensis, Fratris Eremitae Augustiniani. XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae
1568
63
Published by Antonio Lafreri, 1512–1577
Speculum Romanae Magnificentiae
1546-1590
64
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
65
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
66
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
67
Jacopo Barozzi da Vignola, 1507–1573
Regola delli Cinque Ordini d'Architettura, Libro d'Antonio Labacco Appartente a l'Architettura, Libro de Diversi Trophei Militari Cavati da gli Antichi, and Speculum Romanae
1544 to 1577
68
John Malchair, 1730–1812
In Powis Parke
1795
69
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
70
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
71
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
72
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
73
John Yenn, 1750–1821
Design for a Doorway
1781
74
unknown artist
Design for a Lamp
undated
75
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
76
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
77
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
78
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
79
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
80
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
81
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
82
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
83
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
84
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
85
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
86
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
87
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
88
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
89
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
90
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
91
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
92
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
93
Thomas Patch, 1725–1782
Caricatures - 47 portraits on 26 sheets bound in a volume
1768
94
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
95
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
96
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
97
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
98
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
99
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
100
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)