Materials & Techniques: line engraving / Creator Gender: male / Collection: Prints and Drawings / Period: 19th century / Image Available: Available / Image Use: Free to Use

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by James S. Storer, 1771–1853

Hampton Court, Herefordshire

1801

Print made by William Miller, 1796–1882

Rouen, looking down the River

1834

Print made by John Pye, 1782–1874

Pope's Villa

1811

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by James T. Willmore, 1800–1863

Saumur

1833

Print made by Robert Wallis, 1794–1878

Tours - Looking Backwards

1833

Print made by Robert Brandard, 1805–1862

St. Florent

1833

Print made by James T. Willmore, 1800–1863

Montjen

1833

Print made by Robert Brandard, 1805–1862

Château Hamelin

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by Robert Wallis, 1794–1878

Château de Nantes

1833

Print made by James T. Willmore, 1800–1863

Clairmont

1833

Print made by William Miller, 1796–1882

Rouen

1834

Print made by Robert Brandard, 1805–1862

Quilleboeuf

1834

Print made by Robert Brandard, 1805–1862

Château de la Mailleraie

1834

Print made by Edward Goodall, 1795–1870

The Forum

1830

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1833

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

Print made by John Cousen, 1804–1880

Honfleur

1834

Print made by John Smith, 1799–1843

Château Gaillard, from the East

1835

Print made by Robert Brandard, 1805–1862

Rouen, looking up the River

1834

Print made by John Cousen, 1804–1880

Château Gaillard, from the South (Vignette Title)

1835

Print made by Edward Goodall, 1795–1870

The Campagna of Rome

1830

Print made by James T. Willmore, 1800–1863

Vernon

1835

Print made by William Radclyffe, 1780–1855

Mantes

1835

Print made by Robert Brandard, 1805–1862

View of the Siene between Mantes and Vernon

1835

Print made by Thomas Jeavons, ca. 1800–1867

Hotel de Ville and Pont d'Arcole

1835

Print made by John Horsburgh, 1791–1869

Bemerside Tower (Vignette)

1834

Print made by William Richardson, active 1842–1877

Ashestiel (Vignette)

1854 reprint

Print made by John Horsburgh, 1791–1869

Ashestiel (Vignette)

1834

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by William Miller, 1796–1882

Loch Achray (Vignette)

1834

Print made by John Pye, 1782–1874

Junction of the Greta and the Tees

1834

Print made by Edward Webb, active 1805–1854

Bowes Tower (Vignette)

1834

Print made by Henry Le Keux, 1787–1868

Abbotsford, Vignette Title

1834

Print made by William Miller, 1796–1882

Skiddaw

1834

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1833

Print made by Henry Le Keux, 1787–1868

Loch Coriskin

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Print made by William Miller, 1796–1882

Mayence (Vignette)

1834

Print made by Edward Goodall, 1795–1870

HMS Bellerophon, Plymouth Sound (Vignette Title)

1835

Print made by William Miller, 1796–1882

Malmaison

1835

Print made by W. R. Smith, active 1819–1851

Roslin Castle

1834

Print made by James H. Kernot, active early 19th century

Wolf's Hope

1843

Print made by William Miller, 1796–1882

Abbotsford from the Northern Bank of the Tweed

1839

Print made by Robert Brandard, 1805–1862

Mustering of the Warrior Angels (Vignette)

1835

Print made by W. Floyd, active 1845

Fish Market, Rotterdam

1834-1836

Print made by Frederick Bacon, 1803–1887

The Temptation on the Pinnacle (Vignette)

1835

Print made by Edward Goodall, 1795–1870

The Fall of the Rebel Angels (Vignette)

1835

Print made by Edward Goodall, 1795–1870

The Expulsion from Paradise (Vignette)

1835

Print made by Robert Wallis, 1794–1878

Amalfi

1830

Print made by William Miller, 1796–1882

A Garden

1834

Print made by Edward Goodall, 1795–1870

The Gipsy

1834

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Materials & Techniques line engraving

Creator Gender male

Collection Prints and Drawings

Period 19th century

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Materials & Techniques line engraving

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Collection Prints and Drawings

Period 19th century

Image Available Available

Image Use Free to Use

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