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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorCredit Line Yale Center for British Art, Paul Mellon Collection
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Remove constraint Image Available: AvailableSubject Terms woman
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1
- A Great Tree
- ca. 1796
2
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
3
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
4
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
5
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
6
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
7
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
9
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
12
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
14
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
15
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
16
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
17
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
18
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
19
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
20
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
21
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
22
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
23
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
24
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
25
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
26
- Mary Magdalen at the Sepulchre
- ca. 1805
27
- Devoted Wife
- undated
28
- Cat Like Courtship
- undated
29
- A Wood Stream with Angler
- undated
30
- Chalfont Lodge, Buckinghamshire
- undated
31
- Interior of a Gothic Church
- undated
32
- Interior of a Gothic Church
- undated
33
- Window West End, South Aisle, Saint Vincent
- undated
34
- A Seated Peasant Woman Seen From Behind
- undated
35
- A Peasant Woman, Standing, Seen From Behind
- undated
36
- A Seated Peasant Woman
- before 1841
37
- Studies of Tradesmen and Grooms
- undated
38
- Bucks of the First Head
- ca. 1785
39
- The Thatched Cottage
- undated
40
- Wanstead House
- undated
41
- View of the Bridge over Uduanulla, near Rahamahal, Bihar
- undated
42
- Extensive wooded landscape with figures in foreground left
- Undated
43
- Couple in a Farmyard
- 1782
44
- The Rustic Lover
- 1786
45
- Scottish Peasant Women
- undated
46
- Brighton Town and Church
- ca. 1780
47
- An Old Market Woman Grinning and Gesturing with her Left Hand
- undated
48
- La Mancha
- 1828
49
- Italianate Landscape with Travellers no. 2
- ca. 1760
50
- Italianate Landscape with Travelers, No. 1
- ca. 1765
51
- Woman with a Blue Smock
- undated
52
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
53
- A Fisherwoman, Hands under Apron
- undated
54
- Street Scene at Stratford by Bow
- undated
55
- A Woman of Fashion in Walking Dress
- undated
56
- The Assignation
- undated
57
- The Monnow Bridge, Monmouthshire
- before 1814
58
- Incantation Scene
- undated
59
- Mrs. Morland's Portrait
- ca. 1802
60
- Adelaide
- between 1785 and 1786
61
- The Meat Market
- undated
62
- The Poultry Market
- undated
63
- The Spoiled Child, Scene III
- ca. 1802
64
- Conway Castle
- 1789
65
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
66
- The Gate at Blenheim
- 1787
67
- Mrs. Abington
- undated
68
- A Mountain Lake
- undated
69
- Design for the Frontspiece of the Annals of Sporting and Fancy Gazette, Volume 1
- 1822
70
- Woman Bending over Basket
- undated
71
- Design for a Country House
- ca. 1840
72
- A Regency House
- ca. 1820
73
- London Cries: A Muffin Man
- ca. 1759
74
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
75
- Evening
- 1828
76
- Woman with Cattle
- 1803
77
- Coast Scene near Plymouth
- undated
78
- London Cries: "Black Heart Cherries..."
- ca. 1759
79
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
80
- London Cries: "Do You Want any Spoons..."
- ca. 1759
81
- London Cries: A Fishmonger
- ca. 1759
82
- London Cries: Fun upon Fun
- 1759
83
- London Cries: Last Dying Speech and Confession
- ca. 1759
84
- A London Street Crier
- undated
85
- A Regency Pair
- 1802
86
- A Regency Pair: Man with Walking Stick
- 1802
87
- Miss Charlotte Sandby
- undated
88
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
89
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
90
- Faust and Margaret
- undated
91
- Beside the Lily-Pond
- 1869
92
- Woodcutter and His Family
- undated
93
- Riders Outside an Inn
- undated
94
- A Greek Girl Standing on a Balcony
- 1840
95
- Aldenham Church
- ca. 1817
96
- Mrs. William Wilberforce and Child
- 1824
97
- A Lady Reading
- ca. 1835
98
- A Young Woman in a Blue Dress
- undated
99
- A Dancer
- ca. 1836
100
- Woman and Child
- undated