Creator Gender: male / Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1826 / Work Type: intaglio print

Print made by John Constable, 1776–1837

The Ruins of Netley Abbey

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

George H. Phillips, active 1819–1825

The Paphian Bower

1826

William Walker, 1791–1867

Henry Raeburn

1826

Print made by William Miller, 1796–1882

Palace of LaBelle Gabrielle

1826-1837

Print made by Henry Griffiths, 1835–1849

The Wreck

1826-1837

Print made by Thomas Goff Lupton, 1791–1873

Wrapper to 'The Ports of England'

1826

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by Thomas Goff Lupton, 1791–1873

Whitby

1826

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by Thomas Goff Lupton, 1791–1873

Whitby

1826

Print made by Thomas Goff Lupton, 1791–1873

Wrapper to 'The Ports of England'

1826

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by Thomas Goff Lupton, 1791–1873

Whitby

1826

Print made by Robert Wallis, 1794–1878

Virginia Water. No. II

1826-1837

Print made by Edward Goodall, 1795–1870

Florence from the Chiesa al Monte

1826-1837

Print made by Thomas Goff Lupton, 1791–1873

Ports of England, Title Page and Wrapper

1826

Print made by Thomas Goff Lupton, 1791–1873

Wrapper for Ports of England

1826

Print made by Thomas Goff Lupton, 1791–1873

Wrapper for Ports of England

1826

George Cooke, 1781–1834

Billingsgate

1826

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by George Cooke, 1781–1834

Edinburgh Castle, Vignette Title to Vol. I

1826

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by George Cooke, 1781–1834

Edinburgh Castle, Vignette Title to Vol. I

1826

Print made by William Miller, 1796–1882

Bass Rock

1826

Print made by William Radclyffe, 1780–1855

Deal, Kent

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by Robert Wallis, 1794–1878

Folkstone, Kent

1826

Print made by George Cooke, 1781–1834

Dover from Shakespeare's Cliff

1826

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826-1832

John Harris, 1811–1865

The Cathedral Church of Worcester

undated

John Harris, 1811–1865

The North Prospect of the Cathedral Church of St. Mary at Worcester

undated

Print made by Robert Wallis, 1794–1878

1826

Print made by James T. Willmore, 1800–1863

Nantes

1826-1837

Print made by James T. Willmore, 1800–1863

Nantes

1826-1837

Print made by William Miller, 1796–1882

Palace of LaBelle Gabrielle

1826-1837

Print made by Henry Griffiths, 1835–1849

The Wreck

1826-1837

Print made by Edward Goodall, 1795–1870

Richmond Hill

1826

Print made by Edward Francis Finden, 1791–1857

Bolton Abbey, Wharfdale

1826

Print made by Robert Cooper, ca. 1800–1836

A. More

1826

William Camden Edwards, 1777–1855

Nicholas Hilliard

1826

Print made by Robert Wallis, 1794–1878

St. Germain-en-Laye

1826-1837

Print made by Thomas Goff Lupton, 1791–1873

Scarborough

1826

Print made by William Blake, 1757–1827

Illustrations of the Book of Job, pl. 8 (page 7): [Job's Comforters]

1826

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1826

Work Type intaglio print

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Creator Gender male

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1826

Work Type intaglio print

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