Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
4
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
5
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
6
Edward Lear, 1812–1888
English Country Town
undated
7
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
8
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
9
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
10
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
11
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
12
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
13
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
14
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
15
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
16
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
17
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
18
Joseph Nash, 1808–1878
Sketches of Towns People
1827
19
Print made by James T. Willmore, 1800–1863
Alnwick Castle, Northumberland
1827-1838
20
Print made by William Tombleson, ca.1795–1835
Holy Island, Northumberland
1827-1838
21
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
22
Print made by James H. Kernot, active early 19th century
St. Mawes, Cornwall
1827-1838
23
Print made by James Baylis Allen, 1803–1876
Stonyhurst, Lancashire
1827-1838
24
Print made by Robert Wallis, 1794–1878
Trematon Castle, Cornwall
1827-1838
25
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827-1838
26
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
27
Print made by Robert Brandard, 1805–1862
Lancaster Sands
1827-1838
28
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
29
Print made by William Miller, 1796–1882
Great Yarmouth, Norfolk
1827-1838
30
Print made by Robert Wallis, 1794–1878
Trematon Castle, Cornwall
1827-1838
31
John Frederick Lewis, 1804–1876
St. Goarhausen on the Rhine between Koblenz and Mainz
1827
32
John Frederick Lewis, 1804–1876
The Via Mala
1827
33
John Frederick Lewis, 1804–1876
The Valley of Lutscheuen
1827
34
Joseph Nash, 1808–1878
Fashionable Men and Women Promenading
1827
35
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
36
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
37
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
38
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827-1838
39
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1827-1838
40
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
41
Print made by William Radclyffe, 1780–1855
Louth, Lincolnshire
1827-1838
42
Print made by Thomas Jeavons, ca. 1800–1867
Knaresborough, Yorkshire
1827-1838
43
Print made by J. C. Varrall, active 1815–1827
Malmsbury Abbey, Wiltshire
1827-1838
44
Print made by Josiah Henshall, 1806–1869
Winchelsea, Sussex
1827-1838
45
Print made by Robert Wallis, 1794–1878
Ludlow Castle, Shropshire
1827-1838
46
Print made by Robert Wallis, 1794–1878
Ludlow Castle, Shropshire
1827-1838
47
Alfred Diston, active 1818–1829
Square in the Village of Los Silos, Tenerife
1827
48
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
49
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
50
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
51
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
52
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
53
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
54
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
55
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
56
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827-1838
57
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
58
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
59
Print made by Edward Goodall, 1795–1870
Fall of the Tees
1827-1838
60
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
61
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
62
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827-1838
63
Print made by James C. Allen, active 1821–1831
The Custom House
1827
64
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
65
Augustus Welby Northmore Pugin, 1812–1852
Design for a Decorative Object
undated
66
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
67
Augustus Welby Northmore Pugin, 1812–1852
Design for a Monstrance
undated
68
Augustus Welby Northmore Pugin, 1812–1852
Design or a Gothic Screen
undated
69
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Tables
undated
70
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
71
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
undated
72
Augustus Welby Northmore Pugin, 1812–1852
Interior of a Gothic Church
undated
73
Augustus Welby Northmore Pugin, 1812–1852
Design for a Baptismal Font
undated
74
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
75
Augustus Welby Northmore Pugin, 1812–1852
Unidentified Townhouse in a Gothic Style
undated
76
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
77
Augustus Welby Northmore Pugin, 1812–1852
Design for Gothic Ornamentation
undated
78
Augustus Welby Northmore Pugin, 1812–1852
Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
undated
79
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
80
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
undated
81
Augustus Welby Northmore Pugin, 1812–1852
Design for a Coat of Arms
undated
82
William Mulready, 1786–1863
Self-Portrait of the Artist Reclining on a Gothic Couch Reading a Book
1827
83
Robert Smirke, 1752–1845
Malvolio Dancing
1827
84
Augustus Welby Northmore Pugin, 1812–1852
Elevation, Plan and Section of a Bell Tower
undated
85
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
86
Augustus Welby Northmore Pugin, 1812–1852
Interior of a Gothic Church
undated
87
Print made by Augustus Welby Northmore Pugin, 1812–1852
Bishop's Chapel Bishop Eton (built c. 1845-1850)
undated
88
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
89
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
90
William James Muller, 1812–1845
Miniyeh, (El Minya)
undated
91
William James Muller, 1812–1845
Young Fisherman
undated
92
John Brandard, 1812–1863
Ruins of Kenilworth Castle and Bed of the Lake
undated
93
John Brandard, 1812–1863
The Lower Parade with Euston Place, Leamington
undated
94
John Brandard, 1812–1863
The Parade with the Regent Hotel
undated
95
Cornelius Varley, 1781–1873
A Sailing Barge being loaded with Hay, December 1827