Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
4
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
5
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
6
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
7
Edward Lear, 1812–1888
English Country Town
undated
8
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
9
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
10
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
11
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
12
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
13
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
14
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
15
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
16
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
17
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
18
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
19
Joseph Nash, 1808–1878
Fashionable Men and Women Promenading
1827
20
Thomas Stothard, 1755–1834
The Fortune Teller
1827
21
Welby Sherman, active 1827
Shepherd and Shepherdess by Moonlight
undated
22
William James Muller, 1812–1845
Study of a Cottage by a lane
undated
23
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
24
Capt. Thomas Hastings, 1778–1854
Sketch of Boatmen on the Shore, Ships in the Distance
1827
25
William James Muller, 1812–1845
The Bridge
undated
26
William James Muller, 1812–1845
Farm Buildings
undated
27
William James Muller, 1812–1845
A Mountain Torrent
undated
28
William James Muller, 1812–1845
Study of a Rustic Interior Scene
undated
29
John James Chalon, 1778–1854
Music: Composition in a Garden
ca. 1832
30
Charles J. Hullmandel, 1789–1850
Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
1827
31
James Duffield Harding, 1798–1863
Fishermen's Houses at Sculcoats near Hull, Yorkshire
1827
32
Sir George Hayter, 1792–1871
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
33
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
34
William James Muller, 1812–1845
The Bridge at Llangollen
undated
35
Print made by Sir Robert Smirke the younger, 1781–1867
Design for London Bridge Approach
between 1827 and 1835
36
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
37
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
38
William Daniell, 1769–1837
View from the Round Tower, Windsor Castle
1827
39
Cornelius Varley, 1781–1873
A Sailing Barge being loaded with Hay, December 1827
1827
40
Print made by Samuel Cousins, 1801–1887
Master Lambton
1827
41
Print made by William Henry Worthington, ca. 1790–active 1839
Sir Humphrey Davy
1827
42
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
43
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827-1838
44
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
45
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
46
Print made by Edward Goodall, 1795–1870
Fall of the Tees
1827-1838
47
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
48
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827-1838
49
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
50
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827-1838
51
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
52
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827-1838
53
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827-1838
54
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
55
Print made by James C. Allen, active 1821–1831
The Custom House
1827
56
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
57
Print made by James C. Allen, active 1821–1831
The Custom House
1827
58
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838
59
Print made by Edward Goodall, 1795–1870
Tivoli, a Composition
1827
60
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838
61
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827-1838
62
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
63
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
64
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
65
Print made by Robert Wallis, 1794–1878
Lancaster from the Aqueduct Bridge
1827-1838
66
Print made by Edward Goodall, 1795–1870
Fall of the Tees
1827-1838
67
George Fennell Robson, 1788–1833
St. Paul's from Southwark by Sunset
ca. 1832
68
Print made by Charles Turner, 1774–1857
Mrs. Littleton
1827
69
Print made by Samuel Cousins, 1801–1887
La Surprise
1827
70
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1827-1838
71
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1827-1838
72
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
73
Print made by Thomas Jeavons, ca. 1800–1867
Vesuvius in Eruption
1827
74
William James Muller, 1812–1845
Miniyeh, (El Minya)
undated
75
John Brandard, 1812–1863
Ruins of Kenilworth Castle and Bed of the Lake
undated
76
John Brandard, 1812–1863
The Lower Parade with Euston Place, Leamington
undated
77
John Brandard, 1812–1863
The Parade with the Regent Hotel
undated
78
Richard Parkes Bonington, 1802–1828
Study of a Gentleman in 17th Century Costume
between 1827 and 1828
79
William James Muller, 1812–1845
Young Fisherman
undated
80
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1827-1838
81
Print made by James T. Willmore, 1800–1863
Kilgarren Castle, Pembroke
1827-1838
82
Print made by Edward Goodall, 1795–1870
Old London Bridge and Vicinity
1827
83
Print made by Edward Francis Finden, 1791–1857
Temple of Minerva, Cape Colonna
ca. 1832
84
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Wall Lamp
undated
85
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple
undated
86
Augustus Welby Northmore Pugin, 1812–1852
Design for Gothic Ornamentation
undated
87
Augustus Welby Northmore Pugin, 1812–1852
Elevation, Plan and Section of a Bell Tower
undated
88
Augustus Welby Northmore Pugin, 1812–1852
Fragment of a Design for a Gothic Table
undated
89
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church and Monastery
undated
90
Augustus Welby Northmore Pugin, 1812–1852
Design for Gothic Ornamentation
undated
91
Augustus Welby Northmore Pugin, 1812–1852
Place Royale, Paris
undated
92
Robert Smirke, 1752–1845
Malvolio Dancing
1827
93
James Redway, active 1827–1838
Althorp Castle, Northamptonshire
undated
94
Print made by Robert Wallis, 1794–1878
Buckfastleigh Abbey, Devonshire
1827
95
Samuel Prout, 1783–1852
Figures on a Beach
after 1827
96
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Table
undated
97
Augustus Welby Northmore Pugin, 1812–1852
Design for a Stained Glass Window
undated
98
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
99
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches
undated
100
Augustus Welby Northmore Pugin, 1812–1852
Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door