Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
11
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
12
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
13
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
14
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
15
William Blake, 1757–1827
The Triumphs of Temper
1803
16
William Blake, 1757–1827
The Triumphs of Temper
1803
17
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
18
William Blake, 1757–1827
The Triumphs of Temper
1803
19
William Blake, 1757–1827
The Triumphs of Temper
1803
20
William Blake, 1757–1827
The Triumphs of Temper
1803
21
William Blake, 1757–1827
The Triumphs of Temper
1803
22
William Blake, 1757–1827
The Triumphs of Temper
1803
23
Print made by William Blake, 1757–1827
William Cowper
1803-1804
24
Henry Bone, 1755–1834
Portrait of Samuel Lyons
1803
25
John Browne, 1741–1801
Merchant of Venice, Act V, Scene I: Belmont: A Grove or Green Palace before Portia's house
1803
26
Print made by Thomas Burke, 1749–1815
Cymbeline's Palace, in Briton-Imogene, 'Cymbeline,' Act I, Scene II
1803
27
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
28
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
29
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
30
James Caldwall, 1739–1819
Coriolanus, Act IV, Scene III, Coriolanus, etc
1803
31
Anthony Cardon, 1772–1813
Racing: The Return from Coursing
1803
32
William Collins, 1788–1847
Dartmouth
undated
33
Attributed to William Collins, 1788–1847
Landscape with Cart
undated
34
Attributed to William Collins, 1788–1847
Landscape: Valley with Mountain in Distance
undated
35
Attributed to William Collins, 1788–1847
Landscape with Fence
undated
36
Attributed to William Collins, 1788–1847
Landscape with Man on Beach
undated
37
Attributed to William Collins, 1788–1847
Landscape: House and Trees
undated
38
William Collins, 1788–1847
Paddling
undated
39
Joseph Collyer, 1748–1827
Henry VIII, Act V, Scene IV, The Palace
1803
40
John Constable, 1776–1837
Two Ships at Anchor
1803
41
John Constable, 1776–1837
Four East Indiamen at Archor
1803
42
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
43
attributed to John Sell Cotman, 1782–1842
Lake at Trentham, Staffordshire
ca. 1808
44
John Sell Cotman, 1782–1842
Sheriff Hutton Castle, Yorkshire
ca. 1808
45
John Sell Cotman, 1782–1842
Bamborough Castle, Northumberland
ca. 1808
46
John Sell Cotman, 1782–1842
Interior of Norwich Cathedral: Doorway and Screen Between the South Transept and the Aisle of the Presbytery
ca. 1808
47
David Cox, 1783–1859
Haymaking
ca. 1808
48
David Cox, 1783–1859
A Street in Harborne
ca. 1808
49
William Marshall Craig, 1763 or 1764–1829
Landscape with Lime-Kiln and Workmen
ca. 1808
50
George Cruikshank, 1792–1878
Devoted Wife
undated
51
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
52
Print made by William Daniell, 1769–1837
A View of the Commercial Docks at Rotherhithe
1803
53
Print made by William Daniell, 1769–1837
Brunswick Dock on the Thames at Blackwall
1803
54
William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
55
Print made by William Daniell, 1769–1837
Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
1803
56
William Daniell, 1769–1837
Portrait Study of Thomas Hearne
between 1803 and 1819
57
Print made by George Dawe, 1781–1829
James Northcote, Esqr. R. A
1803
58
David Deuchar, 1743–1808
A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Accompanied with Sundry Miscellaneous Pieces and Original Designs
1803
59
John Downman, 1750–1824
Miss Campbell
1803
60
Print made by Godefroy Engelmann, 1788–1839
G. Engelmann
undated
61
Godefroy Engelmann, 1788–1839
Aloys Senefelder
undated
62
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
1803
63
George Siegmund Facius, 1750–1804
All's Well that Ends Well, Act V, Scene III: King, Countess, Lafen, Lords, etc
1803
64
And Johann G. Facius, 1750–after 1802
Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .
1803
65
Anthony Vandyke Copley Fielding, 1787–1855
Cattle Watering by Corinthian Columns
undated
66
James Fittler, 1758–1835
Winter's Tale, Act IV, Scene III: A Shepherds Cot
1803
67
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
68
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
69
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
70
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
71
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
72
James Gillray, 1756–1815
Evacuation of Malta
1803
73
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
74
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
75
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
76
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
77
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
78
James Girtin, ca. 1780–after 1820
Title page for: A Selection of the most Picturesque Views in Paris and its environs
1803
79
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
80
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
81
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
82
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
83
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
84
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
85
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
86
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
87
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
88
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
89
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
90
Thomas Girtin, 1775–1802
View of the Pont St.Michel, taken from the Pont Neuf
1803
91
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
92
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
93
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
94
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
95
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
96
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
97
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
98
Thomas Girtin, 1775–1802
View of the Pantheon, taken from the Arsenal
1803
99
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
1803
100
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde