<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Date 1803

Remove constraint Date: 1803

Search Results

John White Abbott Trees Overhanging a Lake
John White Abbott, 1763–1851
Trees Overhanging a Lake
between 1803 and 1807
Jacques-Laurent Agasse Zebra
Jacques-Laurent Agasse, 1767–1849
Zebra
1803
Not on view
William T. Annis Returned from Market
Print made by William T. Annis, active 1798–1811
Returned from Market
1803
William T. Annis At Market
Print made by William T. Annis, active 1798–1811
At Market
1803
Francesco Bartolozzi Wynnstay Theatre Ticket
Francesco Bartolozzi, 1728–1815
Wynnstay Theatre Ticket
1803
Francesco Bartolozzi Mary Stuart, Queen Of Scotland
Francesco Bartolozzi, 1728–1815
Mary Stuart, Queen Of Scotland
1803
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
Francesco Bartolozzi Earth
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
Francesco Bartolozzi Hurricane
Francesco Bartolozzi, 1728–1815
Hurricane
1803
Sir George Howland Beaumont seventh Baronet Romantic Landscape
Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
William Blake The Life, and Posthumous Writings, of William Cowper (volume 2)
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
William Blake The Life, and Posthumous Writings, of William Cowper, (volume 1)
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
William Blake The Triumphs of Temper
William Blake, 1757–1827
The Triumphs of Temper
1803
William Blake The Triumphs of Temper
William Blake, 1757–1827
The Triumphs of Temper
1803
William Blake Mrs Cowper Mother of the Poet
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
William Blake The Triumphs of Temper
William Blake, 1757–1827
The Triumphs of Temper
1803
William Blake The Triumphs of Temper
William Blake, 1757–1827
The Triumphs of Temper
1803
William Blake The Triumphs of Temper
William Blake, 1757–1827
The Triumphs of Temper
1803
William Blake The Triumphs of Temper
William Blake, 1757–1827
The Triumphs of Temper
1803
William Blake The Triumphs of Temper
William Blake, 1757–1827
The Triumphs of Temper
1803
William Blake William Cowper
Print made by William Blake, 1757–1827
William Cowper
1803-1804
Henry Bone Portrait of Samuel Lyons
Henry Bone, 1755–1834
Portrait of Samuel Lyons
1803
John Browne Merchant of Venice, Act V, Scene I: Belmont: A Grove or Green Palace before Portia's house
John Browne, 1741–1801
Merchant of Venice, Act V, Scene I: Belmont: A Grove or Green Palace before Portia's house
1803
Thomas Burke Cymbeline's Palace, in Briton-Imogene, 'Cymbeline,' Act I, Scene II
Print made by Thomas Burke, 1749–1815
Cymbeline's Palace, in Briton-Imogene, 'Cymbeline,' Act I, Scene II
1803
William Byrne Eton, from the Slough Road
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
William Byrne Wickham from the Marlow Road
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
William Byrne Wickham from the Marlow Road
Print made by William Byrne, 1743–1805
Wickham from the Marlow Road
1803
James Caldwall Coriolanus, Act IV, Scene III, Coriolanus, etc.
James Caldwall, 1739–1819
Coriolanus, Act IV, Scene III, Coriolanus, etc
1803
Anthony Cardon Racing: The Return from Coursing
Anthony Cardon, 1772–1813
Racing: The Return from Coursing
1803
William Collins Dartmouth
William Collins, 1788–1847
Dartmouth
undated
William Collins Landscape with Cart
Attributed to William Collins, 1788–1847
Landscape with Cart
undated
William Collins Landscape: Valley with Mountain in Distance
Attributed to William Collins, 1788–1847
Landscape: Valley with Mountain in Distance
undated
William Collins Landscape with Fence
Attributed to William Collins, 1788–1847
Landscape with Fence
undated
William Collins Landscape with Man on Beach
Attributed to William Collins, 1788–1847
Landscape with Man on Beach
undated
William Collins Landscape: House and Trees
Attributed to William Collins, 1788–1847
Landscape: House and Trees
undated
William Collins Paddling
William Collins, 1788–1847
Paddling
undated
Joseph Collyer Henry VIII, Act V, Scene IV, The Palace
Joseph Collyer, 1748–1827
Henry VIII, Act V, Scene IV, The Palace
1803
John Constable Two Ships at Anchor
John Constable, 1776–1837
Two Ships at Anchor
1803
John Constable Four East Indiamen at Archor
John Constable, 1776–1837
Four East Indiamen at Archor
1803
John Sell Cotman Lakenham, near Norwich
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
John Sell Cotman Lake at Trentham, Staffordshire
attributed to John Sell Cotman, 1782–1842
Lake at Trentham, Staffordshire
ca. 1808
John Sell Cotman Sheriff Hutton Castle, Yorkshire
John Sell Cotman, 1782–1842
Sheriff Hutton Castle, Yorkshire
ca. 1808
John Sell Cotman Bamborough Castle, Northumberland
John Sell Cotman, 1782–1842
Bamborough Castle, Northumberland
ca. 1808
John Sell Cotman Interior of Norwich Cathedral: Doorway and Screen Between the South Transept and the Aisle of the Presbytery
John Sell Cotman, 1782–1842
Interior of Norwich Cathedral: Doorway and Screen Between the South Transept and the Aisle of the Presbytery
ca. 1808
David Cox Haymaking
David Cox, 1783–1859
Haymaking
ca. 1808
David Cox A Street in Harborne
David Cox, 1783–1859
A Street in Harborne
ca. 1808
William Marshall Craig Landscape with Lime-Kiln and Workmen
William Marshall Craig, 1763 or 1764–1829
Landscape with Lime-Kiln and Workmen
ca. 1808
George Cruikshank Devoted Wife
George Cruikshank, 1792–1878
Devoted Wife
undated
William Daniell An Elevated View of the New Dock in Wapping
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
William Daniell A View of the Commercial Docks at Rotherhithe
Print made by William Daniell, 1769–1837
A View of the Commercial Docks at Rotherhithe
1803
William Daniell Brunswick Dock on the Thames at Blackwall
Print made by William Daniell, 1769–1837
Brunswick Dock on the Thames at Blackwall
1803
William Daniell An Elevated View of the New Dock in Wapping
William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
William Daniell Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
Print made by William Daniell, 1769–1837
Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
1803
William Daniell Portrait Study of Thomas Hearne
William Daniell, 1769–1837
Portrait Study of Thomas Hearne
between 1803 and 1819
George Dawe James Northcote, Esqr. R. A.
Print made by George Dawe, 1781–1829
James Northcote, Esqr. R. A
1803
David Deuchar A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Accompanied with Sundry Miscellaneous Pieces and Original Designs
David Deuchar, 1743–1808
A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, particularly Rembrandt, Ostade, Cornelius Bega and Van Vliet, Accompanied with Sundry Miscellaneous Pieces and Original Designs
1803
John Downman Miss Campbell
John Downman, 1750–1824
Miss Campbell
1803
Godefroy Engelmann G. Engelmann
Print made by Godefroy Engelmann, 1788–1839
G. Engelmann
undated
Godefroy Engelmann Aloys Senefelder
Godefroy Engelmann, 1788–1839
Aloys Senefelder
undated
George Siegmund Facius Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
George Siegmund Facius, 1750–1804
Romeo and Juliet: Act IV, Scene V. "Juliet on her bed."
1803
George Siegmund Facius All's Well that Ends Well, Act V, Scene III: King, Countess, Lafen, Lords, etc.
George Siegmund Facius, 1750–1804
All's Well that Ends Well, Act V, Scene III: King, Countess, Lafen, Lords, etc
1803
Johann G. Facius Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . . .
And Johann G. Facius, 1750–after 1802
Antony and Cleopatra, Act III, Scene IX, The Palace in Alexandria . .
1803
Anthony Vandyke Copley Fielding Cattle Watering by Corinthian Columns
Anthony Vandyke Copley Fielding, 1787–1855
Cattle Watering by Corinthian Columns
undated
James Fittler Winter's Tale, Act IV, Scene III: A Shepherds Cot
James Fittler, 1758–1835
Winter's Tale, Act IV, Scene III: A Shepherds Cot
1803
Haveill Gillbank The Benevolent Heir or The Tenant Restored to his Family
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
Haveill Gillbank The Rapacious Steward or Unfortunate Tenant
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
James Gillray Maniac Ravings or Little Boney in a Strong Fit
James Gillray, 1756–1815
Maniac Ravings or Little Boney in a Strong Fit
1803
James Gillray Patriotic Petitions on the Convention
James Gillray, 1756–1815
Patriotic Petitions on the Convention
ca. 1808
James Gillray A Scotch Poney - commonly call'd a Galloway
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
James Gillray Evacuation of Malta
James Gillray, 1756–1815
Evacuation of Malta
1803
James Gillray German - Nonchalence: - or - The Vexation of Little Boney.
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
James Gillray The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
James Girtin Dedication Page for: to the Right Honorable George Earl of Essex
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
James Girtin Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
James Girtin Half Title page for: Views in Paris and its Environs.
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
James Girtin Title page for: A Selection of the most Picturesque Views in Paris and its environs
James Girtin, ca. 1780–after 1820
Title page for: A Selection of the most Picturesque Views in Paris and its environs
1803
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin Views of the Pantheon, taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Thomas Girtin View of the Pont St.Michel, taken from the Pont Neuf
Thomas Girtin, 1775–1802
View of the Pont St.Michel, taken from the Pont Neuf
1803
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
Thomas Girtin The Watermill Above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of the Pantheon, taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon, taken from the Arsenal
1803
Thomas Girtin View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance
1803
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803