Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 18th century / Associated Places: England and United Kingdom / Subject Terms: horses (animals)

1. Limekiln at Coalbrookdale

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 15 7/8 inches (28.9 x 40.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Lord Portmore Watching Racehorses at Exercise on Newmarket Heath

Creator:: John Wootton, 1682–1764
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 26 5/8 x 49 inches (67.6 x 124.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton

Creator:: Johan Joseph Zoffany, 1733–1810
Date:: ca. 1762
Materials & Techniques:: Oil on canvas
Dimensions:: 43 1/4 x 53 inches (109.9 x 134.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

Creator:: Arthur Devis, 1712–1787
Date:: between 1745 and 1747
Materials & Techniques:: Oil on canvas
Dimensions:: 38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Rievaulx Abbey

Creator:: John Wootton, 1682–1764
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 22 x 22 inches (55.9 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. George I at Newmarket, 4 or 5 October, 1717

Creator:: John Wootton, 1682–1764
Date:: ca. 1717
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/8 x 67 1/16 inches (127.3 x 170.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Covent Garden

Creator:: Pieter Angillis, 1685–1734
Date:: ca. 1726
Materials & Techniques:: Oil on copper
Dimensions:: 18 13/16 x 24 13/16 inches (47.8 x 63 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Merton College, Oxford

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1771
Materials & Techniques:: Oil on canvas
Dimensions:: 27 3/4 x 35 5/8 inches (70.5 x 90.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. The Duke of Hamilton's Grey Racehorse 'Victorious' at Newmarket

Creator:: John Wootton, 1682–1764
Date:: ca. 1725
Materials & Techniques:: Oil on canvas
Dimensions:: 113 1/4 x 127 1/8 inches (287.7 x 322.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Calke Hall, Derbyshire, the Seat of Sir Henry Harpur, Bt.

Creator:: unknown artist
Date:: ca. 1734
Materials & Techniques:: Oil on canvas
Dimensions:: 23 3/4 x 36 inches (60.3 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Charing Cross, with the Statue of King Charles I and Northumberland House

Creator:: Joseph Nickolls, active 1713–ca. 1755
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 35 x 50 1/4 inches (88.9 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk

Creator:: James Dunthorne, 1730–1815
Date:: 1765
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 54 inches (90.2 x 137.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Whitehall

Creator:: William Marlow, 1740–1813
Date:: ca. 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 28 × 35 7/8 inches (71.1 × 91.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. St. Paul's Cathedral

Creator:: Canaletto, 1697–1768
Date:: ca. 1754
Materials & Techniques:: Oil on canvas
Dimensions:: Frame: 24 3/4 × 28 3/4 × 1 3/4 inches (62.9 × 73 × 4.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. High Street, Oxford

Creator:: Thomas Malton the Younger, 1748–1804
Date:: between 1798 and 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 35 × 47 inches (88.9 × 119.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Marcia Pitt and Her Brother George Pitt, Later second Baron Rivers, Riding in the Park at Stratfield Saye House, Hampshire

Creator:: Thomas Gooch, 1750–1802
Date:: 1782
Materials & Techniques:: Oil on canvas
Dimensions:: 27 1/8 x 25 1/8 inches (68.9 x 63.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. The Duke of Ancaster's Bay Stallion, Blank, Walking Towards a Mare

Creator:: William Shaw, active 1758–1772
Date:: ca. 1770
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/8 x 50 1/8 inches (101.9 x 127.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Lamprey, with His Owner Sir William Morgan, at Newmarket

Creator:: John Wootton, 1682–1764
Date:: 1723
Materials & Techniques:: Oil on canvas
Dimensions:: 41 x 49 1/2 inches (104.1 x 125.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. The Bathing Place at Ramsgate

Creator:: Benjamin West, 1738–1820
Date:: ca. 1788
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 17 1/2 inches (35.6 x 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. A view of Greenwich from the River with many Boats

Creator:: Jan Griffier the Elder, ca. 1645–1718
Date:: Between 1700-1710
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 32 3/4 inches (45.1 x 83.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. The Duke of Rutland's Bonny Black

Creator:: John Wootton, 1682–1764
Date:: ca. 1715
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 48 1/2 inches (76.2 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. View of Shepperton on the River Thames

Creator:: unknown artist
Date:: after 1752
Materials & Techniques:: Oil on canvas
Dimensions:: 23 1/4 x 48 1/2 inches (59.1 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. The Earl of Rochester's House, New Park, Richmond, Surrey

Creator:: unknown artist
Date:: between 1700 and 1705
Materials & Techniques:: Oil on canvas
Dimensions:: 42 1/4 x 83 1/2 inches (107.3 x 212.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Box Hill, Surrey, with Dorking in the distance

Creator:: George Lambert, 1700–1765
Date:: 1733
Materials & Techniques:: Oil on canvas
Dimensions:: 35 11/16 x 53 9/16 inches (90.6 x 136 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Old Walton Bridge

Creator:: Canaletto, 1697–1768
Date:: 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/8 x 48 1/8 inches (46 x 122.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Restoration Procession of Charles II at Cheapside

Creator:: unknown artist
Date:: mid-18th century
Materials & Techniques:: Oil on canvas
Dimensions:: 50 x 40 inches (127 x 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Aysgarth Falls, Yorkshire

Creator:: Balthazar Nebot, active 1730–1762
Date:: between 1750 and 1762
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 44 inches (76.2 x 111.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. Whitehaven, Cumbria, Showing Flatt Hall

Creator:: Matthias Read, 1669–1747
Date:: between 1730 and 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 72 inches (101.6 x 182.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. Christ Church Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1793 to 1794
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Interior of St. John's Palace, Eltham

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 10 3/4 inches (33.3 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Dent de Lion, Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1791
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Mansion House

Creator:: John Maurer, active 1713–1761
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Farningham, Kent

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: 1784
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 6 15/16 inches (12.4 × 17.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. King's Mews, Charing Cross, London: Section

Creator:: William Kent, ca.1686–1748
Date:: 1731
Materials & Techniques:: Graphite, pen and black ink and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 12 7/8 inches (25.1 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Design for the Parterre at Hampton Court

Creator:: unknown artist
Date:: early 18th century
Materials & Techniques:: Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Hawkstone Hall, Shropshire

Creator:: unknown artist
Date:: ca. 1790
Materials & Techniques:: Graphite, chalk and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/16 × 19 3/8 inches (33.8 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

Creator:: Print made by George Barret, ca. 1728/32–1784
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/4 inches (12 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Gateway of Lancaster Castle

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Unloading Pit Props at Coalbrookdale

Creator:: Thomas Hearne, 1744–1817
Date:: after 1790
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 x 7 1/2 inches (21.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed stipple engraving with aquatint and drypoint
Dimensions:: Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The City of Bath taken from the London Road

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Bath: The Circus

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 15/16 × 14 13/16 inches (27.8 × 37.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A View of the Bridge at Walton-on-Thames in Surrey

Creator:: Charles Grignion, 1717–1810
Date:: 1752
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 3/8 x 16 5/8 inches (28.9 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A Perspective View of Whitehall

Creator:: John Maurer, active 1713–1761
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral

Creator:: Sir James Thornhill, 1675–1734
Date:: between 1709 and 1717
Materials & Techniques:: Red chalk on thin, moderately textured, brown laid paper
Dimensions:: Sheet: 9 1/2 × 11 3/4 inches (24.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Cobham Hall, Kent: Plan of Stables

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink on two joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 34 x 34 inches (86.4 x 86.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Old Walton Bridge seen from the Middlesex Shore

Creator:: Canaletto, 1697–1768
Date:: 1755
Materials & Techniques:: Pen and brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/8 x 26 3/4 inches (28.9 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Old Bridge at Shrewsbury

Creator:: Paul Sandby, 1731–1809
Date:: 1772
Materials & Techniques:: Watercolor and gouache on canvas
Dimensions:: Sheet: 28 1/2 x 37 3/8 inches (72.4 x 94.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. An Artist Sketching in Windsor Park

Creator:: Benjamin West, 1738–1820
Date:: 1789
Materials & Techniques:: Pen in brown ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 3/4 x 18 inches (27.3 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Bath: The South Parade

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/8 × 15 3/8 inches (28.2 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Admiralty Office

Creator:: Print made by Thomas Bowles, ca. 1712–died 1753
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Margate

Creator:: attributed to Benjamin West, 1738–1820
Date:: 1767
Materials & Techniques:: Black chalk on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 x 21 3/8 inches (35.6 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Whitehall Showing Holbein's Gate and Banqueting Hall

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View at Charlton, Kent

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1783
Materials & Techniques:: Gouache and watercolor on thin paper mounted on panel
Dimensions:: Sheet: 11 1/2 x 17 3/8 inches (29.2 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. London Cries: A Tinker and His Wife

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Gray wash, graphite, and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 5 5/8 inches (19.4 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Church of St. Mary Le Bow in Cheapside London

Creator:: Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Lord Mayor's Mansion House, shewing the Front of the House & the West Side

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A View of the Countess of Soffolks House near Twickenham

Creator:: James Mason, 1710–1783
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A View of Somerset House with St. Mary's Church in the Strand London

Creator:: Thomas Bowles, ca. 1712–died 1753
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Creator:: Edward Hull, 1810–1877
Date:: ca. 1835
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. "Fearnought Going to Run Against The D: of Devon: Smart"

Creator:: James Seymour, 1702–1752
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Prudhoe Castle, Northumberland

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. A Prospect of St. James's Park

Creator:: Nathaniel Parr, active 1742–1751
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. A View from Richmond Hill up the River

Creator:: Francois Vivares, 1709–1780
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 x 17in. (29.2 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Westminster Abbey and St. Paul's from Battersea Fields

Creator:: Nathaniel Smith, 1740–1787
Date:: undated
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 1/4 × 16 1/4 inches (26 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Earthquake Scare in Piccadilly

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1750
Materials & Techniques:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords

Creator:: John Maurer, active 1713–1761
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Review of Light Horse Volunteers on Wimbledon Common

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. View of Queen Square

Creator:: Engraved by Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Queen Square, London

Creator:: Edward Dayes, 1763–1804
Date:: 1786
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:: Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

Creator:: Thomas Daniell, 1749–1840
Date:: 1796
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. A Review on Blackheath, May 1785

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A Review in a Market Place

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and gray and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 x 19 5/8 inches (34.3 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Bodmin Cornwall: French Prisoners on Parole

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Newport High Street, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. London from Highgate Hill

Creator:: Thomas Girtin, 1775–1802
Date:: 1792
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Tithe Barn at Abbotsbury with the Abbey on the hill...

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Projected Design for Fonthill Abbey, Wiltshire

Creator:: James Wyatt, 1746–1813
Date:: 1798
Materials & Techniques:: Watercolor and graphite on slightly textured, cream wove paper
Dimensions:: Frame: 28 1/2 x 43 1/2 x 2 inches (72.4 x 110.5 x 5.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Comforts of Bath: Coaches Arriving

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1798
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 5 5/8 x 8 7/16 inches (14.3 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. View of Wingerworth Hall, Derbyshire

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1783
Materials & Techniques:: Watercolor with black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 20 5/8 inches (35.2 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Kennington Common

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1776
Materials & Techniques:: Watercolor with gray ink and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 x 20 1/4 inches (33.7 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Credit Line Yale Center for British Art, Paul Mellon Collection

Period 18th century

Associated Places England

Associated Places United Kingdom

Subject Terms horses (animals)

Search Results

1. Limekiln at Coalbrookdale

2. Lord Portmore Watching Racehorses at Exercise on Newmarket Heath

3. David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton

4. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

5. Rievaulx Abbey

6. George I at Newmarket, 4 or 5 October, 1717

7. Covent Garden

8. Merton College, Oxford

9. The Duke of Hamilton's Grey Racehorse 'Victorious' at Newmarket

10. Calke Hall, Derbyshire, the Seat of Sir Henry Harpur, Bt.

11. Charing Cross, with the Statue of King Charles I and Northumberland House

12. John Sidey and his Hounds at a Farmhouse near Hadleigh, Suffolk

13. Whitehall

14. St. Paul's Cathedral

15. High Street, Oxford

16. Marcia Pitt and Her Brother George Pitt, Later second Baron Rivers, Riding in the Park at Stratfield Saye House, Hampshire

17. The Duke of Ancaster's Bay Stallion, Blank, Walking Towards a Mare

18. Lamprey, with His Owner Sir William Morgan, at Newmarket

19. The Bathing Place at Ramsgate

20. A view of Greenwich from the River with many Boats

21. The Duke of Rutland's Bonny Black

22. View of Shepperton on the River Thames

23. The Earl of Rochester's House, New Park, Richmond, Surrey

24. Box Hill, Surrey, with Dorking in the distance

25. Old Walton Bridge

26. Restoration Procession of Charles II at Cheapside

27. Aysgarth Falls, Yorkshire

28. Whitehaven, Cumbria, Showing Flatt Hall

29. Christ Church Gate, Canterbury

30. Interior of St. John's Palace, Eltham

31. Dent de Lion, Margate

32. The Mansion House

33. Farningham, Kent

34. King's Mews, Charing Cross, London: Section

35. Design for the Parterre at Hampton Court

36. Hawkstone Hall, Shropshire

37. Devonshire Place and Wimpole Street, from the New Road, St. Mary le Bone

38. The Gateway of Lancaster Castle

39. Unloading Pit Props at Coalbrookdale

40. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

41. The City of Bath taken from the London Road

42. Bath: The Circus

43. A View from Richmond Hill Up the River

44. A View of the Bridge at Walton-on-Thames in Surrey

45. A Perspective View of Whitehall

46. Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral

47. Cobham Hall, Kent: Plan of Stables

48. Old Walton Bridge seen from the Middlesex Shore

49. Old Bridge at Shrewsbury

50. An Artist Sketching in Windsor Park

51. Bath: The South Parade

52. The Admiralty Office

53. Margate

54. Sketch for the Oil Painting "The Conversion of St. Paul"

55. Whitehall Showing Holbein's Gate and Banqueting Hall

56. View at Charlton, Kent

57. London Cries: A Tinker and His Wife

58. The Church of St. Mary Le Bow in Cheapside London

59. The Lord Mayor's Mansion House, shewing the Front of the House & the West Side

60. A View of the Countess of Soffolks House near Twickenham

61. A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

62. A View of Somerset House with St. Mary's Church in the Strand London

63. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

64. "Fearnought Going to Run Against The D: of Devon: Smart"

65. Prudhoe Castle, Northumberland

66. A Prospect of St. James's Park

67. A View from Richmond Hill up the River

68. Westminster Abbey and St. Paul's from Battersea Fields

69. Dr. Batty's House at Twickenham as View'd from the opposite Shore of the River Thames

70. The Earthquake Scare in Piccadilly

71. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation