Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
2
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
3
Etched by Joseph Mallord William Turner, 1775–1851
Inverary Castle and Town, Scotland
1816
4
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
5
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
6
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
7
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
8
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
9
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
10
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
11
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
12
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
13
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
14
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
15
Etched by Joseph Mallord William Turner, 1775–1851
Tenth Plague of Egypt
1816
16
Etched and engraved by Joseph Mallord William Turner, 1775–1851
The Source of the Arveron in the Valley of Chamouni, Savoy
1816
17
Etched by Joseph Mallord William Turner, 1775–1851
Ville de Thun, Switzerland
1816
18
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
19
Etched by Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
1816
20
Etched by Joseph Mallord William Turner, 1775–1851
Dumblain Abbey, Scotland
1816
21
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex. The Seat of John Fuller Esq
1816
22
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
23
Print made by William Bernard Cooke, 1778–1855
Vale of Heathfield, Sussex
1816
24
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816
25
Print made by William Bernard Cooke, 1778–1855
Winchelsea
1816 to 1820
26
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816 to 1820
27
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
28
Print made by James C. Allen, active 1821–1831
The Ivy Bridge, Devonshire
1816
29
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
30
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1816 to 1823
31
Print made by unknown artist
Princess of Wurtemberg
1816
32
Print made by William Say, 1768–1834
Cupid and Psyche
1816
33
Print made by John Martin, 1789–1854
A Classical City
1816
34
R. Page, active 1816–1825
Carlo Maratti
1816
35
Print made by John Scott, 1774–1828
Harewood House
1816
36
Print made by George Cooke, 1781–1834
Gledhow
1816
37
Print made by unknown artist
Flower Garden Porch at Farnley
1816
38
Print made by George Cooke, 1781–1834
Gledhow
1816
39
Print made by John Scott, 1774–1828
Harewood House
1816
40
Print made by William Bernard Cooke, 1778–1855
Falmouth, Cornwall
1816
41
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock from Mount Edgecumbe
1816
42
Print made by William Bernard Cooke, 1778–1855
Plymouth Dock, from Mount Edgecumbe
1816
43
Print made by William Bernard Cooke, 1778–1855
The Spot where Harold Fell
1816 to 1820
44
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
45
Print made by William Bernard Cooke, 1778–1855
The Vale of Ashburnham
1816
46
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
47
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
48
Print made by unknown artist
The Little Devil's Bridge
between 1816 and 1820
49
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
50
Print made by William Bernard Cooke, 1778–1855
The Observatory at Rosehill, Sussex
1816
51
Print made by John Young, 1755–1825
A Woman Swearing her Child to a Grave Citizen
1816
52
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
53
Charles Turner, 1774–1857
John, Earl of St. Vincent, Admiral of the Red
1816
54
Print made by Robert Havell, 1769–1832
View of the Royal Military Academy, Woolwich
1816
55
unknown artist
Portrait of Engelmann, in profile
1816
56
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
57
Attributed to Henry Dawe, 1790–1848
Raglan Castle
1816
58
Robert Havell, 1769–1832
View of the Royal Artillery Barracks, Woolwich
1816
59
William Say, 1768–1834
Mrs. Litchfield
1816
60
Joseph Constantine Stadler, active 1780–1812
A View of Horse Guards from Whitehall
1816
61
Print made by Charles Turner, 1774–1857
Field Marshal, The Duke of Wellington
1816
62
J. L. Marks, active 1787–1799
Adventures in a Snoozing Cellar
ca. 1821
63
Henry R. Cook, active 1802–1849
Interior and Exterior Views of the Olympic Theatre near Drury Lane
1816
64
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
65
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
66
Print made by John Hill, 1770–1850
North-West Front, Cassiobury
1816
67
Print made by John Hill, 1770–1850
The Great Cloister, Cassiobury
1816
68
unknown artist
View of the Vauxhall Iron Bridge
1816
69
Giovanni Vendramini, 1769–1839
Sir Francis Bourgeois
1816
70
unknown artist
View of the Vauxhall Iron Bridge
1816
71
Robert Havell, 1769–1832
Coaching [a pair]: 1. Stage Coach Setting Off
1816
72
unknown artist
Mortar in St. James' Park
1816
73
Sir Cuthbert Sharp, active 1816
History of Hartlepool (Durham, 1816)
1816
74
John Young, 1755–1825
Christ giving sight to the blind
1816
75
Sir Cuthbert Sharp, active 1816
History of Hartlepool (Durham, 1816)
1816
76
William Wise, Active 1823–1876
Interior of Crosby Hall (Looking South)
1816
77
Samuel Rawle, 1771–1860
Interior of Part of Crosby Hall, Called the Council Room
1816
78
William Wise, Active 1823–1876
Northeast View of Crosby Hall
1816
79
unknown artist
Gateway St. Stephen's Church, Coleman Street
1816
80
Thomas Higham, 1796–1844
The Excise Office
1816
81
Print made by William Bernard Cooke, 1778–1855
Battle Abbey, The spot where Harold Fell
1816
82
Print made by William Bernard Cooke, 1778–1855
Crowhurst, Sussex
1816
83
Print made by William Bernard Cooke, 1778–1855
Brightling Observatory
1816
84
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
85
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
86
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1816
87
Print made by William Bernard Cooke, 1778–1855
Source of the Tamar and Torridge
1816
88
John Young, 1755–1825
Christ giving sight to the blind
1816
89
Attributed to Richard Dighton, 1795–1880
A Discharged Fifer
ca. 1821
90
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
91
J. L. Marks, active 1787–1799
Going to the Levee
ca. 1821
92
unknown artist
View of London from the Strand Bridge
1816
93
J. L. Marks, active 1787–1799
His Majesty Landing on the Pier at Howth
ca. 1821
94
J. L. Marks, active 1787–1799
Disagreeable Adventures of Brian Boru and Captain Grammachree in an Irish Whiskey Parlour (from: Caricature, vol. 6)
ca. 1821
95
Print made by Henry Dawe, 1790–1848
Mill near the Grand Chartreuse, Dauphiny
1816
96
Daniel Havell, 1785–1826
A View of the London Dock, from St. Georges in the East
1816
97
Robert Wallis, 1794–1878
Interior of the Royal Exchange
1816
98
Daniel Havell, 1785–1826
A View of London from the Queen's Palace
1816
99
Daniel Havell, 1785–1826
London, taken near the New Custom House
1816
100
Thomas Sutherland, ca. 1785–1838
Ante Chamber Leading to the Throne Room, Carlton House