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Date 1827

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John Constable Study of Three Parrot Tulips
Attributed to John Constable, 1776–1837
Study of Three Parrot Tulips
ca. 1832
Not on view
Francis Danby Study for "The Golden Age"
Francis Danby, 1793–1861
Study for "The Golden Age"
1827
John Constable Sky Study with Rainbow
John Constable, 1776–1837
Sky Study with Rainbow
1827
Joseph Mallord William Turner Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Joseph Mallord William Turner, 1775–1851
Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
ca. 1832
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Edward Lear Entrance to the Port of Marseille
Edward Lear, 1812–1888
Entrance to the Port of Marseille
undated
Edward Lear Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
Edward Lear, 1812–1888
Illustration to Tennyson's "The Gardener's Daughter:" Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade'
undated
Edward Lear Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
Edward Lear, 1812–1888
Illustration to Tennyson's "You Ask Me Why": Areka Palms, Ratanapooru, Ceylon - `I will see before I die The Palms and Temples of the South'
undated
Edward Lear English Country Town
Edward Lear, 1812–1888
English Country Town
undated
Edward Lear Venice, the Doge's Palace
Edward Lear, 1812–1888
Venice, the Doge's Palace
undated
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
James Ward Cattle at a Pool at Sunrise
James Ward, 1769–1859
Cattle at a Pool at Sunrise
1827
Not on view
George Vincent A View of Thames Street, Windsor
George Vincent, 1796–1832
A View of Thames Street, Windsor
1827 to 1830
Not on view
William Collins Frost Scene
William Collins, 1788–1847
Frost Scene
1827
Not on view
Thomas Phillips Portrait of Charles Frederick Schlaberg, London, 1827
Thomas Phillips, 1770–1845
Portrait of Charles Frederick Schlaberg, London, 1827
1827
Not on view
Richard Redgrave Self-Portrait
Richard Redgrave, 1804–1888
Self-Portrait
ca. 1832
Not on view
John Ferneley Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
John Ferneley, 1782–1860
Miss Catherine Herrick with her Nieces and Nephews, the Five Elder Children of the Rev. and Mrs. Henry Palmer
1827
Not on view
Augustus Welby Northmore Pugin Design for a Gothic Church Altar and Organ
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Church Altar and Organ
undated
Augustus Welby Northmore Pugin Design or a Gothic Screen
Augustus Welby Northmore Pugin, 1812–1852
Design or a Gothic Screen
undated
Augustus Welby Northmore Pugin Design for Branch for the Speaker's Chair
Augustus Welby Northmore Pugin, 1812–1852
Design for Branch for the Speaker's Chair
undated
Augustus Welby Northmore Pugin Designs for Gothic Ornamentation
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Ornamentation
undated
Augustus Welby Northmore Pugin St. Giles' Catholic Church: Elevation of the Steeple
Print made by Augustus Welby Northmore Pugin, 1812–1852
St. Giles' Catholic Church: Elevation of the Steeple
undated
Augustus Welby Northmore Pugin Fragment of a Design for a Gothic Table
Augustus Welby Northmore Pugin, 1812–1852
Fragment of a Design for a Gothic Table
undated
Augustus Welby Northmore Pugin Design for a Gothic Table
Augustus Welby Northmore Pugin, 1812–1852
Design for a Gothic Table
undated
Augustus Welby Northmore Pugin Unidentified Townhouse in a Gothic Style
Augustus Welby Northmore Pugin, 1812–1852
Unidentified Townhouse in a Gothic Style
undated
Augustus Welby Northmore Pugin Design for a Coat of Arms
Augustus Welby Northmore Pugin, 1812–1852
Design for a Coat of Arms
undated
Augustus Welby Northmore Pugin Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
Augustus Welby Northmore Pugin, 1812–1852
Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
undated
Augustus Welby Northmore Pugin Sketch of the Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Sketch of the Interior of a Gothic Church
undated
Augustus Welby Northmore Pugin Sketch of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Gothic Church
undated
Edward Francis Burney Study of Ancient Roman Millstone (?)
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
Welby Sherman The Shepherd
Engraved by Welby Sherman, active 1827
The Shepherd
between 1827 and 1836
George Richmond The Shepherd
Print made by George Richmond, 1809–1896
The Shepherd
1827
Robert Wallis William Tell's Chapel
Print made by Robert Wallis, 1794–1878
William Tell's Chapel
1827
Robert Wallis St. Maurice
Print made by Robert Wallis, 1794–1878
St. Maurice
1827
Joseph Stannard The Beach at Mundesley
Joseph Stannard, 1797–1830
The Beach at Mundesley
1827
Edward Goodall Florence
Print made by Edward Goodall, 1795–1870
Florence
1827
unknown artist The Remains of H.R.H. the Duke of York Lying in State
unknown artist
The Remains of H.R.H. the Duke of York Lying in State
1827
George Cooke Tooting Church
George Cooke, 1781–1834
Tooting Church
1827
George Cooke Blackfriar's Bridge
George Cooke, 1781–1834
Blackfriar's Bridge
1827
R. Martin A View of the East Side of London Bridge in 1827
R. Martin, active 1823–1840
A View of the East Side of London Bridge in 1827
1827
William Tombleson City of London, Arch of Waterloo Bridge
Print made by William Tombleson, ca.1795–1835
City of London, Arch of Waterloo Bridge
1827
George Cooke The Tower of London from the Excavations for St. Katherine's Dock
George Cooke, 1781–1834
The Tower of London from the Excavations for St. Katherine's Dock
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
Edward Goodall Rievaulx Abbey, Yorkshire
Print made by Edward Goodall, 1795–1870
Rievaulx Abbey, Yorkshire
1827
W. R. Smith Dartmouth Cove
Print made by W. R. Smith, active 1819–1851
Dartmouth Cove
1827
Robert Wallis Colchester, Essex
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827
Robert Wallis Lancaster, from the Aqueduct Bridge
Print made by Robert Wallis, 1794–1878
Lancaster, from the Aqueduct Bridge
1827
Edward Goodall Fall of the Tees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Tees, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Robert Wallis Bolton Abbey, Yorkshire
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Edward Goodall Fall of the Trees, Yorkshire
Print made by Edward Goodall, 1795–1870
Fall of the Trees, Yorkshire
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
J. C. Varrall Launceston, Cornwall
Print made by J. C. Varrall, active 1815–1827
Launceston, Cornwall
1827
Robert Wallis Barnard Castle, Durham
Print made by Robert Wallis, 1794–1878
Barnard Castle, Durham
1827
W. R. Smith Saltash, Cornwall
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
George Cooke Tottenham High-Cross
George Cooke, 1781–1834
Tottenham High-Cross
1827
W. R. Smith Richmond, Yorkshire
Print made by W. R. Smith, active 1819–1851
Richmond, Yorkshire
1827
Edward Goodall Aldborough, Suffolk
Print made by Edward Goodall, 1795–1870
Aldborough, Suffolk
1827
Robert Brandard Orford, Suffolk
Print made by Robert Brandard, 1805–1862
Orford, Suffolk
1827
unknown artist The Old Adam and Eve Tavern, Hampstead Road
unknown artist
The Old Adam and Eve Tavern, Hampstead Road
1827
Sweet, Robert, 1783-1835, author. Flora Australasica, or, A selection of handsome, or curious plants, natives of New Holland, and the South Sea Islands :
Sweet, Robert, 1783–1835
Flora Australasica, or, A selection of handsome, or curious plants, natives of New Holland, and the South Sea Islands
1827-28
George Cooke Suspension Bridge at Hammersmith
George Cooke, 1781–1834
Suspension Bridge at Hammersmith
1827
William James Muller Young Fisherman
William James Muller, 1812–1845
Young Fisherman
undated
John Brandard The Parade with the Regent Hotel
John Brandard, 1812–1863
The Parade with the Regent Hotel
undated
John Brandard The Lower Parade with Euston Place, Leamington
John Brandard, 1812–1863
The Lower Parade with Euston Place, Leamington
undated
Carl Trautmann Ansicht vom Schact und Tunnel unter Themse zu London
Carl Trautmann, active 1835
Ansicht vom Schact und Tunnel unter Themse zu London
1827
George Cooke Hanover Terrace Regent's Park
George Cooke, 1781–1834
Hanover Terrace Regent's Park
1827
unknown artist Old Hackney Church Interior
unknown artist
Old Hackney Church Interior
1827
T. Levens Ancient Sculpture on the Walls of St. Dunstans Stebenlethe
T. Levens
Ancient Sculpture on the Walls of St. Dunstans Stebenlethe
1827
George Cooke Enfield, Outer Suburb North
George Cooke, 1781–1834
Enfield, Outer Suburb North
1827
John Goddard This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell...
John Goddard, active 1811–1842
This Northwest Perspective View front Elevation of the New Church of St. George, Camberwell..
1827
William Deeble The London Institution, Funsbury Circus
William Deeble, active 1814–1849
The London Institution, Funsbury Circus
1827
unknown artist Ticket for a Performance of Sacred Music on 1st March 1827
unknown artist
Ticket for a Performance of Sacred Music on 1st March 1827
1827
George Cooke Wilsdon Church, Middlesex
George Cooke, 1781–1834
Wilsdon Church, Middlesex
1827
Thomas Goff Lupton Dover
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
Thomas Goff Lupton Dover
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
Thomas Goff Lupton Ramsgate
Print made by Thomas Goff Lupton, 1791–1873
Ramsgate
1827
Thomas Goff Lupton Ramsgate
Print made by Thomas Goff Lupton, 1791–1873
Ramsgate
1827
Thomas Goff Lupton Dover
Print made by Thomas Goff Lupton, 1791–1873
Dover
1827
Thomas Goff Lupton Ramsgate
Print made by Thomas Goff Lupton, 1791–1873
Ramsgate
1827
Edward Duncan A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht
Edward Duncan, 1803–1882
A View of Ramsgate with the 'Emma', Sir William Curtis's Yacht
1827
Charles Turner Robert Banks Jenkinson, 2nd Earl of Liverpool
Print made by Charles Turner, 1774–1857
Robert Banks Jenkinson, 2nd Earl of Liverpool
1827
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1827
Robert Smirke Taming of the Shrew
Robert Smirke, 1752–1845
Taming of the Shrew
1827
Richard Parkes Bonington Campos sur les bords du Rio das Velhas
Print made by Richard Parkes Bonington, 1802–1828
Campos sur les bords du Rio das Velhas
1827
Newton Limbird Smith Fielding Hare in a Landscape
Newton Limbird Smith Fielding, 1799–1856
Hare in a Landscape
1827
Richard Parkes Bonington Croix de Moulin les Planches
Print made by Richard Parkes Bonington, 1802–1828
Croix de Moulin les Planches
1827
Richard Parkes Bonington Pierre de Vaivre
Print made by Richard Parkes Bonington, 1802–1828
Pierre de Vaivre
1827