Cricket played by the Gentlemens Club, Whiteconduit House
1784
202
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
203
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
204
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
205
Print made by Thomas Burford, ca. 1710–after 1774
The Death of the Fox
1794
206
Print made by Thomas Burford, ca. 1710–after 1774
Making a Cast at a Fault
1794
207
Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
208
Print made by Francesco Bartolozzi, 1728–1815
To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
1792
209
Print made by Johnson, active 1766
The Italian Bird Catcher
1766
210
Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
211
Print made by James Walker, 1748–1808
Wakefield
1798
212
James Watson, 1740–1790
Lord Charles Bunbury
1768
213
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
214
John Collet, ca. 1725–1780
A Game of Bowls
undated
215
Thomas Daniell, 1749–1840
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
1796
216
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
217
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
218
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
219
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
220
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
221
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
222
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
223
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
224
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
225
James Seymour, 1702–1752
Coursing - After the Kill
undated
226
James Seymour, 1702–1752
Flying Childers and Grooms
undated
227
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
228
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
229
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
230
James Seymour, 1702–1752
A Boar Hunt
undated
231
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
232
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
233
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
234
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
235
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
236
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
237
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
238
James Seymour, 1702–1752
Conqueror Going to Start
undated
239
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
240
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
241
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
242
Samuel Howitt, 1756–1822
Racing Scene
1792
243
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
244
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
245
Thomas Rowlandson, 1756–1827
A French Nobleman out Shooting
1778
246
Print made by Richard Houston, ca. 1721–1775
Childers, the Fleetest Horse that Ever Run at Newmarket
1755
247
Print made by Richard Houston, ca. 1721–1775
The Portraiture of White-Nose
1756
248
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
249
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Babraham
1756
250
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Dormouse
1755
251
Print made by Richard Houston, ca. 1721–1775
The Portrature of Sedbury
1755
252
Print made by Richard Houston, ca. 1721–1775
The Portraiture of the Cullen Arabian
1756
253
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
254
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
255
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
256
Print made by Richard Houston, ca. 1721–1775
The Portraiture of the Fine Chesnut Arabian
1756
257
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Bay Bolton
1756
258
Print made by Richard Houston, ca. 1721–1775
The Portraiture of the Famous Horse Old Partner
1755
259
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Bald Charlotte
1756
260
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Lamprey
1755
261
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
262
Print made by Richard Houston, ca. 1721–1775
The Portraiture of Crab, Late the Property of the Right Honorable Earl of Portmore