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Period 18th century
Remove constraint Period: 18th centuryWork Type watercolor
Remove constraint Work Type: watercolorHeight [cm] 23
Remove constraint Height [cm]: 23Search Results
1
- Christ Church Gate, Canterbury
- 1793 to 1794
2
- The Angler
- 1794
3
- Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
- 1794
4
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
5
- Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
- 1794
6
- Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
- 1794
7
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
8
- America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
- 1793
9
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
10
- Political Caricature: "The Spiritualists"
- undated
11
- The Horse Guard's Parade, Whitehall
- undated
12
- Quatrieme Position du Salut
- 1763
13
- De la Parade du Cavé sur le Coup de Flanconnade
- 1763
14
- A Maribhou at Gunmjanm
- undated
15
- Man with a Yellow Shawl Sitting Crosslegged
- undated
16
- Devotee in a Green Turban
- ca. 1790
17
- A Nautch or Dance
- ca. 1792
18
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
19
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
20
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
21
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
22
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
23
- British Troops Disembarking
- 1799
24
- Premiere Position pour tirer L'Epée
- 1763
25
- Position pour la Garde en Quarte
- 1763
26
- Position pour le Garde en Tierce et le Coup de Tierce
- 1763
27
- Position pour la Garde en Tierce
- 1763
28
- Position pour la Garde en Quarte et le Coup de Quarte
- 1763
29
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
30
- Position de la Garde de Tierce et le Coup de Seconde
- 1763
31
- Position de la Garde en Quarte, et le Coup de Flanconnade
- 1763
32
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
33
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
34
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
35
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
36
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
37
- Man and Two Women
- undated
38
- Mount Palatine
- 1783
39
- Goodrich Castle on the Wye
- ca. 1785
40
- Landing Place at Pallanza
- undated
41
- Matlock High Tor
- 1784
42
- Self-portrait of Gangaram as a Devotee
- ca. 1790
43
- Chamaeler Chamaeleon
- undated
44
- Landscape with Lake and Figures on a Rocky Road
- 1777
45
- Kenilworth Castle, with Figures on the Hillside
- undated
46
- Italianate Landscape Composition
- undated
47
- Characters in the Streets of London
- 1799
48
- Study of a Tree
- ca. 1780
49
- Design for a Ceiling
- undated
50
- Persian Sword Hilt Set with Diamonds
- undated
51
- Capriccio of a Venetian Courtyard
- undated
52
- Figure studies
- 1723
53
- Almshouses in St. Cuthbert's Churchyard, Wells
- undated
54
- Portrait of Moses Kean
- undated
55
- The Chapel of the Greyfriars Monastery, Winchester
- between 1790 and 1795
56
- The Bridge and Castle at Rochester
- 1757
57
- North East View of Mr. Hare's New House
- 1783
58
- A Wood Stream with Angler
- undated
59
- Landscape with a Dwelling in Ruin
- 1760
60
- A Greyhound
- 1760
61
- Abbey Ruin
- 1760
62
- A Dwelling
- ca. 1760
63
- A Cottage
- 1760
64
- Head Portrait of Grayhound
- 1760
65
- Is'Tmo di Cizico unito al Continente
- ca. 1750
66
- View of the Valley of Hierapolis (now Pamukkale)
- ca. 1750
67
- Situazione Di Ceramo
- ca. 1750
68
- View of the Valley of Laodicea
- ca. 1750
69
- Mausolio d'Haliatte in Faccia a Sardes
- ca. 1750
70
- Ensete ventricosum
- undated
71
- A Fish
- undated
72
- A Fish from the Red Sea
- undated
73
- A Fish
- undated
74
- Najel
- undated
75
- Locust
- undated
76
- The Obelisk in the Garden at Versailles
77
- Joiner's Hall
- between 1794 and 1800
78
- Westminster Hall
- 1798
79
- Rolls Chapel
- between 1794 and 1800
80
- Clifford's Inn
- between 1794 and 1800
81
- Lincoln's Inn Hall and Chapel
- between 1794 and 1800
82
- Temple Church
- between 1794 and 1800
83
- Guildhall
- between 1794 and 1800
84
- Painter's Hall
- between 1794 and 1800
85
- The Inner Temple
- between 1794 and 1800
86
- Gray's Inn
- between 1794 and 1800
87
- Blacksmith's Hall
- between 1794 and 1800
88
- Currier's Hall
- between 1794 and 1800
89
- Middle Temple Gate
- between 1794 and 1800
90
- Sergeant's Inn
- between 1794 and 1800
91
- Barnard's Inn
- between 1794 and 1800
92
- Views in the Levant: A Camel
- ca. 1785
93
- Views in the Levant: Study of Figures From a Frieze or Panel
- ca. 1785
94
- A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Combe Sydenham, Somerset
- undated
95
- Binsey Church, Oxford
- 1775
96
- Binsey Church, Oxford
- 1775
97
- Languard Fort on the River Orwell
- undated
98
- Venus and Cupid
- undated
99
- Views in the Levant: Harbour Town Surrounded by Windmills
- ca. 1785
100
- Staple Inn
- between 1794 and 1800