Period: 19th century / Height [cm]: 12 - YCBA Collections Search Search Results

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Period 19th century

Height [cm] 12

Henry Thomas Alken Exhibition Somerset House Tom and Bob

Henry Thomas Alken, 1785–1851

Exhibition Somerset House Tom and Bob

1821

Henry Thomas Alken, 1785–1851

Head of a Pointer, in Profile Left

undated

Henry Thomas Alken, 1785–1851

Head and Neck of a Horse in Fear or Exhaustion, Mane Swept Forwards, Profile Right

undated

Henry Thomas Alken, 1785–1851

Head and Shoulders of a Boxer Dog, Profile Left, Wearing a Leather Collar A ttached to a Ring Post

undated

Henry Thomas Alken, 1785–1851

Head of a Foxhound, in Profile Right

undated

Henry Thomas Alken, 1785–1851

Head and Neck of a Frightened Horse, Left Profile

undated

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

Henry Thomas Alken, 1785–1851

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

1842

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Henry Thomas Alken Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

undated

Henry Thomas Alken Studies of Anglers

Henry Thomas Alken, 1785–1851

Studies of Anglers

undated

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

Henry Thomas Alken, 1785–1851

Shooting, Coursing, Racing, etc: a series of twenty-four drawings bound in a volume

James Baylis Allen Falls of the Rhine

Print made by James Baylis Allen, 1803–1876

Falls of the Rhine

1832

James Baylis Allen Havre

Print made by James Baylis Allen, 1803–1876

Havre

1834

James Baylis Allen Havre

Print made by James Baylis Allen, 1803–1876

Havre

1834

James C. Allen Harborough Sands

Print made by James C. Allen, active 1821–1831

Harborough Sands

1819-1826

James C. Allen Hebiborough Sands

Print made by James C. Allen, active 1821–1831

Hebiborough Sands

ca. 1830

Richard Ansdell The Sentinel

Print made by Richard Ansdell, 1815–1885

The Sentinel

1857

Samuel Austin Ships on the beach

Samuel Austin, 1796–1834

Ships on the beach

undated

Robert Barnes By the Heath

Print made by Robert Barnes, 1840–1895

By the Heath

undated

Robert Barnes Three Men and Two Boys Sitting on a Pier

Print made by Robert Barnes, 1840–1895

Three Men and Two Boys Sitting on a Pier

undated

Robert Barnes Girl Playing with Coal

Print made by Robert Barnes, 1840–1895

Girl Playing with Coal

undated

Robert Barnes Two Girls Playing

Print made by Robert Barnes, 1840–1895

Two Girls Playing

undated

James Basire the younger Frankley Chapel, S. E., Worcestershire

Print made by James Basire the younger, 1769–1822

Frankley Chapel, S. E., Worcestershire

1812

James Basire the younger South West view of St. Stephen's Chapel Westminster, Restored 1800

Print made by James Basire the younger, 1769–1822

South West view of St. Stephen's Chapel Westminster, Restored 1800

1801

George Baxter Crystal Palace, Hyde Park

George Baxter, 1804–1867

Crystal Palace, Hyde Park

undated

George Baxter The Death of Ananias

after George Baxter, 1804–1867

The Death of Ananias

after 1855

George Baxter Gems of the Great Exhibition No. 4: The Foreign Department

Print made by George Baxter, 1804–1867

Gems of the Great Exhibition No. 4: The Foreign Department

1852 or 1854

George Baxter The Death of Ananias

after George Baxter, 1804–1867

The Death of Ananias

after 1855

George Baxter The Healing of the Lame Man

after George Baxter, 1804–1867

The Healing of the Lame Man

after 1855

George Baxter The Healing of the Lame Man

after George Baxter, 1804–1867

The Healing of the Lame Man

after 1855

George Baxter The Sacrifice at Lystra

George Baxter, 1804–1867

The Sacrifice at Lystra

after 1855

George Baxter The Sacrifice at Lystra

George Baxter, 1804–1867

The Sacrifice at Lystra

after 1855

George Baxter The Landing of Her Majesty at Cove, Ireland in 1849

Print made by George Baxter, 1804–1867

The Landing of Her Majesty at Cove, Ireland in 1849

1850

George Baxter Foreign Department at the Great Exhibition, Hyde Park

Print made by George Baxter, 1804–1867

Foreign Department at the Great Exhibition, Hyde Park

1853

Richard Beavis Block House Fort, Gosport, Hampshire

Richard Beavis, 1824–1896

Block House Fort, Gosport, Hampshire

undated

John Bell And This Was Caesar

Print made by John Bell, 1811–1895

And This Was Caesar

between 1838 and 1850

John Bell The City of the Pestilence

Print made by John Bell, 1811–1895

The City of the Pestilence

between 1826 and 1852

William Blake Illustrations of The Book of Job, Title Page

William Blake, 1757–1827

Illustrations of The Book of Job, Title Page

1825

William Blake Octavius Augustus Cæsar

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

1821, reprinted 1977

William Blake My sheep quite spent through travel and ill fare

William Blake, 1757–1827

My sheep quite spent through travel and ill fare

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

1821, reprinted 1977

William Blake And now behold the sun's departing ray

William Blake, 1757–1827

And now behold the sun's departing ray

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

1821, reprinted 1977

William Blake Each creature, Thenot, to his task is born

William Blake, 1757–1827

Each creature, Thenot, to his task is born

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

1821, reprinted 1977

William Blake Or blasting winds o'er blossom'd hedge-rows pass

William Blake, 1757–1827

Or blasting winds o'er blossom'd hedge-rows pass

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

1821, reprinted 1977

William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

William Blake, 1757–1827

The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

1821, reprinted 1977

T. Blood Jacob Bryant Esq.

Print made by T. Blood, active 1812–1814

Jacob Bryant Esq

between 1812 and 1814

Henry Bone Portrait of Samuel Lyons

Henry Bone, 1755–1834

Portrait of Samuel Lyons

1803

Richard Parkes Bonington Study of a Gentleman in 17th Century Costume

Richard Parkes Bonington, 1802–1828

Study of a Gentleman in 17th Century Costume

between 1827 and 1828

Richard Parkes Bonington Tour aux Archives a Vernon

Print made by Richard Parkes Bonington, 1802–1828

Tour aux Archives a Vernon

1824

Richard Parkes Bonington Goetz Von Berlichingen Before The Imperial Magistrate

Richard Parkes Bonington, 1802–1828

Goetz Von Berlichingen Before The Imperial Magistrate

ca. 1826

Thomas Shotter Boys Street Scene at Stratford by Bow

Thomas Shotter Boys, 1803–1874

Street Scene at Stratford by Bow

undated

Thomas Shotter Boys Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a Troop of Life Guards Exercising to the Right

Thomas Shotter Boys, 1803–1874

Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a Troop of Life Guards Exercising to the Right

ca. 1840

Bradshaw & Blacklock Bacharach

Print made by Bradshaw & Blacklock, active ca.1850

Bacharach

after 1850

Bradshaw & Blacklock Her Majesty Queen Victoria & Family

Print made by Bradshaw & Blacklock, active ca.1850

Her Majesty Queen Victoria & Family

ca. 1851

Samuel Bradshaw Borro Boedoor

Print made by Samuel Bradshaw, 1830–1869

Borro Boedoor

1835

Edward P. Brandard Marlowe Meadows

Edward P. Brandard, 1819–1898

Marlowe Meadows

1884

John Brandard Guy's Cliff/ The Seat of the Honorable C.B. Percy

John Brandard, 1812–1863

Guy's Cliff/ The Seat of the Honorable C.B. Percy

1845

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

undated

Rev. James Bulwer [One from] A Volume of Drawings and Prints

Rev. James Bulwer, 1794–1879

[One from] A Volume of Drawings and Prints

1834

Edward Francis Burney January 9th, 1804, Miss Ann Lukie (?)

Edward Francis Burney, 1760–1848

January 9th, 1804, Miss Ann Lukie (?)

1804

John Byrne A View of Hall-head Sugar Plantation, Jamaica

Print made by John Byrne, 1786–1847

A View of Hall-head Sugar Plantation, Jamaica

1816

Miss Mary Byrne The Houses of Lords and Commons

Print made by Miss Mary Byrne, 1776–1846

The Houses of Lords and Commons

1815

William Callow View of Paris from Charenton

William Callow, 1812–1908

View of Paris from Charenton

1834

Edward Calvert Ideal Pastoral Life

Print made by Edward Calvert, 1799–1883

Ideal Pastoral Life

1829

Sir David Young Cameron Houses of Parliament

Print made by Sir David Young Cameron, 1865–1945

Houses of Parliament

1890

Sir David Young Cameron Bishop Street Anderston

Print made by Sir David Young Cameron, 1865–1945

Bishop Street Anderston

1889

Sir David Young Cameron Old Balshagray

Print made by Sir David Young Cameron, 1865–1945

Old Balshagray

1891

Sir David Young Cameron Storm Sundown [North Holland Set: No. 4]

Print made by Sir David Young Cameron, 1865–1945

Storm Sundown [North Holland Set: No. 4]

1892

Sir David Young Cameron Long Calderwood

Print made by Sir David Young Cameron, 1865–1945

Long Calderwood

1893

Alfred Edward Chalon Mrs. Mary Cawse

Alfred Edward Chalon, 1780–1860

Mrs. Mary Cawse

1831

George Chinnery Five Figure Sketches on One Mount

after George Chinnery, 1774–1852

Five Figure Sketches on One Mount

undated

George Chinnery John Lyon

George Chinnery, 1774–1852

John Lyon

1812

Florence Claxton Conversazione

Florence Claxton, active 1855–1889

Conversazione

undated

Florence Claxton A Game at Cards

Florence Claxton, active 1855–1889

A Game at Cards

undated

John Cochran Sir William Jones

Print made by John Cochran, active 1825–1854

Sir William Jones

ca. 1832

Robert Cockburn Giaber, May 1836

Robert Cockburn, 1812–1836

Giaber, May 1836

1835-1836