On-site Access: Accessible by appointment in the Study Room / Genre: historical subject

201. Inside View of the East End of Merton College

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. The Heroism of Prince Edward, Son of Henry VI

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Vortigern And Rowena

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Westminster Bridge

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 7/8 inches (16.8 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving on medium, moderately textured, cream laid paper laid on mount
Dimensions:: Mount: 15 1/4 x 19 1/16 inches (38.8 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. His Ego Ne Metas Rerum, Nec Tempora Pono:...

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca.1785
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1798
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894

Creator:: Print made by Aubrey Vincent Beardsley, 1872–1898
Date:: 1894
Materials & Techniques:: Photomechanical reproduction on medium, smooth, contemporary glossy paper, laid on contemporary mount made of medium, moderately textured, cream laid paper
Dimensions:: Mount: 11 1/16 x 8 1/2 inches (28.1 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

210. Glasgow Exhibition: From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

211. Glasgow Exhibition: Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:: Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

212. S. Bartholomaeus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 x 14 11/16 inches (54 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

213. The Right Honorable Viscount Duncan

Creator:: Richard Earlom, 1743–1822
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 1/8 x 20 1/8in. (35.9 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

214. Lord Viscount Duncan

Creator:: Charles Turner, 1774–1857
Date:: 1798
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 x 25 3/4in. (45.7 x 65.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

215. Captain Rigby

Creator:: John Thomas Smith, 1766–1833
Date:: c.1695
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 7/8 x 13 5/8in. (25.1 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

216. Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

Creator:: Print made by Johann Lorenz Haid, 1702–1750
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 1/8 x 13 3/4 inches (48.5 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

217. S. Paulus

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 13/16 x 15 1/4 inches (52.8 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

218. Ticket: For the Benefit of Mr. Salomon

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 11/16 x 4 5/8 inches (9.4 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 7 5/8 inches (25.6 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Ticket: Walker's Lectures

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1794
Materials & Techniques:: Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 × 4 1/8 inches (15.2 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Medallions of F. Hutcheson and L. Natter

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Mezzotint, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 7/16 inches (36.9 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Norham Castle on the River Tweed

Creator:: Print made by unknown artist
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

Creator:: Print made by Charles Rosenberg, active 1828–1848
Date:: 1837
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 18 9/16 × 25 5/16 inches (47.1 × 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. The Web

Creator:: Print made by John Bell, 1811–1895
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 8 1/8 x 6 5/8 inches (20.6 x 16.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

225. The Fall of Ninevah

Creator:: John Martin, 1789–1854
Date:: 1829
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 3/16 × 35 3/8 inches (64 × 89.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. The City of the Pestilence

Creator:: Print made by John Bell, 1811–1895
Date:: between 1826 and 1852
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 3/8 x 15 inches (29 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

227. The Murder of James First, King of Scotland

Creator:: Thomas Ryder, 1746–1810
Date:: 1792
Materials & Techniques:: Etching and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. The Norman Conquest, or the Battle of Hastings

Creator:: Print made by Charles Grignion, 1717–1810
Date:: 1751
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. The Gothic Bridge at Eudes, Tours

Creator:: Print made by John Connell Ogle, active 1844–1864
Date:: 1855
Materials & Techniques:: Chromolithograph, as published
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Sir Francis Bacon, 1st Viscount St. Alban

Creator:: unknown artist
Date:: 1627
Materials & Techniques:: Engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/16 × 4 1/4 inches (17.9 × 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Sir Francis Bacon, 1st Viscount St. Alban

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Sir David Baird, 1st Baronet

Creator:: Anthony Cardon, 1772–1813
Date:: 1806
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 7 5/8 inches (24.1 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Sir Joseph Banks, 1st Baronet

Creator:: Niccoló Schiavonetti, 1771–1813
Date:: 1812
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper, with cream chine colle
Dimensions:: Sheet: 20 1/8 × 15 1/8 inches (51.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Admiral Charles Middleton, 1st Baron Barham

Creator:: Maria Anne Bourlier, active 1807
Date:: 1809
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. The Right Honorable Lord Rodney, K.B., Vice Admiral of Great Britain

Creator:: Gainsborough Dupont, 1754–1797
Date:: c.1782
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 24 x 15in. (61 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. J. Richardson Dilworth

236. Vaux-Hall

Creator:: Robert Pollard, 1755–1838
Date:: 1785
Materials & Techniques:: Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

Creator:: Robert Pollard, 1755–1838
Date:: 1790
Materials & Techniques:: Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Handbill of Bermondsey Spa Gardens

Creator:: unknown artist
Date:: 1789
Materials & Techniques:: Letterpress on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 10 7/16 × 7 inches (26.5 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Garrick Reading the Ode at the Shakespeare Jubilee

Creator:: Caroline Watson, 1760–1814
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

240. Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England

Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England

Creator:: Anthony Pasquin, 1763–1818
Date:: undated
Materials & Techniques:: Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 × 8 3/4 inches (18.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 11 inches (38.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Tomb of Gregory Lovell and his Wife Anne, Harlington Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Graphite, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Graphite, watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 3/4 inches (34.9 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Hougoment

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 1/4 × 7 7/8 inches (31.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Placenza

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; early engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Vincennes

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/2 × 8 5/8 inches (34.3 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. HMS Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 × 11 7/8 inches (43.2 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Field of Waterloo

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Brienne

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Vincennes

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. The Simplon

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. The Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Field of Waterloo with Lightning

Creator:: Print made by William Miller, 1796–1882
Date:: 1835
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Killiecrankie

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. "It's Auld Ailie Hersell"

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Scott's Birthplace, no. 39, Castle Street, Edinburgh

Creator:: Print made by William Miller, 1796–1882
Date:: 1839
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Hannibal passing the Alps (vignette)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/8 × 5 1/4 inches (11.1 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Hannibal passing the Alps (vignettes)

Creator:: W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 5 3/8 inches (13.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Dante in Meditation Holding a Pomegranate

Creator:: Dante Gabriel Rossetti, 1828–1882
Date:: ca. 1852
Materials & Techniques:: Pen and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 × 7 7/8 inches (22.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

261. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo

Creator:: John Augustus Atkinson, 1775–1831
Date:: 1815
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786

Creator:: Robert Dighton, 1752–1814
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, graphite, and gouache on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/8 x 10 1/8 inches (32.7 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Newgate Prison, the Fire of London

Creator:: Thomas Wyck, 1616–1677
Date:: undated
Materials & Techniques:: Black ink with gray wash and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 5 1/4 inches (9.5 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Grand Field Day at Chobham Camp

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 27 1/2 inches (24.1 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields

Creator:: Francis Jukes, 1747–1812
Date:: ca. 1784
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 14 7/8 x 20 1/4in. (37.8 x 51.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Westminster, during Queen Caroline's Trial

Creator:: Robert Bremmel Schnebbelie, active 1803–1849
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 13 15/16in. (21.9 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Masonic Symbol

Creator:: Print made by Prince Rupert, 1619–1682
Date:: 1661
Materials & Techniques:: Mezzotint on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 5/8 × 6 5/8 inches (19.4 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

268. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Shepherd and Shepherdess

Creator:: Print made by Abraham Blooteling, 1640–1690
Date:: 1676
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 6 3/4 inches (19 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

270. Theodosius

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1780
Materials & Techniques:: Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/16 x 9 13/16 inches (30.7 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

271. The Blessing of the Suez Canal, November 16, 1869

Creator:: William Simpson, 1823–1899
Date:: after 1869
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/8 x 17 1/4 inches (27.6 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. The Dilettanti Society

Creator:: Print made by Charles Turner, 1774–1857
Date:: between 1800 and 1820
Materials & Techniques:: Mezzotint (proof before titles) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 27 5/8 × 20 1/8 inches (70.2 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

273. Coastal Scene with Troops Embarking

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Watercolor, black chalk, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 18 × 29 inches (45.7 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Hiram King of Tyre, Sends Presents to King Solomon

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1790
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

275. General Washington

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1796
Materials & Techniques:: Stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 28 3/8 × 18 1/2 inches (72.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

276. General Washington

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1796
Materials & Techniques:: Color-printed stipple engraving and etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 29 3/4 x 19 5/8in. (75.6 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

277. Diogenes

Creator:: Print made by Juliet Thornton, active 1771
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 1/4 × 14 1/2 inches (51.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

278. The Encampment at Brighton

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1796
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 25 7/8 inches (52.9 × 65.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

279. The Hur Rangers Encamped at Colgong

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 26 9/16 inches (45.1 × 67.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Lady Jane Grey

Creator:: William Finden, 1787–1852
Date:: 1834
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Gate of Theseus, Athens

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Cortes and Pizarro

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Orford Castle and St. George's Tower

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Columbus Setting Sail

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 9 1/16 inches (36.2 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Cortes and Pizarro

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. The Plain of Troy

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Traitor's Gate - Tower of London

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 3/8 × 11 inches (44.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Hannibal passing the Alps (vignette)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 5 3/8 inches (11.7 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Hannibal passing the Alps (vignette)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving with graphite and scraping; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 6 inches (27.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Hannibal passing the Alps (vignette)

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 7 3/8 inches (30.5 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. William Tell's Chapel (vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Kenilworth Castle, Warwickshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Bruce at the Source of the Blue Nile

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Hannibal Passing the Alps

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Pendennis Castle and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Petrarch's Tomb

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 × 12 inches (44.1 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Funeral of a Doge in St. Mark's Place

Creator:: Print made by Daniel Allen, active 1830s
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Giovanni and Garcia De' Medici

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1830
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. No.1 A Table of Hieroglyphics found at Axum

Creator:: James Bruce, 1730–1794
Date:: 1771
Materials & Techniques:: Gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 1/2 × 10 1/2 inches (34.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. Inside View of the East End of Merton College

202. Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes

203. The Heroism of Prince Edward, Son of Henry VI

204. Vortigern And Rowena

205. Westminster Bridge

206. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

207. His Ego Ne Metas Rerum, Nec Tempora Pono:...

208. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

209. Cover of "The Yellow Book: an Illustrated Quarterly", Volume I, April 1894

210. Glasgow Exhibition: From the Dome

211. Glasgow Exhibition: Entrance from the Piazza

212. S. Bartholomaeus

213. The Right Honorable Viscount Duncan

214. Lord Viscount Duncan

215. Captain Rigby

216. Manna maria est quia est subtilis et splendida suavis et virgo, quae veluti coelitus veniens, cunctis ecclesiaru populis cibum dulciorem melle defluxis

217. S. Paulus

218. Ticket: For the Benefit of Mr. Salomon

219. Ticket: For the Benefit of Mr. Salpietro

220. Ticket: Walker's Lectures

221. Medallions of F. Hutcheson and L. Natter

222. Norham Castle on the River Tweed

223. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

224. The Web

225. The Fall of Ninevah

226. The City of the Pestilence

227. The Murder of James First, King of Scotland

228. The Norman Conquest, or the Battle of Hastings

229. The Gothic Bridge at Eudes, Tours

230. Sir Francis Bacon, 1st Viscount St. Alban

231. Sir Francis Bacon, 1st Viscount St. Alban

232. Sir David Baird, 1st Baronet

233. Sir Joseph Banks, 1st Baronet

234. Admiral Charles Middleton, 1st Baron Barham

235. The Right Honorable Lord Rodney, K.B., Vice Admiral of Great Britain

236. Vaux-Hall

237. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

238. Handbill of Bermondsey Spa Gardens

239. Garrick Reading the Ode at the Shakespeare Jubilee

240. Caricature of the Introduction of the Duke of Württemberg (afterwards King Frederick I) to George III and Queen Charlotte previous to his Marriage with Charlotte, Princess Royal of England

241. Brass Plate for Gregory Lovell and his Wife Anne, Daughter of David Bellingham, Harlington Church

242. Tomb of Gregory Lovell and his Wife Anne, Harlington Church

243. Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking

244. Brass Plate for Mrs. Hale, Daughter of Porter, Walthamstow Church

245. Hougoment

246. Placenza

247. Vincennes

248. HMS Bellerophon, Plymouth Sound

249. Field of Waterloo

250. Brienne

251. Vincennes

252. The Simplon

253. The Bellerophon, Plymouth Sound

254. Field of Waterloo with Lightning

255. Killiecrankie

256. "It's Auld Ailie Hersell"

257. Scott's Birthplace, no. 39, Castle Street, Edinburgh

258. Hannibal passing the Alps (vignette)

259. Hannibal passing the Alps (vignettes)

260. Dante in Meditation Holding a Pomegranate

261. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo

262. Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786

263. Newgate Prison, the Fire of London

264. Grand Field Day at Chobham Camp

265. The First Balloon Ascent in England, September 1784, from the Artillery Ground, Moorfields

266. Westminster, during Queen Caroline's Trial

267. Masonic Symbol

268. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

269. Shepherd and Shepherdess

270. Theodosius

271. The Blessing of the Suez Canal, November 16, 1869

272. The Dilettanti Society

273. Coastal Scene with Troops Embarking

274. Hiram King of Tyre, Sends Presents to King Solomon