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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorOn-site Access Accessible by appointment in the Study Room
Remove constraint On-site Access: Accessible by appointment in the Study RoomSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- Oberon and Titania
- 1837
2
- Study of a Woman Sewing
- undated
3
- A Great Tree
- ca. 1796
4
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
5
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
6
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
8
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
9
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
12
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
13
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
14
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
15
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
16
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
17
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
18
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
19
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
20
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
21
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
22
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
27
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
28
- Mary Magdalen at the Sepulchre
- ca. 1805
29
- Enter Malvolio, Crossgartered..
- 1863
30
- A London Street Crier
- undated
31
- Hero and Leander
- 1801
32
- Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
- undated
33
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
34
- Miss Charlotte Sandby
- undated
35
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
36
- Faust and Margaret
- undated
37
- A Young Woman Looking Down
- undated
38
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated
39
- Riders Outside an Inn
- undated
40
- Romantic Landscape
- ca. 1830
41
- Design for a Country House
- ca. 1840
42
- London Cries: "Do You Want any Spoons..."
- ca. 1759
43
- London Cries: A Muffin Man
- ca. 1759
44
- A Woman of Fashion in Walking Dress
- undated
45
- The Woman at the Well
- undated
46
- Sketches from Life in Paris: Woman and Man Carrying Buckets
- ca. 1835
47
- Portrait of a Lady
- undated
48
- Portrait of a Lady
- 1783
49
- Woman Carrying Baskets
- undated
50
- Studies of Tradesmen and Grooms
- undated
51
- Woman Dressing, with Maid
- undated
52
- Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
- undated
53
- Window West End, South Aisle, Saint Vincent
- undated
54
- A Seated Peasant Woman
- before 1841
55
- The Vine Inn, Vine Yard, Aldersgate in the City of London
- undated
56
- Woman Fishing
- undated
57
- Woman in Costume
- undated
58
- Cavalier and Maid in Spanish Costume
- undated
59
- Cottage and Foot Bridge
- 1794
60
- Portrait of a Lady
- undated
61
- The Death of Cordelia
- undated
62
- The Poultry Market
- undated
63
- Evening
- 1828
64
- Woman with Cattle
- 1803
65
- View of the Bridge over Uduanulla, near Rahamahal, Bihar
- undated
66
- The Rustic Lover
- 1786
67
- La Mancha
- 1828
68
- Couple in a Farmyard
- 1782
69
- Interior of a Gothic Church
- undated
70
- A Seated Peasant Woman Seen From Behind
- undated
71
- Interior of a Gothic Church
- undated
72
- A Peasant Woman, Standing, Seen From Behind
- undated
73
- Bucks of the First Head
- ca. 1785
74
- Dunkerswell Abbey, August 20, 1783
- 1783
75
- Drifting
- 1885
76
- The Gate at Blenheim
- 1787
77
- Mrs. Abington
- undated
78
- Cat Like Courtship
- undated
79
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
80
- London Cries: "Black Heart Cherries..."
- ca. 1759
81
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
82
- London Cries: A Fishmonger
- ca. 1759
83
- London Cries: Fun upon Fun
- 1759
84
- London Cries: Last Dying Speech and Confession
- ca. 1759
85
- Italianate Landscape with Travellers no. 2
- ca. 1760
86
- Italianate Landscape with Travelers, No. 1
- ca. 1765
87
- Street Scene at Stratford by Bow
- undated
88
- Hannah Snell - From the Life (in Male Dress)
- undated
89
- A Young Woman in a Blue Dress
- undated
90
- A Dancer
- ca. 1836
91
- An Old Market Woman Grinning and Gesturing with her Left Hand
- undated
92
- Conway Castle
- 1789
93
- Incantation Scene
- undated
94
- Wanstead House
- undated
95
- Old Farm Buildings
- ca. 1817
96
- The Lecture House, Watford
- ca. 1820
97
- Aldenham Church
- ca. 1817
98
- Mrs. William Wilberforce and Child
- 1824
99
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
100
- A Woman Seated and Holding an Image
- undated