Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
2
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
3
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
4
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
5
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
6
George Stubbs, 1724–1806
Tiger Body, Lateral View (Shows the third stage in dissection)
1795 to 1806
7
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
8
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
9
George Stubbs, 1724–1806
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
1795 to 1806
10
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
11
George Stubbs, 1724–1806
Tiger, Recumbent, Viewed Ventrally
1795 to 1806
12
George Stubbs, 1724–1806
Leopard Body, Lateral View
1795 to 1806
13
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
14
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
15
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for the Key Figure to Table XV)
1795 to 1806
16
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
17
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
18
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
19
George Stubbs, 1724–1806
Fowl Body, Lateral View (Probably Prepared for Transfer to the Plate for Engraving the Key Figure to Table X)
1795 to 1806
20
George Stubbs, 1724–1806
Owl Standing, Anterior View
1795 to 1806
21
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)
1795 to 1806
22
George Stubbs, 1724–1806
Study of a Racehorse in Action: Galloping to Left, a Semi-Anatomical Study, with Skin Flayed to Show Action of Muscles
undated
23
George Stubbs, 1724–1806
Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
1795 to 1806
24
George Stubbs, 1724–1806
Human Skeleton, Anterior View
1795 to 1806
25
George Stubbs, 1724–1806
Human Body, Posterior View (Outline Drawing for Table VII)
1795 to 1806
26
George Stubbs, 1724–1806
Human Figure, Posterior View (Further Study for Table XII)
1795 to 1806
27
George Stubbs, 1724–1806
Human Figure, Posterior View (Finished Study for an Unpublished Plate)
1795 to 1806
28
George Stubbs, 1724–1806
Human Figure, Posterior View
1795 to 1806
29
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
30
George Stubbs, 1724–1806
Human Figure, Anterior View (Intended for a Plate That was Never Published)
1795 to 1806
31
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
32
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Outline Drawing for Table VI)
1795 to 1806
33
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
1795 to 1806
34
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
35
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
36
William Hogarth, 1697–1764
George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
ca. 1750
37
Philippe-Jacques de Loutherbourg, 1740–1812
Corps de Garde (Barbarians Defeated by a Book)
undated
38
George Morland, 1763–1804
Fisherman and Dog Sitting by the Coast
1803
39
George Morland, 1763–1804
A Sportsman Loading His Gun
undated
40
John Hoppner, 1758–1810
Young Child with Lap-Dog
undated
41
John Hayter, 1800–1895
Portrait of a Gentleman
1832
42
John Frederick Lewis, 1804–1876
Sheik Hussein of Gebel Tor and His Son
between 1842 and 1843
43
Daniel Maclise, 1806–1870
Henry Sass
between 1830 and 1835
44
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
45
David Cox, 1783–1859
Cottage in Herefordshire
before August 1820
46
Edward Francis Burney, 1760–1848
Preparatory drawing for The Waltz
1820s
47
Samuel De Wilde, 1748–1832
Mr. Mathews as Matthew Daw in the School for Friends
1805
48
Samuel De Wilde, 1748–1832
A Gentleman, full length, Holding a Paper and Pencil
1795
49
Samuel De Wilde, 1748–1832
An Actor
undated
50
Samuel De Wilde, 1748–1832
An Actress
1806
51
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
52
Thomas Uwins, 1782–1857
Farm House Kitchen at Brackham in Surrey
undated
53
Robert Price, 1717–1761
A Bridge in a Landscape
undated
54
Sir David Wilkie, 1785–1841
Child's Broken Cart and Fiddler's Wife's Arm
1806
55
Samuel De Wilde, 1748–1832
A Lady, full length, Wearing a Blue Sash and Holding a Fan
1795
56
Paul Sandby, 1731–1809
A Lady Copying at a Drawing Table
ca. 1765
57
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
58
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
59
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
60
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
61
Sir David Wilkie, 1785–1841
Garden of Gethsemane
1841
62
Sir David Wilkie, 1785–1841
A Priest with Two Children
between 1825 and 1828
63
James Ward, 1769–1859
Study from Nature, One of the Children of Charity for the Large Picture of the Waterloo Allegory
undated
64
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
65
Henry William Bunbury, 1750–1811
Launce Teaching His Dog Crab
undated
66
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
67
Attributed to George Vertue, 1684–1756
Portrait of John Dixon, Facing Right
undated
68
Henry Thomas Alken, 1785–1851
Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork
undated
69
Attributed to William Hamilton, 1751–1801
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
undated
70
Francis Hayman, 1707/8–1776
Scene from a Play, possibly Benjamin Hoadley's "The Suspicious Husband"
undated
71
John Frederick Lewis, 1804–1876
A Head Keeper, Windsor Castle, 1826
1826
72
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
73
William Henry Hunt, 1790–1864
Portrait of a Gentleman
undated
74
Verso by John Talman, 1677–1726
Studies, with Gardens, Possibly for a Talman Family House
undated
75
Isaac Weld, 1774–1856
The Wine Tasting
1819
76
John Flaxman, 1755–1826
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
undated
77
John Raphael Smith, 1752–1812
He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
ca. 1780
78
John Raphael Smith, 1752–1812
So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
ca. 1780
79
William Taverner, 1703–1772
Diana
undated
80
Paul Sandby, 1731–1809
Lady Maynard
ca. 1757
81
George Shepheard, ca. 1770–1842
Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
undated
82
Samuel Scott, 1701/2–1772
Westminster Abbey and Bridge from Somerset Garden
1759
83
unknown artist
An Ornamental Pool and Fountain
ca. 1700
84
Allan Ramsay, 1713–1784
Head of a Young Woman or Man
undated
85
William Ward, 1766–1826
Portrait Study of Mrs. George Morland
undated
86
Hercules Brabazon Brabazon, 1821–1906
Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons
undated
87
Hercules Brabazon Brabazon, 1821–1906
Study of a Woman
undated
88
William Mulready, 1786–1863
Drawing for The First Voyage
ca. 1833
89
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
90
Sir Edwin Henry Landseer, 1802–1873
Lions at Play
undated
91
Thomas Patch, 1725–1782
Sketchbook of Portrait Studies
1760s
92
John Raphael Smith, 1752–1812
An Evening Walk
ca. 1783
93
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
94
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
95
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
96
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
97
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
98
Thomas Ross, active from 1753
Riders, Figures and a Dog
undated
99
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
100
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'