Materials & Techniques: line engraving / Collection: Prints and Drawings / Period: 19th century

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Epicurus

1821

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

William Blake, 1757–1827

Caius Julius Cæsar

1821

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

John Greig, active 1803–1853

Herstmonceux Castle, Sussex

1815

William Henry Brooke, 1772–1860

Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

undated

Charles John Smith, 1803–1838

Herstmonceux Castle for the history and description of the Sussex Coast

undated

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

M. J. Starling, active 1830

Interior of the Hall at the Deepdene

undated

Edward Radclyffe, 1809–1863

Deepdene near Dorking

undated

unknown artist

Plan of ground floor of Herstmonceux Castle

undated

Print made by William Byrne, 1743–1805

Donnington Castle

1805

Print made by William Byrne, 1743–1805

Distant View of Chester

1810

Print made by William Byrne, 1743–1805

Part of Chester Castle

1810

Print made by James Basire the younger, 1769–1822

Clitheros from Eadsford Bridge

1800

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by James H. Kernot, active early 19th century

St. Catherine's Hill, near Guildford, Surrey

1832

William Finden, 1787–1852

An Arabesque

1834

William Finden, 1787–1852

The Tear

1834

William Finden, 1787–1852

The Sailor

1834

William Finden, 1787–1852

An Arabesque

1834

William Finden, 1787–1852

The Mask

1834

William Finden, 1787–1852

A Voyage of Discovery

1834

Print made by Edward Goodall, 1795–1870

Old London Bridge and Vicinity

1827

Print made by Thomas Jeavons, ca. 1800–1867

Boston, Lincolnshire

1835

Print made by Edward Francis Finden, 1791–1857

Malta

1832-1834

Print made by James H. Kernot, active early 19th century

Flint Castle, North Wales

1836

Print made by Edward Francis Finden, 1791–1857

Gibraltar

1832-1834

Print made by William Miller, 1796–1882

Durham Cathedral

1836

Print made by Edward Francis Finden, 1791–1857

Bacharach on the Rhine

1832-1834

Print made by Edward Francis Finden, 1791–1857

Corinth from the Acropolis

1832-1834

Print made by Edward Francis Finden, 1791–1857

Gate of Theseus, Athens

1832-1834

Print made by Edward Francis Finden, 1791–1857

The Bridge of Sighs, Venice

1832-1834

Print made by Edward Francis Finden, 1791–1857

The Bernese Alps

1832-1834

Print made by James Baylis Allen, 1803–1876

Falls of the Rhine

1832

Print made by Edward Francis Finden, 1791–1857

Genoa

1832-1834

Print made by Edward Francis Finden, 1791–1857

The Castle Rhine

1832-1834

Print made by Edward Francis Finden, 1791–1857

Cologne

1832-1834

Print made by Edward Francis Finden, 1791–1857

The School of Homer, Scio

1832-1834

Print made by Thomas Higham, 1796–1844

Orleans

1833

Print made by W. R. Smith, active 1819–1851

Amboise

1833

Print made by Robert Brandard, 1805–1862

Beaugency

1833

Print made by William Miller, 1796–1882

Nantes

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1831

Print made by Robert Brandard, 1805–1862

Graville

1834

Print made by James Baylis Allen, 1803–1876

Caudebec

1834

Print made by James T. Willmore, 1800–1863

Tancarville

1834

Print made by Robert Brandard, 1805–1862

La Chaise de Gargantua near Duclair

1834

Print made by William Bernard Cooke, 1778–1855

Newark Castle

1834

Print made by William Miller, 1796–1882

Skiddaw

1834

Print made by John Horsburgh, 1791–1869

Mayburgh

1833

Print made by John Cousen, 1804–1880

Babylon

1835-1836

Print made by Edward Francis Finden, 1791–1857

The Dead Sea, Jericho and the Mouth of the Jordan

1835-1836

Print made by Edward Francis Finden, 1791–1857

Joppa

1835-1836

Print made by William Finden, 1787–1852

Ramah and Rachel's Tomb

1835-1836

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Materials & Techniques line engraving

Collection Prints and Drawings

Period 19th century

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Period 19th century

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