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Westminster Abbey from Tothill Fields
Creator:
John Varley, 1778–1842
Date:
1832
Materials & Techniques:
Oil on panel
Dimensions:
7 1/4 x 10 inches (18.4 x 25.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Giudecca, Venice
Creator:
David Roberts, 1796–1864
Date:
1854
Materials & Techniques:
Oil on canvas
Dimensions:
22 × 51 inches (55.9 × 129.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Grand Canal, Venice
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Oil on millboard
Dimensions:
9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. Basle

Basle
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 3/8 inches (29.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Andernach
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1817
Materials & Techniques:
Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Notre Dame, Paris
Creator:
William Callow, 1812–1908
Date:
1835
Materials & Techniques:
Watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Daughters of Jerusalem Weeping by the Waters of Babylon
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Nîmes from the Tour Magne
Creator:
William Marlow, 1740–1813
Date:
ca. 1765
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for London Bridge Approach
Creator:
Print made by Sir Robert Smirke the younger, 1781–1867
Date:
between 1827 and 1835
Materials & Techniques:
Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 8 1/4 x 18 1/16 inches (21 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Le Pont Royal, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
ca. 1828
Materials & Techniques:
Watercolor with pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/2 inches (14.3 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Grand Canal, Venice
Creator:
James Duffield Harding, 1798–1863
Date:
1835
Materials & Techniques:
Watercolor, with pen in brown and blue ink, gouache and arabic gum over graphite on moderately thick, moderately textured, cream wove paper, stretched over solid wooden frame
Dimensions:
Sheet: 30 x 41 3/16 inches (76.2 x 104.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hotel de Ville, Hague
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1859
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 16 1/16 x 12 1/16 inches (40.8 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pantheon from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 17 5/16 inches (15 x 43.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Chepstow

Chepstow
Creator:
Print made by James S. Storer, 1771–1853
Date:
1794
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridgenorth
Creator:
Print made by James Walker, 1748–1808
Date:
1795
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 9 7/8 inches (19.1 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Cathedral of Christ Church and Part of Corpus Christi College
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1808
Materials & Techniques:
Line engraving, engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Cathedral of Christ Church and Part of Corpus Christi College
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1811
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ Church Cathedral and Part of Corpus Christi College
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
1820
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 3/8 inches (29.8 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, engraver's proof on medium, smooth, cream laid paper
Dimensions:
Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pantheon, Paris
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Admiralty Office
Creator:
Print made by Thomas Bowles, ca. 1712–died 1753
Date:
1731
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Totterne Inn
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1919
Materials & Techniques:
Etching; 3rd state, touched on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 11 inches (20.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etching with gray, green, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 17 5/16 inches (14.9 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Thames at Kingston
Creator:
attributed to Peter DeWint, 1784–1849
Date:
1809
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 6 3/8 x 8 1/8 inches (16.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Totterne Inn
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1919
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 9 inches (15.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside
Creator:
Print made by unknown artist
Date:
between 1720 and 1750
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Inn, Purfleet
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1869
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 11 9/16 inches (22 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906
The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
The Breaking Up of the Agamemnon, no. 1
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1870
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
Bridgenorth
Creator:
Print made by James Walker, 1748–1808
Date:
1795
Materials & Techniques:
Etching and line engraving, with letterpress on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures on a Street
Creator:
James Miller, active 1773–1814
Date:
1770s
Materials & Techniques:
Watercolor and gray wash over graphite
Dimensions:
Sheet: 7 11/16 x 12 1/2in. (19.5 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove
The Quirinal, or Palace of the Pope on Mount Cavallo at Rome
Creator:
Remi Parr, active 1723–1750
Date:
undated
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:
Sheet: 20 7/8 x 13 3/4 inches (53 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rue du Gros-Horloge, Rouen
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1824
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper with cream chine collé
Dimensions:
Sheet: 13 3/8 x 19 3/4 inches (34 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901, Fund
View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint, hand-colored with watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/16 × 21 1/2 inches (23 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Villa Medici, Rome
Creator:
John Warwick Smith, 1749–1831
Date:
1784
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 20 1/4 inches (34.6 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Genoa

Genoa
Creator:
John Robert Cozens, 1752–1797
Date:
between 1782 and 1783
Materials & Techniques:
Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 9 3/8 inches (13 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bristol Hot Wells
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1773
Materials & Techniques:
Pen and brown ink on thin, smooth, cream laid paper, mounted on medium, rough, beige wove paper
Dimensions:
Sheet: 5 x 8 7/8 inches (12.7 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
Creator:
Joseph Michael Gandy, 1771–1843
Date:
ca. 1830
Materials & Techniques:
Graphite, watercolor and gouache with pen and brown ink on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 11 1/2in. (18.4 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection