Jerusalem, Plate 67, "By those who drink their blood...."
1804 to 1820
60
Print made by William Blake, 1757–1827
Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
1804 to 1820
61
Print made by William Blake, 1757–1827
Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
1804 to 1820
62
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
63
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
64
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"
ca. 1797
65
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
66
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
ca. 1797
67
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
68
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
69
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
70
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
71
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
72
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
73
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
74
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
1789
75
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
76
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
77
William Blake, 1757–1827
The Poems of Thomas Gray, Design 95, "Ode for Music."
between 1797 and 1798
78
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
79
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
80
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
1789
81
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
82
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
83
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
1789
84
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
1789
85
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
1789
86
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
87
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
88
Print made by William Blake, 1757–1827
Jerusalem, Plate 85, "Became a Space & an Allegory...."
1804 to 1820
89
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
90
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
1789
91
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
92
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
93
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
94
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II
between 1839 and 1849
95
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
96
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower