Genre: historical subject / Image Use: Free to Use / Subject Terms: men

1. Captain Vincenzo Lunardi with his Assistant George Biggin, and Mrs. Letitia Anne Sage, in a Balloon

Creator:: John Francis Rigaud, 1742–1810
Date:: 1785
Materials & Techniques:: Oil on copper
Dimensions:: 19 x 14 inches (48.3 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. The Passing of the Great Emancipation Act

Creator:: George Jones, 1786–1869
Date:: ca. 1829
Materials & Techniques:: Oil on board
Dimensions:: 10 1/2 x 18 1/2 inches (26.7 x 47 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis

Creator:: Robert Smirke, 1752–1845
Date:: ca. 1792
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 x 14 inches (45.1 x 35.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach

Creator:: Attributed to Sir James Thornhill, 1675–1734
Date:: ca. 1720
Materials & Techniques:: Oil on panel
Dimensions:: 18 x 21 inches (45.7 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. The Life of Buckingham

Creator:: Augustus Leopold Egg, 1816–1863
Date:: undated, exhibited 1855
Materials & Techniques:: Oil on canvas
Dimensions:: 29 1/2 x 36 inches (74.9 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Death of Chatham

Creator:: Benjamin West, 1738–1820
Date:: 1778
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/8 x 36 1/4 inches (71.4 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of Professor Jules David Prown
On View:: Not on view

7. Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach

Creator:: Attributed to Sir James Thornhill, 1675–1734
Date:: ca. 1718
Materials & Techniques:: Oil on panel
Dimensions:: 18 x 21 inches (45.7 x 53.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Alas!; Plate 9

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Air; Plate 6

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Aged Ignorance; Plate 13

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The Traveller Hasteth in the Evening; Plate 16

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Death's Door; Plate 17

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Water; Plate 4

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Earth; Plate 5

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Fire; Plate 7

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Does Thy God O Priest Take such Vengeance as This?; Plate 14

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Fear & Hope Are -- Vision; Plate 15

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)

Creator:: William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash and gray ink over graphite on medium moderately textured cream laid paper
Dimensions:: Sheet: 14 3/8 x 21 1/2 inches (36.5 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

35. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Black ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 21 inches (35.6 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

36. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

37. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 19 5/8 inches (30.2 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

38. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray and brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 1/4 inches (36.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

39. Mary, Queen of Scots, Embarking

Creator:: William Lock II, 1767–1847
Date:: between 1785 and 1790
Materials & Techniques:: Pen and brown ink and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 x 17 3/4 inches (30.8 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The House of Commons

Creator:: Sir James Thornhill, 1675–1734
Date:: after 1731
Materials & Techniques:: Pen and brown ink and brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 6 1/2 inches (31.8 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Mary, Queen of Scots

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 18 3/8 inches (25.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Britannia in Distress

Creator:: Anthony Walker, 1726–1765
Date:: 1756
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 8 1/2 inches (32.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Royal Rush Light

Creator:: George Moutard Woodward, ca. 1760–1809
Date:: 1798
Materials & Techniques:: Watercolor, pen and ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 13 3/8 inches (40 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Spoiled Child, Scene VI

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving, line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 × 13 1/8 inches (25.2 × 33.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Seven Bishops Going To Trial

Creator:: Richard Westall, 1765–1836
Date:: 1790
Materials & Techniques:: Watercolor with gouache and black, brown, and gray ink on moderately thick, slightly textured, cream card
Dimensions:: Sheet: 13 1/2 x 18 3/8 inches (34.3 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

47. Hiram King of Tyre, Sends Presents to King Solomon

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1790
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 5/16 × 25 1/2 inches (49.1 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

48. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint with hand coloring on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Colonel Mordaunt's Cock Match at Lucknow

Creator:: Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Embassy of Hyderbeck to Calcutta

Creator:: Richard Earlom, 1743–1822
Date:: 1800
Materials & Techniques:: Stipple engraving and mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 7/8 x 26 1/4 inches (50.5 x 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Blessing of the Suez Canal, November 16, 1869

Creator:: William Simpson, 1823–1899
Date:: after 1869
Materials & Techniques:: Graphite and brown wash on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/8 x 17 1/4 inches (27.6 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

Creator:: William Alexander, 1767–1816
Date:: ca. 1799
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 17 5/8 × 24 3/4 inches (44.8 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Coastal Scene with Troops Embarking

Creator:: George Bryant Campion, 1796–1870
Date:: undated
Materials & Techniques:: Watercolor, black chalk, and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 18 × 29 inches (45.7 × 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. L'Age du Fer

Creator:: Print made by Jacob Gole, 1660–1737
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 7 1/2 inches (26 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. Study for the Proclamation of Don Carlos

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1834 and 1838
Materials & Techniques:: Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. Falstaff Inspecting the Recruits

Creator:: Francis Hayman, 1707/8–1776
Date:: between 1761 and 1765
Materials & Techniques:: Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. Military Costumes of the Reign of King Henry VI, 1447

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1812
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 x 14 11/16 inches (26.9 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. The Body of Lucretia Exposed to the Romans

Creator:: James Jefferys, 1751–1784
Date:: between 1777 and 1778
Materials & Techniques:: Pen and black ink, pen and brown ink, gray wash and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 24 7/8 x 37 inches (63.2 x 94 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Creator:: Print made by George Baxter, 1804–1867
Date:: 1841
Materials & Techniques:: Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Goetz Von Berlichingen Before The Imperial Magistrate

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Pen and brown ink and brown wash with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 4 inches (12.1 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Morton Morris

63. Gems of the Great Exhibition No. 4: The Foreign Department

Creator:: Print made by George Baxter, 1804–1867
Date:: 1852 or 1854
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on medium, smooth, cream wove paper, laid on dome-shaped gold paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 8 3/8 x 13 1/16 inches (21.2 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Pomare, Queen of Tahiti

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:: Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Ten Needle-Box Prints

Creator:: Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:: undated
Materials & Techniques:: Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Unidentified Periodical / Play Illustration

Creator:: Isaac Taylor, 1730–1807
Date:: undated
Materials & Techniques:: Graphite and gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 9/16 × 5 5/8 inches (9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. View of Tonbridge During the Late Election, December 18, 1832

Creator:: Print made by Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. A View of the Fire in Covent Garden

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1769
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

69. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

Creator:: Print made by Charles Jameson Grant, active 1830–1852
Date:: 1833
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 15/16 x 15 13/16 inches (27.8 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Bindman

72. The Arrest of Lord Edward Fitzgerald

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 9/16 × 8 11/16 inches (14.1 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

73. The Procession of the Knights of the Most Noble Order of the Garter

Creator:: Richard Cooper the Younger, 1740–1814
Date:: 1782
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 54 1/4 inches (50.2 x 137.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Earthquake Scare in Piccadilly

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1750
Materials & Techniques:: Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Key to Life School at the Royal Academy

Creator:: Print made by unknown artist
Date:: 1794
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 1/8 inches (25.7 x 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Shah Nujeef

Creator:: William Simpson, 1823–1899
Date:: 1861
Materials & Techniques:: Watercolor with gouache and graphite on moderately thick, moderately textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 14 5/8 x 20 7/8 inches (37.1 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. A Race Meeting at Newmarket Heath

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1671
Materials & Techniques:: Gray wash with pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 16 1/2 inches (24.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

78. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

79. Life School at the Royal Academy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 22 x 30 3/8 inches (55.9 x 77.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas

Creator:: Charles Claude Pyne, 1802–1878
Date:: 1872
Materials & Techniques:: Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 10 5/16 inches (11.7 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Garrick Reading the Ode at the Shakespeare Jubilee

Creator:: Caroline Watson, 1760–1814
Date:: 1784
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

82. The City of the Pestilence

Creator:: Print made by John Bell, 1811–1895
Date:: between 1826 and 1852
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 3/8 x 15 inches (29 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

83. A Morning Ride

Creator:: James Gillray, 1756–1815
Date:: 1804
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 11/16 x 20 3/16 inches (34.7 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Robert W. Carle

84. Life School at the Royal Academy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 5/8 x 28 7/8 inches (52.4 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last

Creator:: Print made by John Finlayson, 1730–1776
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/8 x 22 3/8 inches (46 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Royal Academy of Arts

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 x 28 1/4 inches (49.2 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Harpies Attacking the Daughters of Pandarus

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving on medium, moderately textured, cream laid paper laid on mount
Dimensions:: Mount: 15 1/4 x 19 1/16 inches (38.8 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Presages of the Millenium

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. The Opening of the Lecture Theatre of the Marylebone Literary and Scientific Institution, 4th March 1835

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: after 1835
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 inches (37.5 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Glasgow Exhibition: Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:: Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

93. Glasgow Exhibition: From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

94. Glasgow Exhibition: Ireland and Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:: Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

95. Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars

Creator:: Print made by James Gillray, 1756–1815
Date:: 1793
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 14 3/8 inches (31.7 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Medallions of F. Hutcheson and L. Natter

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Mezzotint, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 7/16 inches (36.9 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. At Rome

Creator:: Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 13/16 x 8 11/16 inches (14.8 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Views in the Levant: Death of Wolfe, Study of a Gem

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on moderately thick, smooth, cream wove paper,
Dimensions:: Sheet: 8 13/16 × 6 13/16 inches (22.4 × 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A Scene from Roman History

Creator:: circle of Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Gray wash, black ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/16 x 8 15/16 inches (33.2 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anne W. and David T. Mininberg, Yale BA 1957

100. Life School at the Royal Academy

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1773
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/8 x 28 1/2 inches (51.1 x 72.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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1. Captain Vincenzo Lunardi with his Assistant George Biggin, and Mrs. Letitia Anne Sage, in a Balloon

2. The Passing of the Great Emancipation Act

3. The Two Sons of Tipu Sahib, Sultan of Mysore, Being Handed over as Hostages to General Cornwallis

4. Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach

5. The Life of Buckingham

6. The Death of Chatham

7. Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach

8. Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

9. Alas!; Plate 9

10. Air; Plate 6

11. Aged Ignorance; Plate 13

12. The Traveller Hasteth in the Evening; Plate 16

13. Death's Door; Plate 17

14. Water; Plate 4

15. Earth; Plate 5

16. Fire; Plate 7

17. Does Thy God O Priest Take such Vengeance as This?; Plate 14

18. Fear & Hope Are -- Vision; Plate 15

19. Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)

20. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

21. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

22. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

23. Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

24. Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

25. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

26. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

27. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

28. Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)

29. Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)

30. Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)

31. The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."

32. The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."

33. The Poems of Thomas Gray, Design 87, "The Triumphs of Owen."

34. Howard Visiting a Prison

35. Howard Visiting a Prison

36. Howard Visiting a Prison

37. Howard Visiting a Prison

38. Howard Visiting a Prison

39. Mary, Queen of Scots, Embarking

40. The House of Commons

41. Mary, Queen of Scots

42. Britannia in Distress

43. The Royal Rush Light

44. The Spoiled Child, Scene VI

45. Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a Balloon, June 20, 1785

46. The Seven Bishops Going To Trial

47. Hiram King of Tyre, Sends Presents to King Solomon

48. Colonel Mordaunt's Cock Match at Lucknow

49. Colonel Mordaunt's Cock Match at Lucknow

50. Embassy of Hyderbeck to Calcutta

51. The Blessing of the Suez Canal, November 16, 1869

52. The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers

53. Coastal Scene with Troops Embarking

54. L'Age du Fer

55. Study for the Proclamation of Don Carlos

56. Falstaff Inspecting the Recruits

57. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

58. Military Costumes of the Reign of King Henry VI, 1447

59. The Body of Lucretia Exposed to the Romans

60. The Great Exhibition: Exterior View from the Southwest

61. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

62. Goetz Von Berlichingen Before The Imperial Magistrate

63. Gems of the Great Exhibition No. 4: The Foreign Department

64. Pomare, Queen of Tahiti

65. Ten Needle-Box Prints

66. Unidentified Periodical / Play Illustration

67. View of Tonbridge During the Late Election, December 18, 1832

68. A View of the Fire in Covent Garden

69. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

70. The Ceiling in the Banqueting House at Whitehall

71. The Modern Puritan, Hanging a Cat on a Monday for Killing a Mouse on a Sunday!!!

72. The Arrest of Lord Edward Fitzgerald

73. The Procession of the Knights of the Most Noble Order of the Garter