Study of Three Men Holding Baskets for the `Miracle of the Loaves and Fishes'
undated
202
Isaac Johnson, 1754–1835
Stones Found in a Pitt, in Ringfield Near Beccles, Suffolk
undated
203
George Jones, 1786–1869
The Blacksmith
undated
204
George Jones, 1786–1869
Chantrey's Studio
undated
205
George Jones, 1786–1869
Interior of a Blacksmith's Forge
undated
206
Inigo Jones, 1573–1652
Design for a Temporary Arch Ornamented with Putti and Allegorical Figures of Music and War
ca. 1622
207
Wenceslaus Hollar, 1607–1677
A View from Peterborough Tower at Tangier
1669
208
Theodor von Holst, 1810–1844
A Sheet of Sketches - Theatrical Studies
undated
209
Thomas Hearne, 1744–1817
The Thames from the Ship Inn, Greenwich
undated
210
Samuel Jackson, 1794–1869
Two Riders Fording a River
undated
211
Samuel Howitt, 1756–1822
Bull Attacking Mastiff
undated
212
Henry Richard Greville third Earl of Warwick, 1779–1853
River Landscape
undated
213
Thomas Carwitham, active 1723
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
214
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
215
Samuel Howitt, 1756–1822
Four Galloping Horses
undated
216
Samuel Howitt, 1756–1822
Design for a Hunting Trophy or Loving Cup
undated
217
George Heriot, 1766–1844
View of a Bridge
1819
218
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
219
Samuel Howitt, 1756–1822
Gun Dogs
undated
220
Samuel Howitt, 1756–1822
Bear and Bee-Hives
undated
221
Mary Harcourt, 1750–1833
On the Rhone
ca. 1780
222
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
223
William Haygarth, active 1810–1816
Crater of Vesuvius
1816
224
Amos Green, 1735–1807
Landscape with Wooden Bridge
undated
225
Amos Green, 1735–1807
Classical Landscape
undated
226
Sir George Hayter, 1792–1871
Banditti of Kurdistan Assisting Georgians in Surprising and Carrying off Circassian Women
1827
227
Attributed to John Sanderson, active 1730; died 1774
Unidentified Country House: Ground Floor Plan
undated
228
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
229
Michel Jean Cazabon, 1813–1888
The Cottage, Mount Tamana
1851
230
Michel Jean Cazabon, 1813–1888
St. James Barracks
1851
231
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
232
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
233
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
234
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
235
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
236
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
237
James Pattison Cockburn, 1779–1847
Advanced Guard - Sunrise
ca. 1832
238
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
239
John Varley, 1778–1842
Trees Overhanging a River
undated
240
John Varley, 1778–1842
The Fisherman
undated
241
John Varley, 1778–1842
A Romantic Landscape
undated
242
Benjamin West, 1738–1820
Page Boy Asleep
undated
243
unknown artist
Lullingstone Castle
ca. 1670
244
Michel Jean Cazabon, 1813–1888
Port of Spain, from the Harbour
1851
245
Michel Jean Cazabon, 1813–1888
Trinity Church, Port of Spain
1851
246
Michel Jean Cazabon, 1813–1888
Bamboo Arches, St. Anns
1851
247
Michel Jean Cazabon, 1813–1888
Queen's Park, Port of Spain
1851
248
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
249
George Barret Jr., 1767–1842
Boulner, East Yarmouth
undated
250
Richard Parkes Bonington, 1802–1828
A Seascape
undated
251
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
252
John Thomas Smith, 1766–1833
The Smock Exposed
1817
253
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
254
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
255
John Thomas Smith, 1766–1833
The Reconcilation
1817
256
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
257
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
258
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
259
Alexander Cozens, 1717–1786
A Valley
between 1775 and 1780
260
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
261
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
262
Paul Sandby, 1731–1809
The Misses Sandby of Norwich
undated
263
Paul Sandby, 1731–1809
Portrait of a Lady at a Drawing Table
undated
264
Sir James Thornhill, 1675–1734
Design for a Lunette
undated
265
Sir James Thornhill, 1675–1734
Design for a Wall Panel
undated
266
unknown artist
Shed
undated
267
John Sanderson, active 1730; died 1774
Langley Park, Norfolk: Elevation of the South Front
ca. 1750
268
John Michael Rysbrack, 1694–1770
Design for a Monument to Sir James Reade, Hatfield
undated
269
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
270
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
271
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
272
Paul Sandby, 1731–1809
London Cries: A Man with a Bottle
ca. 1759
273
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
274
Charles Heathcote Tatham, 1772–1842
Design for a Naval Monument: Elevation
1799
275
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
276
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
277
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
278
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
279
Cornelius Varley, 1781–1873
Landscape with Castle
undated
280
James Ward, 1769–1859
Sky Study
undated
281
James Ward, 1769–1859
An Outhouse Wall
undated
282
James Ward, 1769–1859
Studies after Anthony van Dyck's Portrait of Arthur Goodwin
1825
283
Joseph Wilton, 1722–1803
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
Between 1747 and 1755
284
Sir James Thornhill, 1675–1734
Design for a Ceiling Decoration (with a Parrot)
undated
285
James Wyatt, 1746–1813
Hinton St. George, Somerset: Plan of the Dressing Room
1801
286
unknown artist
Thatched Roof and Tree
undated
287
unknown artist
Ram and Two Sheep
undated
288
unknown artist
Nocturnal View of Mountainous Landscape with River
undated
289
unknown artist
Harbor
undated
290
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
291
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
292
Edward Francis Burney, 1760–1848
Heavenly Orchestra
undated
293
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
294
Edward Francis Burney, 1760–1848
Venus and Cupid
undated
295
Edward Francis Burney, 1760–1848
Pamphilia
undated
296
Edward Francis Burney, 1760–1848
Pamphilia
undated
297
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument