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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre literary theme
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1
- The Farmer's Wife and the Raven
- 1786
- Not on view
2
- The Beggar's Opera
- 1729
- Not on view
3
- The Horse
- ca. 1805
- Not on view
4
- Virgil's Tomb by Moonlight, with Silius Italicus
- 1779
- Not on view
5
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
6
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
7
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
8
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
9
- Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
- between 1773 and 1774
- Not on view
10
- Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
- 1767
- Not on view
11
- Mrs. Cibber as Cordelia
- 1755
- Not on view
12
- Louis-Francois Roubiliac Modelling His Monument to Shakespeare
- between 1760 and 1761
- Not on view
13
- The Cave of Despair
- 1772
- Not on view
14
- The Harlowe Family, from Samuel Richardson's "Clarissa"
- between 1745 and 1747
- Not on view
15
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
- ca. 1826
- Not on view
16
- Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
- 1792
- Not on view
17
- Mrs. Cibber as Cordelia
- ca. 1755
- Not on view
18
- Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826
- 1826
- Not on view
19
- Study for 'The Red Cross Knight'
- ca. 1793
- Not on view
20
- Hamlet and his Mother; The Closet Scene
- 1846
- Not on view
21
- Gulliver Addressing the Houyhnhnms
- 1769
- Not on view
22
- The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
- ca. 1790
- Not on view
23
- The Ghost of Clytemnestra Awakening the Furies
- 1781
- Not on view
24
- Gulliver Taking His Final Leave of the Land of the Houyhnhnms
- 1769
- Not on view
25
- Rinaldo and Armida
- 1771
- Not on view
26
- Scene from Shakespeare's "Henry IV, Part I"
- 1746
- Not on view
27
- Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
- 1831
- Not on view
28
- Dr. Syntax: Walking with a Stick
- ca. 1810
- Not on view
29
- Dr. Syntax: On a Horse, Jumping a Gate
- ca. 1810
- Not on view
30
- Dr. Syntax: Losing His Temper
- ca. 1810
- Not on view
31
- The Bellman
- 1879
32
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
33
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
34
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
35
- Opening the Fold
- 1880
36
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
37
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
38
- The Lonely Tower
- 1879
39
- The Bellman
- 1879
40
- The Homeward Star
- begun ca. 1880
41
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
42
- The Sleeping Shepherd
- 1857
43
- The Farmer's Wife and the Raven
- 1788
44
- Apuleia in Search of Apuleius
- between 1813 and 1823
45
- The Fifth Plague of Egypt
- 1808
46
- Aeneas Relating His Adventures to Dido
47
- Aesacus and Hesperie
- 1819
48
- From Spenser's Fairy Queen
- 1811
49
- Apuleia in Search of Apuleius
- between 1813 and 1823
50
- Procris and Cephalus
- 1812
51
- Aesacus and Hesperie
- 1819
52
- The Deluge
- between 1813 and 1823
53
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
54
- From Spenser's Fairy Queen
- 1811
55
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
56
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
57
- America. A Prophecy, Plate 7, "Albions Angel stood...."
- 1793
58
- The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
- between 1797 and 1798
59
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
60
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
61
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
62
- The Life, and Posthumous Writings, of William Cowper (volume 3)
- 1803-1804
63
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
64
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
65
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
66
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
67
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
68
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
69
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
70
- The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
- 1789
71
- Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
- 1797
72
- Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
- 1797
73
- Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
- 1797
74
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
75
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
76
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
77
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
78
- Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
- 1797
79
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
80
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
81
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
82
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
83
- Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
- 1797
84
- Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
- 1797
85
- Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
- 1797
86
- Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
- 1797
87
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
88
- The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
- between 1797 and 1798
89
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
90
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
91
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
95
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
96
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
97
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
98
- The Poems of Thomas Gray, Design 61, "The Bard."
- between 1797 and 1798
99
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
100
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798