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William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

ca. 1797

William Blake Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

ca. 1797

William Blake Air; Plate 6

Print made by William Blake, 1757–1827

Air; Plate 6

1793

William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8

Print made by William Blake, 1757–1827

At Length for Hatching Ripe He Breaks the Shell; Plate 8

1793

William Blake Help! Help!; Plate 12

Print made by William Blake, 1757–1827

Help! Help!; Plate 12

1793

William Blake Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

ca. 1797

William Blake Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

ca. 1797

William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

ca. 1797

William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 83, "The Descent of Odin."

between 1797 and 1798

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 14, "One hair nor particle of dust...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 14, "One hair nor particle of dust...."

1804 to 1820

William Blake Jerusalem, Plate 43, "They saw their Wheels...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 43, "They saw their Wheels...."

1804 to 1820

William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 50, "The Atlantic Mountains...."

1804 to 1820

William Blake Jerusalem, Plate 77, "To the Christians...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 77, "To the Christians...."

1804 to 1820

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 63, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 63, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 65, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 65, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 95, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 95, "Ode for Music."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 99, "Ode for Music."

between 1797 and 1798

William Blake Jerusalem, Plate 3, "To the Public...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 3, "To the Public...."

1804 to 1820

William Blake Jerusalem, Plate 31, "His western heaven...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 31, "His western heaven...."

1804 to 1820

William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 70, "And this the form of mighty Hand...."

1804 to 1820

William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 74, "The Four Zoa's clouded rage...."

1804 to 1820

William Blake Jerusalem, Plate 78, "The Spectres of..."

William Blake, 1757–1827

Jerusalem, Plate 78, "The Spectres of..."

1804 to 1820

William Blake Jerusalem, Plate 81, "I have mockd those...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 81, "I have mockd those...."

1804 to 1820

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 32, "Leaning against the pillars...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 32, "Leaning against the pillars...."

1804 to 1820

William Blake Jerusalem, Plate 45, "Bath, healing City!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 45, "Bath, healing City!...."

1804 to 1820

William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 82, "I have heard Jerusalems groans...."

1804 to 1820

William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 59, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 59, "The Bard."

between 1797 and 1798

William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 16, "In the Flames Stood...."

1793

William Blake America. A Prophecy, Plate 1, Frontispiece

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 1, Frontispiece

1793

William Blake America. A Prophecy, Plate 2, Title Page

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 2, Title Page

1793

William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 6, "Appear to the Americans...."

1793

William Blake Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)

1794

William Blake America. A Prophecy, Plate 8, "The Morning Comes...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 8, "The Morning Comes...."

1793

William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

William Blake America. A Prophecy, Plate 10, "The Terror Answered...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 10, "The Terror Answered...."

1793

William Blake Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)

1794

William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 13, "Fiery the Angels Rose...."

1793

William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)

1794

William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

1794

William Blake Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)

1794

William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 1, Frontispiece

1793

William Blake Visions of the Daughters of Albion, Plate 2, Title Page

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 2, Title Page

1793

William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "

1793

William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

William Blake, 1757–1827

Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "

1793

William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

1789

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

ca. 1797

William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

ca. 1797

William Blake Christ Giving Sight to Bartimaeus

William Blake, 1757–1827

Christ Giving Sight to Bartimaeus

1799 to 1800

William Blake Thomas Alphonso Hayley, Half-Length Drawing

attributed to William Blake, 1757–1827

Thomas Alphonso Hayley, Half-Length Drawing

ca. 1800

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

William Blake, 1757–1827

The Gambols of Ghosts According with Their Affections Previous to the Final Judgement

1805 to 1808

William Blake Abraham and Isaac

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

William Blake Moses Receiving the Law

William Blake, 1757–1827

Moses Receiving the Law

ca. 1780

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Arthur Burgess Venus, after Masters of Tarrochi

Print made by Arthur Burgess, 1844–1886

Venus, after Masters of Tarrochi

undated

James Ward Landscape

James Ward, 1769–1859

Landscape

undated

James Ward Cloud Study

James Ward, 1769–1859

Cloud Study

undated

Charles Hamilton Smith Farming Village

Charles Hamilton Smith, 1776–1859

Farming Village

undated

Lydia Bates Coastal Scene

Print made by Lydia Bates, active 1784

Coastal Scene

1784

Charles Vincent Barber Harvesting - The Noontide Rest

Charles Vincent Barber, 1784–1854

Harvesting - The Noontide Rest

1811

Cornelius Varley Carnarvon

Cornelius Varley, 1781–1873

Carnarvon

1802

Edward Radclyffe Peat-Gatherers

Print made by Edward Radclyffe, 1809–1863

Peat-Gatherers

undated

John Linnell A View of the Fens

John Linnell, 1792–1882

A View of the Fens

undated

Edward Radclyffe Lancaster Sands

Print made by Edward Radclyffe, 1809–1863

Lancaster Sands

undated

John Robert Cozens Bath: The Crescent

Print made by John Robert Cozens, 1752–1797

Bath: The Crescent

1773

Charles Howard Hodges Hebe

Print made by Charles Howard Hodges, 1764–1837

Hebe

1785

Charles Howard Hodges Hebe

Print made by Charles Howard Hodges, 1764–1837

Hebe

1785

Paul Sandby Bridgenorth, Shropshire

Paul Sandby, 1731–1809

Bridgenorth, Shropshire

ca. 1801

William Woollett Celadon and Amelia

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

John Varley A Castle at the Waterside

John Varley, 1778–1842

A Castle at the Waterside

undated

William Dickinson Mrs. Sheridan as 'St. Cecilia'

Print made by William Dickinson, 1746–1823

Mrs. Sheridan as 'St. Cecilia'

1776

Robert Hills Between Netley Heath and Albury

Robert Hills, 1769–1844

Between Netley Heath and Albury

undated

Augustus Welby Northmore Pugin Place Royale, Paris

Augustus Welby Northmore Pugin, 1812–1852

Place Royale, Paris

undated

Henry Haseler Sidmouth from Offshore

Henry Haseler, active 1814–1825

Sidmouth from Offshore

ca. 1815

David Charles Read Landscape with two figures beside an old building

David Charles Read, 1790–1851

Landscape with two figures beside an old building

undated

John Linnell A Windy Day

John Linnell, 1792–1882

A Windy Day

1815

F. Norice Windsor Castle From the Long Walk

F. Norice, 19th century

Windsor Castle From the Long Walk

undated

John Robert Cozens Bath: The South Parade

Print made by John Robert Cozens, 1752–1797

Bath: The South Parade

1773