Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
ca. 1745
Not on view
3
Samuel Scott, 1701/2–1772
The Building of Westminster Bridge
ca. 1742
Not on view
4
Canaletto, 1697–1768
Westminster Bridge, with the Lord Mayor's Procession on the Thames
1747
Not on view
5
unknown artist
An Imaginary View of Westminster Bridge
mid-18th century
Not on view
6
Joseph Farington, 1747–1821
Westminster Abbey and Bridge
1794
Not on view
7
Samuel Scott, 1701/2–1772
Arches of Westminster Bridge
ca. 1750
Not on view
8
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
9
Richard Wilson, 1713/4–1782
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
10
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
11
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
12
unknown artist
The Interior of Westminster Abbey
ca. 1714
Not on view
13
Edward Edwards, 1738–1806
Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
ca. 1790
Not on view
14
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
15
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
16
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
17
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
18
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
19
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
20
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
21
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
22
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
23
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
24
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
25
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
26
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
27
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
28
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
29
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
30
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
31
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
32
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
33
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
34
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
35
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
36
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
37
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
38
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
39
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
40
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
41
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
42
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
43
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
44
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
45
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
46
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
47
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
48
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
49
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
50
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
51
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
52
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
53
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
54
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
55
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
56
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
57
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
58
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
59
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
62
John Maurer, active 1713–1761
A Perspective View of Whitehall
63
unknown artist
The Royal Palace of St. James's next the Park
64
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
65
John Boydell, 1720–1804
St. Clement Danes
1751
66
Thomas Bowles, ca. 1712–died 1753
The Inside of St. Martin's Church in the Fields
67
Thomas Bowles, ca. 1712–died 1753
The Inside of Westminster Abby
68
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
69
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
70
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
71
unknown artist
A view of the inside of Westminster Hall
ca. 1700
72
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
73
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
74
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
75
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
76
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
77
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
78
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
79
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
80
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
81
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
82
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
83
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
84
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
85
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
86
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
87
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
88
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
89
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
90
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
91
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
92
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
93
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
94
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
95
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
96
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
97
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
98
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
99
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
100
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby