Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
3
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
4
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
5
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
6
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
7
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
8
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
9
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
10
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
11
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
12
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
13
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
14
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
15
Thomas Bowles, ca. 1712–died 1753
The Inside of Westminster Abby
16
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
17
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
18
Thomas Bowles, ca. 1712–died 1753
A South View of Westminster Abby & St. Margarets Church
19
John Maurer, active 1713–1761
A Perspective View of Whitehall
20
unknown artist
The Royal Palace of St. James's next the Park
21
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
22
John Boydell, 1720–1804
St. Clement Danes
1751
23
Thomas Bowles, ca. 1712–died 1753
The Inside of St. Martin's Church in the Fields
24
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
25
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
26
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
27
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
28
unknown artist
A view of the inside of Westminster Hall
ca. 1700
29
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
30
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
31
Print made by James Basire the younger, 1769–1822
Plate XI: St Stephen's Chapel
1795
32
Print made by James Basire, 1730–1802
Plate X: St Stephen's Chapel
1795
33
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
34
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
35
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
36
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
37
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
38
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
39
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
40
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
41
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
42
Print made by James Basire, 1730–1802
Plate IX: St Stephen's Chapel
1795
43
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
44
Print made by James Basire, 1730–1802
Plate XIII: St Stephen's Chapel
1795
45
Print made by John Thomas Smith, 1766–1833
Geometrical Construction of the Freeze and Battlements in the House of Commons
1805
46
Print made by James Basire, 1730–1802
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
1795
47
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
48
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
49
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
50
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
51
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
52
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
53
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
54
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
55
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
56
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
57
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
58
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
59
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
60
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
61
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
62
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
63
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
64
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
65
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
66
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
67
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
68
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
69
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
70
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
71
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
72
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
73
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
74
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
75
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
76
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
77
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
78
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
79
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
80
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
81
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
82
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
83
John Warwick Smith, 1749–1831
A View of St. James's Park, taken near the Stable Yard
84
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
85
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
86
Print made by Pietro Antonio Martini, 1738–1797
Exhibition of Royal Academy
1787
87
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
88
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
89
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
90
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
91
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
92
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
93
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
94
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
95
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
96
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
97
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge