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1
- Satan Approaching the Court of Chaos
- 1784 to 1785
2
- Study of the Head of a Young Man
- undated
3
- Howard Visiting a Prison
- undated
4
- John Henderson as Falstaff
- 1780
5
- Howard Visiting a Prison
- undated
6
- David before Saul
- undated
7
- Unidentified Town House: Front Elevation
- undated
8
- Design for the Parterre at Hampton Court
- early 18th century
9
- Tivoli
- ca. 1768
10
- View of Leghorn
- undated
11
- Two Frigates before the Wind
- undated
12
- Back from the Wars
- undated
13
- Scenery, Haymarket Theatre
- undated
14
- Harbledown, a Village near Canterbury
- 1757
15
- Herstmonceux Castle, Sussex
- undated
16
- Cobham Hall, Kent: Windows in Dairy
- 1795
17
- The Secundini Monument at Ighel in the Duchy of Luxembourg
- undated
18
- Mountainous Landscape with Figures
- undated
19
- Design for a Wall of the Chapel of Revealed Religion
- ca. 1780
20
- North West View of Wakefield Lodge in Whittlebury Forest, Northamptonshire
- 1767
21
- A View at Lucerne
- 1775
22
- Britannia in Distress
- 1756
23
- View on the Thames at Batersea
- undated
24
- A Design of Masks
- 1710
25
- Landscape with Lake and Figures on a Rocky Road
- 1777
26
- Plan of the Mesquita of Cordova
- 1775 to 1776
27
- Crowcombe Court: a gentleman with his dog walking by the river
- ca. 1775
28
- Gateway and Facade of a House
- undated
29
- Romantic Landscape - Peasants at the Foot of a Castle on a Crag
- undated
30
- Falstaff Carrying Dead Hotspur
- undated
31
- But Deliver Us From Evil
- 1805
32
- The Hurduar Looking Up the River
- undated
33
- Firing a Salute
- 1770
34
- The Great Gate of St. Augustine's Monastery, Canterbury
- 1757
35
- The Flagship of a Commander in Chief
- undated
36
- A View of Rome Taken from the Pincio
- 1776
37
- Flight of James II
- undated
38
- Lowther House, Westmorland: Principal and First Floor Plans
- between 1718 and 1729
39
- Lowther House, Westmorland: Lower Ground Floor Plan
- between 1718 and 1729
40
- Lowther House, Westmorland: Elevation of the Court Front
- between 1718 and 1729
41
- Lowther House, Westmorland: Elevation of the Garden Front
- between 1718 and 1729
42
- Unidentified Office or Stables: Front Elevation
- ca. 1720
43
- View of Dürrenstein
- undated
44
- The Open-Air Preacher
- undated
45
- Landscape with Gorge and Cattle
- undated
46
- The Welsh Curate
- undated
47
- Cart Bearing a Large Tree Trunk
- undated
48
- Genoa - A Seascape with Shipping
- undated
49
- Extensive View of Windsor Castle
- undated
50
- A Ford at Wrentham, Suffolk
- undated
51
- Southampton Water
- undated
52
- A Family in Hyde Park
- undated
53
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
54
- London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
- 1760
55
- London Cries: Flowers
- undated
56
- Elevations of a Room
- undated
57
- Sundorne Castle, Near Shrewsbury, Shropshire
- 1783
58
- Peter the Wild Boy
- undated
59
- Design for a Ceiling
- undated
60
- A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid
- ca. 1805
61
- Westminster Bridge from Lambeth Walk
- undated
62
- Traveller in a Palanquin in India
- undated
63
- Position pour la Garde en Quarte
- 1763
64
- Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
- 1763
65
- Cinquieme Position du Salut
- 1763
66
- De la Parade Dequinte sur le Coup de Quinte
- 1763
67
- De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
- 1763
68
- De la Parade de Prime sur le Coup de Seconde
- 1763
69
- Du Coupé sur Pointe de Quarte en Quarte sur les Armes
- 1763
70
- Du Desarmement Aprés Avoir Paré le Coup de Quarte
- 1763
71
- Demi Volte sur les Coups Forcés au Dehors des Armes
- 1763
72
- De la Volte sur la Passe au Dehors des Armes
- 1763
73
- Du Desarmement sur le Coup de Tierce
- 1763
74
- Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
75
- Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
- 1763
76
- Position Aprés Avoir Désarmé sur le Coup de Tierce
- 1763
77
- Risposte Aprés Avoir Trompé la Parade du Poignard
- 1763
78
- Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
- 1763
79
- L'Epée & Lanterne Combattüe par L'Epée et Manteau
- 1763
80
- De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
- 1763
81
- The Ruins of Carthage
- ca. 1769
82
- A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759
- 1759
83
- Position pour la Garde en Tierce
- 1763
84
- Seconde Position du Salut
- 1763
85
- Troisieme Position du Salut
- 1763
86
- Quatrieme Position du Salut
- 1763
87
- De la Parade de Tierce, sur le Coup de Tierce
- 1763
88
- De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte
- 1763
89
- De la Parade de Seconde sur le Coup de Seconde
- 1763
90
- De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
- 1763
91
- De la Parade du Cavé sur le Coup de Flanconnade
- 1763
92
- De la Risposte de Quarte apres la Parade de Quarte
- 1763
93
- De la Risposte en Quinte de Pied forme sur le Coup de Seconde
- 1763
94
- De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
- 1763
95
- De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
- 1763
96
- Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
- 1763
97
- Position Aprés Avoir Desarmé sur le Coup de Quarte
- 1763
98
- Position de la Garde Italienne de L'Epée & Poignard
- 1763
99
- Du Desarmement Aprés la Parade au Dehors des Armes
- 1763
100
- De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
- 1763