Cobham Hall, Kent: Elevation of South Front of South Wing
undated
50
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
51
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
52
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
53
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
54
Print made by Luigi Schiavonetti, 1765–1810
William Blake, Frontispiece
1808
55
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
56
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808
57
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
58
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
59
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
60
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
61
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
62
Print made by Luigi Schiavonetti, 1765–1810
The Death of the Good Old Man
1808
63
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
64
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
65
Print made by Luigi Schiavonetti, 1765–1810
The Counsellor, King, Warrior, Mother & Child, in the Tomb
1808
66
Print made by Luigi Schiavonetti, 1765–1810
The Reunion of the Soul & the Body
1808
67
Print made by Luigi Schiavonetti, 1765–1810
The Meeting of a Family in Heaven
1808
68
Print made by Luigi Schiavonetti, 1765–1810
The Day of Judgment
1808
69
Print made by Luigi Schiavonetti, 1765–1810
Robert Blair, The Grave, Title Page
1808
70
Print made by Luigi Schiavonetti, 1765–1810
The Descent of Man into the Vale of Death
1808
71
Print made by Luigi Schiavonetti, 1765–1810
The Soul Exploring the Recesses of the Grave
1808
72
Prints made by Philippe Soye, active 1565–1568
Onvphrii Panvinii Veronensis, Fratris Eremitae Augustiniani. XXVII Pontificvm Maximorvm, Elogia et Imagines Accuratissime ad Uiuum Aeneis Typeis Delineatae
1568
73
Published by Antonio Lafreri, 1512–1577
Speculum Romanae Magnificentiae
1546-1590
74
Print made by Luigi Schiavonetti, 1765–1810
Christ Descending into the Grave
1808
75
Print made by Luigi Schiavonetti, 1765–1810
Death's Door
1808
76
Print made by Luigi Schiavonetti, 1765–1810
Death of the Strong Wicked Man
1808
77
Jacopo Barozzi da Vignola, 1507–1573
Regola delli Cinque Ordini d'Architettura, Libro d'Antonio Labacco Appartente a l'Architettura, Libro de Diversi Trophei Militari Cavati da gli Antichi, and Speculum Romanae
1544 to 1577
78
John Malchair, 1730–1812
In Powis Parke
1795
79
unknown artist
Sketch of a Woman and a Dog
undated
80
unknown artist
Upper or Western Entrance to Eastbourne
undated
81
unknown artist
Design for an Altar
undated
82
unknown artist
Elevation of a Bedchamber with Corinthian Decoration
undated
83
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
84
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
85
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
86
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
87
John Yenn, 1750–1821
Design for a Doorway
1781
88
unknown artist
Design for a Lamp
undated
89
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
90
Jean Baptiste Pillement, 1727–1808
Castleton Caves, Peak District, Derbyshire
ca. 1760
91
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
92
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
93
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
94
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
95
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
96
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
97
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
98
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
99
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
100
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin