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Period 19th century

Remove constraint Period: 19th century

Creator Blake, William, 1757–1827

Remove constraint Creator: Blake, William, 1757–1827

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William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 9, "Condens'd his Emanations...."
1804 to 1820
William Blake Jerusalem, Plate 90, "The Feminine separates...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 90, "The Feminine separates...."
1804 to 1820
William Blake Jerusalem, Plate 13, "And that toward Eden...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 13, "And that toward Eden...."
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 21, "O Vala! O Jerusalem...."
1804 to 1820
William Blake Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
William Blake Jerusalem, Plate 26, "Such Visions Have...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
William Blake Jerusalem, Plate 29, "Then the Divine Vision...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 29, "Then the Divine Vision...."
1804 to 1820
William Blake Jerusalem, Plate 3, "To the Public...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 3, "To the Public...."
1804 to 1820
William Blake Jerusalem, Plate 30, "And the Two that escaped...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 30, "And the Two that escaped...."
1804 to 1820
William Blake Jerusalem, Plate 32, "Leaning against the pillars...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
William Blake Jerusalem, Plate 46, "Bath, mild Physician...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 46, "Bath, mild Physician...."
1804 to 1820
William Blake Jerusalem, Plate 47, "From Camberwell to Highgate...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 47, "From Camberwell to Highgate...."
1804 to 1820
William Blake Jerusalem, Plate 49, "The secret coverts of Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 49, "The secret coverts of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 57, "And the voices of Bath...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 57, "And the voices of Bath...."
1804 to 1820
William Blake Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
1804 to 1820
William Blake Jerusalem, Plate 59, "And formed into Four precious stones...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 59, "And formed into Four precious stones...."
1804 to 1820
William Blake Jerusalem, Plate 6, "His Spectre driv'n...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
William Blake Jerusalem, Plate 67, "By those who drink their blood...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 67, "By those who drink their blood...."
1804 to 1820
William Blake Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
1804 to 1820
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake Jerusalem, Plate 92, "What do I see!...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 92, "What do I see!...."
1804 to 1820
William Blake Jerusalem, Plate 99, "All Human Forms identified...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
William Blake Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
1804 to 1820
William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
1826
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 7, "Fire"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 7, "Fire"
1826
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Thomas Hayley (1780-1800)
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
1826
William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
William Blake For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
1826
William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 4, "Water"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 5, "Earth"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 5, "Earth"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 6, "Air"
1826
William Blake For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
1826
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
1827
William Blake A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
Text by William Blake, 1757–1827
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
William Blake Book of Job, Plate 10, Job Rebuked by His Friends
William Blake, 1757–1827
Book of Job, Plate 10, Job Rebuked by His Friends
1825
William Blake Illustrations of the Book of Job
William Blake, 1757–1827
Illustrations of the Book of Job
1825
William Blake For the Sexes: The Gates of Paradise, London, 1826
William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
William Blake Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 95, "Her voice pierc'd Albions clay cold ear...."
1804 to 1820
William Blake Rev. John Caspar Lavater
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
William Blake Chaucer's Canterbury Pilgrims
William Blake, 1757–1827
Chaucer's Canterbury Pilgrims
1810 to 1820
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job - Wrapper
William Blake, 1757–1827
Illustrations of the Book of Job - Wrapper
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of Imitation of Eclogue I, Page 15
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 15
1821
William Blake Illustrations of Imitation of Eclogue I, Page 14
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake Illustrations of Imitation of Eclogue I, Page 16
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 16
1821
William Blake Illustrations of Imitation of Eclogue I, Page 18
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
William Blake Illustrations of Eclogue I, Introductory, The Giant Polypheme
William Blake, 1757–1827
Illustrations of Eclogue I, Introductory, The Giant Polypheme
1821
William Blake Illustrations of Imitation of Eclogue I, Page 17
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 17
1821
William Blake Caius Julius Cæsar
William Blake, 1757–1827
Caius Julius Cæsar
1821
William Blake Theocritus
William Blake, 1757–1827
Theocritus
1821
William Blake From Antique Coins
William Blake, 1757–1827
From Antique Coins
1821
William Blake Epicurus
William Blake, 1757–1827
Epicurus
1821
William Blake Octavius Augustus Cæsar
William Blake, 1757–1827
Octavius Augustus Cæsar
1821
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job: Title Page
William Blake, 1757–1827
Illustrations of the Book of Job: Title Page
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Illustrations of the Book of Job [in twenty-one plates]
William Blake, 1757–1827
Illustrations of the Book of Job [in twenty-one plates]
William Blake Publius Virgilius Maro
Print made by William Blake, 1757–1827
Publius Virgilius Maro
1821
William Blake Thomas Alphonso Hayley, Half-Length Drawing
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
William Blake Sealing the Stone and Setting a Watch
William Blake, 1757–1827
Sealing the Stone and Setting a Watch
1800 to 1803
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801