A Rake's Progress, Plate VII: In Fleet Street Prison
1735
2
Print made by William Hogarth, 1697–1764
The First Stage of Cruelty: Children Torturing Animals
1751, printed 1790
3
Print made by William Hogarth, 1697–1764
The Fourth Stage of Cruelty: The Reward of Cruelty
1751, printed 1790
4
Print made by William Hogarth, 1697–1764
The Second Stage of Cruelty: Coachman Beating a Fallen Horse
1751, printed 1790
5
Print made by William Hogarth, 1697–1764
The Third Stage of Cruelty: Cruelty in Perfection - The Murder
1751, printed 1790
6
after Joseph Mallord William Turner, 1775–1851
Tours - Looking Backward
1833
7
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
8
Print made by François M. la Cave, active 1726–1766
The Foundlings
undated
9
Print made by William Angus, 1752–1821
West Hill in Surrey, the Seat of D. H. Rucker Esqr
1810
10
Print made by John Keyse Sherwin, c.1751–1790
The Fortune Teller
1784
11
Print made by John Condé, 1765–1794
Mrs. Fitzherbert
1792
12
Print made by Samuel Cousins, 1801–1887
The Visionary
1833
13
Print made by Daniel Allen, active 1830s
A Rural Entertainment
1830
14
Print made by John Henry Robinson, 1796–1871
The Tarentella
1830
15
Print made by George Cooke, 1781–1834
Edinburgh Castle, Vignette Title to Vol. I
1826
16
Print made by Henry Le Keux, 1787–1868
Heriot's Hospital
1822
17
Print made by George Cooke, 1781–1834
Edinburgh Castle, Vignette Title to Vol. I
1826
18
Print made by William Bernard Cooke, 1778–1855
Martigny (vignette)
1830
19
Print made by Samuel Cousins, 1801–1887
Sunshine of Love
1837
20
Print made by Leopold Flameng, 1831–1911
Grolier with the Printer Aldus Manutius
1882
21
Print made by William Bernard Cooke, 1778–1855
Bodiham Castle, Sussex
1817
22
Print made by James C. Allen, active 1821–1831
Ivy Bridge, Devonshire
1816
23
Print made by Samuel Rawle, 1771–1860
Hylton Castle, County of Durham
1820
24
Print made by Robert Wallis, 1794–1878
Edinburgh from Leith Harbour, Vignette Title to Vol. II
1826
25
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
26
Print made by James H. Kernot, active early 19th century
St. Caterine's Hill, near Guildford, Surrey
1832
27
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
28
Print made by George Vertue, 1684–1756
Bookplate: The Spalding Gentlemen's Society
1746
29
Print made by William Bernard Cooke, 1778–1855
Martigny
1830
30
Print made by William Finden, 1787–1852
Jorasse
1830
31
Print made by John Henry Robinson, 1796–1871
Children on the Sea Shore
1830
32
Print made by George Cooke, 1781–1834
Gledhow
1816
33
Print made by W. R. Smith, active 1819–1851
Richmond Hill and Bridge, Surrey
1832
34
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
35
Print made by William Finden, 1787–1852
Travelling Musicians
1830
36
Print made by John Horsburgh, 1791–1869
Bermerside
1834
37
Print made by Joseph Powell, 1780–1834
Winchester Cross
1800
38
Print made by George Cooke, 1781–1834
Gledhow
1816
39
Print made by John Horsburgh, 1791–1869
Bemerside Tower
1834
40
Print made by William Miller, 1796–1882
The Dead Eagle - Oran
1837
41
Print made by Francesco Bartolozzi, 1728–1815
Funeral Card of Sir Joshua Reynolds
1792
42
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
43
Print made by John Browne, 1741–1801
The Sportsman
1775
44
Print made by James T. Willmore, 1800–1863
Fetcham Park
1838-1852
45
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1842
46
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 1
1773
47
Print made by Pierre Charles Canot, ca. 1710–1777
Marine Study No. 4
1773
48
Charles Grignion, 1717–1810
A French Petit Maître and His Valet
1771
49
Print made by John Browne, 1741–1801
After Sun-Set
ca. 1797
50
Print made by John Browne, 1741–1801
Morning
ca. 1797
51
Print made by John Browne, 1741–1801
Evening
ca. 1797
52
Etched by Thomas Gainsborough, 1727–1788
The Gipsies
1764
53
Francesco Bartolozzi, 1728–1815
Peasants Going to Market
1802
54
Print made by John Goldar, 1729–1795
Captain Conquest and His Baggage Wagon
1772
55
Print made by unknown artist
Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
56
Francesco Bartolozzi, 1728–1815
Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825
1825
57
Print made by James Caldwall, 1739–1819
The Cotillion Dance
1771
58
Charles Grignion, 1717–1810
A View of the Bridge at Walton-on-Thames in Surrey
1752
59
Francesco Bartolozzi, 1728–1815
Reapers
1790
60
Francesco Bartolozzi, 1728–1815
The Rural Italian's Wedding
1775
61
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
62
Print made by William John Cooke, 1797–1865
Plymouth, Devonshire
1832
63
Print made by Charles W. Sharpe, active 1858–1883
A Country Blacksmith
between 1859 and 1861
64
Print made by James Caldwall, 1739–1819
A Macarony Alderman and His Rib
1772
65
Print made by William Bernard Cooke, 1778–1855
Front of Wrapper for Rivers of England (Number One)
1823
66
Print made by Robert Brandard, 1805–1862
A Frosty Morning-Sunrise
between 1859 and 1861
67
Print made by John Horsburgh, 1791–1869
Bemerside Tower (Vignette)
1834
68
Print made by unknown artist
A View of the Mole and the New Castle at Naples
undated
69
Print made by unknown artist
A View of the Piazza Navona in the City of Rome
undated
70
Print made by John Horsburgh, 1791–1869
Bermerside
1834
71
John Horsburgh, 1791–1869
Bermerside
1834
72
John Horsburgh, 1791–1869
Bermerside
1834
73
Print made by unknown artist
Key to Life School at the Royal Academy
1794
74
Print made by Thomas Vivares, c.1735–c.1790
A View in the Island of Jamaica, of Roaring River Estate, belonging to William Beckford Esq.r near Savannah la Marr
1778
75
Print made by James Mason, 1710–1783
A View in the Island of Jamaica, of the Spring-head of Roaring River on the Estate of William Beckford Esq.r
1778
76
Print made by Joseph Ryland, active ca. 1775–1790
A Perspective View of the Country Town of Chelmsford in Essex, with the Judges Procession on the Day of Entrance, Attended by the High Sheriff and His Officers
undated
77
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
78
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
79
Print made by Pierre Charles Canot, ca. 1710–1777
Night and a Ship on Fire
1745
80
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
81
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745
82
Print made by James Charles Armytage, 1802–1897
The Balcony
between 1835 and 1854
83
Francesco Bartolozzi, 1728–1815
The Deserted Village
1795
84
Print made by William Henry Simmons, 1811–1882
The Return (First Class)
1857
85
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
86
Francis David Soiron, Born 1764
The Promenade in St. James's Park
1793
87
Engraved by Robert Pollard, 1755–1838
View of Queen Square
1789
88
Francesco Bartolozzi, 1728–1815
Memorial: Woman and Dog Grieving Over Portrait of a Man
undated
89
Francesco Bartolozzi, 1728–1815
Memorial: Woman and Dog Grieving Over Portrait of a Man
undated
90
Francesco Bartolozzi, 1728–1815
Mother and Child
1768
91
Francesco Bartolozzi, 1728–1815
Tobias and the Angel
92
Francesco Bartolozzi, 1728–1815
Woman Dying On A Bed, With One Man and Two Women Mourning Her
1787
93
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
94
Francesco Bartolozzi, 1728–1815
Jonah: An Oratorio, Disposed For Voice And Harpsicord
1775
95
Francesco Bartolozzi, 1728–1815
Illustration For a Book
1794
96
Francesco Bartolozzi, 1728–1815
Design, For A Coin, Or, A Medallion
undated
97
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Long Trumpets..
undated
98
Francesco Bartolozzi, 1728–1815
Man Stirring a Cauldron Over an Open Hearth
99
Francesco Bartolozzi, 1728–1815
Thomas Hollis
1767
100
Francesco Bartolozzi, 1728–1815
The Prosperity Of Great Britain, Contrasted With The Misery of France