Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
20
Edward Lear, 1812–1888
A Country House
ca. 1834
21
Edward Lear, 1812–1888
Manor (Knowsley Lane?)
undated
22
Edward Lear, 1812–1888
The Pontine Marshes above Terracina
ca. 1880
23
Edward Lear, 1812–1888
Bavella, Corsica
ca. 1868
24
Edward Lear, 1812–1888
Albania
between 1848 and 1849
25
Edward Lear, 1812–1888
S. Pietro Degli Agostiniani. Leonessa
1844
26
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
27
Edward Lear, 1812–1888
Memphis
1867
28
Edward Lear, 1812–1888
Turin, Italy
after 1872
29
George Romney, 1734–1802
Mother and Son
undated
30
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
31
George Romney, 1734–1802
Two Children Embracing
undated
32
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
33
George Romney, 1734–1802
Satan Presiding over Hell
undated
34
George Romney, 1734–1802
Noah's Children Rejoicing
undated
35
George Romney, 1734–1802
Slight Group of Figures
undated
36
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
37
George Romney, 1734–1802
Samson Overpowered
undated
38
George Romney, 1734–1802
Pamela
undated
39
George Romney, 1734–1802
Female Figures
undated
40
George Romney, 1734–1802
Initiation of a Rustic Nymph
undated
41
George Romney, 1734–1802
Landscape with a Leaning Tree
undated
42
George Romney, 1734–1802
[Small Sketchbook]
1784
43
George Romney, 1734–1802
[Small Sketchbook]
1784
44
George Romney, 1734–1802
[Small Sketchbook]
1784
45
George Romney, 1734–1802
[Small Sketchbook]
1784
46
George Romney, 1734–1802
[Small Sketchbook]
1784
47
George Romney, 1734–1802
[Small Sketchbook]
1784
48
George Romney, 1734–1802
[Small Sketchbook]
1784
49
George Romney, 1734–1802
[Small Sketchbook]
1784
50
George Romney, 1734–1802
[Small Sketchbook]
1784
51
George Romney, 1734–1802
[Small Sketchbook]
1784
52
George Romney, 1734–1802
[Small Sketchbook]
1784
53
George Romney, 1734–1802
[Small Sketchbook]
1784
54
George Romney, 1734–1802
[Small Sketchbook]
1784
55
George Romney, 1734–1802
[Small Sketchbook]
1784
56
George Romney, 1734–1802
[Small Sketchbook]
1784
57
George Romney, 1734–1802
[Small Sketchbook]
1784
58
George Romney, 1734–1802
Seated Woman
undated
59
George Romney, 1734–1802
Prostrate Woman
undated
60
George Romney, 1734–1802
David before Saul
undated
61
George Romney, 1734–1802
Possibly a Fight Scene
undated
62
George Romney, 1734–1802
Howard Visiting a Prison
undated
63
George Romney, 1734–1802
Muscious Scaevola
undated
64
George Romney, 1734–1802
Demonic Attack for the Temptation of Christ
undated
65
George Romney, 1734–1802
[Small Sketchbook]
1784
66
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
67
George Romney, 1734–1802
[Small Sketchbook]
1784
68
George Romney, 1734–1802
Studies of a Seated Woman
undated
69
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
70
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
71
George Romney, 1734–1802
Three Young Witches
undated
72
George Romney, 1734–1802
A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
73
George Romney, 1734–1802
Mythological Group of Women and Children
undated
74
George Romney, 1734–1802
David Playing the Harp
undated
75
George Romney, 1734–1802
Lord Salisbury, Standing by a Pillar
undated
76
George Romney, 1734–1802
Prison Scene
undated
77
George Romney, 1734–1802
Standing Male Figure
undated
78
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
79
Michel Jean Cazabon, 1813–1888
Port of Spain, from the Harbour
1851
80
Michel Jean Cazabon, 1813–1888
Trinity Church, Port of Spain
1851
81
Michel Jean Cazabon, 1813–1888
Bamboo Arches, St. Anns
1851
82
Michel Jean Cazabon, 1813–1888
Queen's Park, Port of Spain
1851
83
Michel Jean Cazabon, 1813–1888
St. James Barracks
1851
84
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
85
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
86
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
87
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
88
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
89
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
90
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
91
John Thomas Smith, 1766–1833
The Reconcilation
1817
92
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
93
Charlotte Warren, 18th century
Wooded Landscape with Cattle, Figures and a House
undated
94
Michel Jean Cazabon, 1813–1888
Cedar Point, Mount Tamana
1851
95
Michel Jean Cazabon, 1813–1888
The Cottage, Mount Tamana
1851
96
Michel Jean Cazabon, 1813–1888
Maraccas Waterfall
1851
97
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
98
John Thomas Smith, 1766–1833
The Smock Exposed
1817
99
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny