The Caller at the Mill, with sketches outside margin
1918-1919
4
Robert Polhill Bevan, 1865–1925
Two Bridges
1912-1913
5
Print made by Samuel Palmer, 1805–1881
Christmas
1850
6
Print made by Samuel Palmer, 1805–1881
Christmas
1877
7
Print made by Samuel Palmer, 1805–1881
Christmas
1850
8
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
9
Edward Lear, 1812–1888
Near Gertassee; 10:25 A.M., 17 Feb. 1867 (513)
1867
10
Edward Lear, 1812–1888
Dendoor; 8:45 A.M., 16 Feb. 1867 (493)
1867
11
Edward Lear, 1812–1888
Dishne; 4:45 P.M., 27 Feb. 1867 (555)
1867
12
Edward Lear, 1812–1888
Salo; 2:35 P.M., 14 May 1867 (89)
1867
13
James Malton, 1761–1803
A Design for a Temple at Bellevue House on the Derg, County Tipperary, the Seat of Charles Cooke, Esq
undated
14
James Malton, 1761–1803
Design for a Castellated Hunting Lodge
1803
15
Edward Walhouse Mark, 1817–1895
The Roman Doric or Italian of Palladio
undated
16
Edward Walhouse Mark, 1817–1895
The Doric Order
undated
17
Edward Walhouse Mark, 1817–1895
The Composite Order
undated
18
David Simson, 1803–1874
Kilbride
1861
19
David Simson, 1803–1874
Newark (abbey?)
1861
20
David Simson, 1803–1874
At Stirling (view of street)
1861
21
David Simson, 1803–1874
At Stirling (view with tools and turret)
1861
22
David Simson, 1803–1874
At Penshurst Kent (view with cloaked figure)
1863
23
David Simson, 1803–1874
At Tunbridge
1863
24
David Simson, 1803–1874
At Penshurst
between 1861and 1863
25
David Simson, 1803–1874
The Haunted House
1863
26
David Simson, 1803–1874
At Speldhurst Kent
1863
27
David Simson, 1803–1874
Tilwhilly Castle/ Haunted
between 1861 and 1863
28
unknown artist
Albion House Hammersmith Academy
undated
29
unknown artist
Pevensy Castle
undated
30
unknown artist
East Matting (?) Church 1848 (?)
ca. 1848
31
unknown artist
Country House
undated
32
unknown artist
North View of the Refectory Battle Abbey
undated
33
unknown artist
Rushton Hall, Northamptonshire
ca. 1840
34
unknown artist
Gate House Battle Abbey
undated
35
unknown artist
Design for a Classical House
undated
36
unknown artist
Transept of St. Saviour's, Southwark, London
undated
37
John Godfrey
Herstmonceux Castle, Sussex Pl. 2
undated
38
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
39
Henry Shaw, 1800–1873
Italian Churches
undated
40
Henry Phillip Hope, active 1799–1818
Vue du Temple de Minerve au Cap Colonne
undated
41
Henry Phillip Hope, active 1799–1818
Paysage
undated
42
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
43
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
44
Henry Phillip Hope, active 1799–1818
Vue d'une Ancien Aquaduc a Alexandria Troas
undated
45
Henry Phillip Hope, active 1799–1818
Fragmens des Differens Monumens de la Troade
undated
46
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
47
Henry Phillip Hope, active 1799–1818
Vue de la Porte aux Lions a Constantinople
undated
48
Henry Phillip Hope, active 1799–1818
Vue d'une Colonne dans L'Interieur du Serail a Constantinople
undated
49
Henry Phillip Hope, active 1799–1818
Soldats Asiatique
undated
50
Henry Phillip Hope, active 1799–1818
Facade of Three Bay Late Georgian House
undated
51
Henry Phillip Hope, active 1799–1818
Perspective View of Henry Phillip Hope's Arklow House in Connaught Place
undated
52
Henry Phillip Hope, active 1799–1818
Plan of Private Entrance from the Uxbridge Road (Arklow House)
undated
53
Henry Phillip Hope, active 1799–1818
Plan of Bedroom (Arklow House)
undated
54
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
55
Henry Phillip Hope, active 1799–1818
Left Side of the China Cabinet in the Drawing Room (Arklow House)
undated
56
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
57
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
58
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
59
Henry Shaw, 1800–1873
Greek Armour
undated
60
Henry Phillip Hope, active 1799–1818
South East Front of the Deepdene
undated
61
unknown artist
Conservatory, Deepdene
undated
62
unknown artist
Theatre, Deepdene
undated
63
unknown artist
Entrance to Conservatory, Deepdene
undated
64
unknown artist
Platform, Deepdene
undated
65
unknown artist
At the Deepdene - Tower in the Garden
undated
66
unknown artist
View from the Hill at Deepdene
undated
67
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Entrance Hall Towards Staircase
undated
68
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
69
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library and Mr. Coevelt' s Bedroom - Plan and Wall Elevations of Library
undated
70
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Library - Plan of Ceiling and Elevations of Walls.
undated
71
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet
undated
72
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Elevation of Library Cabinet - Detail of Concice
undated
73
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: View of Mr. Coesvelt's Bedroom
undated
74
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Elevations and Ceiling Plan
undated
75
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Ante Room - Plan and Elevations of Walls
undated
76
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan and Elevations
undated
77
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Drawing Room - Plan of Ceiling and Elevations
undated
78
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Boudoir - Plan and Elevations of Walls
undated
79
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Corner Bedrooom on Chamber Floor - Elevations and Ceiling Plan
undated
80
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Gallery - Plan and Elevations
undated
81
Henry Phillip Hope, active 1799–1818
Adrian Hope's House II: Furniture Designs
undated
82
unknown artist
Principal Front of Bedgebury House - Elevation
undated
83
unknown artist
Badgebury House, South East Front - Elevation
1841
84
unknown artist
Sketch for Ceiling or Bed Canopy
undated
85
unknown artist
Design for Table - Elevation, View of Top, View of base
ca. 1835
86
Henry Phillip Hope, active 1799–1818
Bedgebury: Design for the Stone Floor of the Pavilion.. (1 of 4)
undated
87
unknown artist
Sketch I - Elevation of Pavilion Wall
undated
88
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
89
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
90
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
91
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
92
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Rez-de-Chaussee - Plan
undated
93
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Premiere Etage - Plan
undated
94
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
95
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Occidentale du Chateau de Wildenstein, Dedie a son Exell le Lieutenent General, Compt Rapp, par son tres Humble Serviteur 1
undated
96
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
97
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
98
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
99
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
100
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall