Genre: religious and mythological subject / Creator: Blake, William, 1757–1827 - YCBA Collections Search Search Results

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Genre religious and mythological subject

Creator Blake, William, 1757–1827

William Blake The Divine Image (Plate 12)

Print made by William Blake, 1757–1827

The Divine Image (Plate 12)

1789

William Blake The Little Boy Lost (Plate 20)

Print made by William Blake, 1757–1827

The Little Boy Lost (Plate 20)

1789

William Blake Spring (Plate 26)

Print made by William Blake, 1757–1827

Spring (Plate 26)

1789

William Blake "Hurry, hurry, to the field!" Design 75)

William Blake, 1757–1827

"Hurry, hurry, to the field!" Design 75)

between 1797 and 1798

William Blake A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

William Blake, 1757–1827

A Genius Driving Away "Comus & his midnight-crew..." (Design 95)

between 1797 and 1798

William Blake Infant Joy (Plate 14)

Print made by William Blake, 1757–1827

Infant Joy (Plate 14)

1789

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'This King of Terrors is the Prince of Peace' (Page 63)

Print made by William Blake, 1757–1827

'This King of Terrors is the Prince of Peace' (Page 63)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

William Blake, 1757–1827

Title Page, The Pindaric Genius Receiving His Lyre (Design 1)

between 1797 and 1798

William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)

William Blake, 1757–1827

"Nor fear the rocks, nor seek the shore..." (Design 101)

between 1797 and 1798

William Blake The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

William Blake, 1757–1827

The plowman homeward plods his weary way, And leaves the world to darkness, and to me..." (Design 107)

between 1797 and 1798

William Blake "Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

William Blake, 1757–1827

"Malignant Fate sat by, and smil'd, The slipp'ry verge her feet beguil'd..." (Design 11)

between 1797 and 1798

William Blake A Shepherd Reading the Epitaph (Design 115)

William Blake, 1757–1827

A Shepherd Reading the Epitaph (Design 115)

between 1797 and 1798

William Blake The Beginning of Poesy. The Blind Begging Bard (Design 41)

William Blake, 1757–1827

The Beginning of Poesy. The Blind Begging Bard (Design 41)

between 1797 and 1798

William Blake "The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

William Blake, 1757–1827

"The laughing flowers, that round them blow, Drink life and fragrance as they flow..." (Design 43)

between 1797 and 1798

William Blake "Cytherea's Day..." (Design 45)

William Blake, 1757–1827

"Cytherea's Day..." (Design 45)

between 1797 and 1798

William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)

William Blake, 1757–1827

"Where shaggy forms o'er ice-built mountains roam..." (Design 47)

between 1797 and 1798

William Blake "I have mock'd those who refused cruelty..." (Plate 81)

Print made by William Blake, 1757–1827

"I have mock'd those who refused cruelty..." (Plate 81)

1804 to 1820

William Blake "Became a Space & an Allegory..." (Plate 85)

Print made by William Blake, 1757–1827

"Became a Space & an Allegory..." (Plate 85)

1804 to 1820

William Blake "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Print made by William Blake, 1757–1827

"I see thy Form O lovely mild Jerusalem..." (Plate 86)

1804 to 1820

William Blake "Repelling weeping Enion blind & age-bent..." (Plate 87)

Print made by William Blake, 1757–1827

"Repelling weeping Enion blind & age-bent..." (Plate 87)

1804 to 1820

William Blake "It is easier to forgive an enemy..." (Plate 91)

Print made by William Blake, 1757–1827

"It is easier to forgive an enemy..." (Plate 91)

1804 to 1820

William Blake "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Print made by William Blake, 1757–1827

"What do I see! The Briton Saxon Roman Norman..." (Plate 92)

1804 to 1820

William Blake "Albion cold lays on his Rock..." (Plate 94)

Print made by William Blake, 1757–1827

"Albion cold lays on his Rock..." (Plate 94)

1804 to 1820

William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Print made by William Blake, 1757–1827

"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

1804 to 1820

William Blake "Awake! Awake Jerusalem..." (Plate 97)

Print made by William Blake, 1757–1827

"Awake! Awake Jerusalem..." (Plate 97)

1804 to 1820

William Blake "Then each an Arrow flaming from his Quiver..." (Plate 98)

Print made by William Blake, 1757–1827

"Then each an Arrow flaming from his Quiver..." (Plate 98)

1804 to 1820

William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

Print made by William Blake, 1757–1827

"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)

1804 to 1820

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake 'As if the sun could envy, check'd his beam' (Page 49)

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

William Blake 'The vale of death! that hush'd cimmerian vale' (Page 54)

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'Trembling each gulp, lest death should snatch the bowl' (Page 57)

Print made by William Blake, 1757–1827

'Trembling each gulp, lest death should snatch the bowl' (Page 57)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake "At the chapel-door stand sentry... (Design 31)

William Blake, 1757–1827

"At the chapel-door stand sentry... (Design 31)

between 1797 and 1798

William Blake A Widower and Children (Design 35)

William Blake, 1757–1827

A Widower and Children (Design 35)

between 1797 and 1798

William Blake From a Globe of Blood Rises Enitharmon (Plate 11)

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 11)

1794

William Blake Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 14)

1794

William Blake Chapter V, "The globe of life blood trembled..." (Plate 17)

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 17)

1794

William Blake "They call'd her Pity, and fled..." (Plate 19)

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 19)

1794

William Blake Los Falls through Fire (Plate 21)

Print made by William Blake, 1757–1827

Los Falls through Fire (Plate 21)

1794

William Blake Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 5)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

William Blake Frontispiece (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece (Plate 1)

ca. 1788

William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

Print made by William Blake, 1757–1827

A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)

1793

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake III. "From a perception of only 3 senses..." (Plate 5)

Print made by William Blake, 1757–1827

III. "From a perception of only 3 senses..." (Plate 5)

ca. 1788

William Blake Frontispiece. Albion's Angel (Plate 1)

Print made by William Blake, 1757–1827

Frontispiece. Albion's Angel (Plate 1)

1793

William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

Print made by William Blake, 1757–1827

"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)

1793

William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

Print made by William Blake, 1757–1827

Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)

1793

William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

Print made by William Blake, 1757–1827

"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)

1793

William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

Print made by William Blake, 1757–1827

"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)

1793

William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

Print made by William Blake, 1757–1827

"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)

1793

William Blake Thel's Motto (Plate 1)

Print made by William Blake, 1757–1827

Thel's Motto (Plate 1)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake Sealing the Stone and Setting a Watch

William Blake, 1757–1827

Sealing the Stone and Setting a Watch

1800 to 1803

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

William Blake Abraham and Isaac

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

William Blake Christ Giving Sight to Bartimaeus

William Blake, 1757–1827

Christ Giving Sight to Bartimaeus

1799 to 1800

William Blake Moses Receiving the Law

William Blake, 1757–1827

Moses Receiving the Law

ca. 1780

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake Copy of the Laocoön, for Rees's Cyclopædia

William Blake, 1757–1827

Copy of the Laocoön, for Rees's Cyclopædia

1815

William Blake An Angel with a Trumpet

William Blake, 1757–1827

An Angel with a Trumpet

between 1805 and 1808

William Blake Study for a Destroying Deity

William Blake, 1757–1827

Study for a Destroying Deity

1820 to 1825

William Blake The Parable of the Wise and Foolish Virgins

William Blake, 1757–1827

The Parable of the Wise and Foolish Virgins

ca. 1825

William Blake Christ Appearing to the Apostles after the Resurrection

Print made by William Blake, 1757–1827

Christ Appearing to the Apostles after the Resurrection

1795 to 1805

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

John Linnell The Wrath of Elihu

circle of John Linnell, 1792–1882

The Wrath of Elihu

undated

John Linnell The Vision of God

circle of John Linnell, 1792–1882

The Vision of God

undated

John Linnell Job and His Daughters

circle of John Linnell, 1792–1882

Job and His Daughters

undated

John Linnell Satan before the Throne of God

circle of John Linnell, 1792–1882

Satan before the Throne of God

undated

John Linnell The Messengers Tell Job of the Misfortunes that Have Befallen Him

circle of John Linnell, 1792–1882

The Messengers Tell Job of the Misfortunes that Have Befallen Him

undated

unknown artist God Creating the Universe

unknown artist

God Creating the Universe

ca. 1800