Materials & Techniques: gray ink and laid paper / On-site Access: Accessible by appointment in the Study Room

1. Satan Approaching the Court of Chaos

Creator:: William Blake, 1757–1827
Date:: 1784 to 1785
Materials & Techniques:: Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. John Henderson as Falstaff

Creator:: George Romney, 1734–1802
Date:: 1780
Materials & Techniques:: Gray ink and gray wash with pen and black ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/2 x 12 1/2 inches (39.3 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

3. Study of the Head of a Young Man

Creator:: attributed to George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Pen and gray ink and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 x 5 3/4 inches (8.3 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. David before Saul

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray and brown wash with gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 22 3/8 inches (41.9 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery

5. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray ink with gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

6. Howard Visiting a Prison

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash and gray ink over graphite on medium moderately textured cream laid paper
Dimensions:: Sheet: 14 3/8 x 21 1/2 inches (36.5 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

7. Sundorne Castle, Near Shrewsbury, Shropshire

Creator:: John Sanders, 1768–1826
Date:: 1783
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, gray laid paper
Dimensions:: Sheet: 10 1/4 x 16in. (26 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Tree amidst Houses

Creator:: James Miller, active 1773–1814
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 7 3/4 inches (15.5 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

9. Docks, September 6, 1777

Creator:: unknown artist
Date:: 1777
Materials & Techniques:: Pen and gray ink and gray wash on medium, smooth, cream laid paper
Dimensions:: Sheet: 3 7/8 x 4 5/8 inches (9.8 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Cinquieme Position du Salut

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/16 × 10 7/8 inches (25.9 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/8 inches (27 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. De la Parade Dequinte sur le Coup de Quinte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 17 1/2 inches (27.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. De la Passe en Quarte du Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Position Aprés Avoir Desarmé sur le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 11/16 inches (28.4 × 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. L'Epée & Lanterne Combattüe par L'Epée et Manteau

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 17 inches (28.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 7/16 inches (28.1 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 3/16 × 16 3/8 inches (28.4 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 1/2 inches (38.4 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

24. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

25. Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 20 1/2 inches (38.1 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

26. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

27. Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

28. Le Port de L'Orient: Dessine du Point B. Marque fur la Carte:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 7/16 inches (38.4 × 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

29. A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759

Creator:: unknown artist
Date:: 1759
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 13/16 × 18 1/8 inches (40.2 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Landscape with Church in Background

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash, graphite, pen and black ink, and gray ink on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 8 13/16 × 11 1/4 inches (22.4 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

31. Landscape with Deer

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite, gray wash, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 5/8 x 9 1/16in. (14.3 x 23cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

32. Windsor Castle

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Graphite, gray wash, pen and brown ink, and gray ink on moderately thick, slightly textured, beige laid paper, mounted on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 11/16 × 9 1/8 inches (17 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

33. A Dwelling

Creator:: Sawrey Gilpin, 1733–1807
Date:: ca. 1760
Materials & Techniques:: Graphite, gray wash, pen and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 5 11/16 x 7 7/8in. (14.4 x 20cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

34. A Dwelling

Creator:: Sawrey Gilpin, 1733–1807
Date:: undated
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 9/16 × 8 3/4 inches (14.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

35. Landscape with Large Cruciform

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1769
Materials & Techniques:: Gray wash, graphite, pen and black ink and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

36. Landscape

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1765
Materials & Techniques:: Gray wash, graphite, pen and gray ink on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 5/8 × 4 13/16 inches (19.4 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

37. River Landscape with Castle in the Distance

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1766
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 × 12 inches (20.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

38. Landscape with Castle on Riverbank

Creator:: Rev. William Gilpin, 1724–1804
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 9 1/2 × 13 5/8 inches (24.1 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Arthur Weyhe

39. Several Ships in Formation for Battle in Heavy Seas

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 15 × 22 3/8 inches (38.1 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

40. Several Battleships at Battle: Row Boats with Figures

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 7/8 × 19 7/8 inches (32.7 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

41. Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier

Creator:: Attributed to Dominic Serres, 1722–1793
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 13 1/2 inches (34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

42. Two Frigates

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink, gray ink, gray wash, and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 13/16 × 5 1/16 inches (19.8 × 12.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

43. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

44. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 5/16 × 21 9/16 inches (36.4 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

45. Mrs. Abington

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 11 3/4 inches (19.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Westminster Bridge from Lambeth Walk

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 7/8 × 20 3/16 inches (35.2 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Design for a Ceiling

Creator:: George Richardson, ca.1738–ca.1813
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 7/8 inches (39.5 x 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

Creator:: Paul Sandby, 1731–1809
Date:: 1760
Materials & Techniques:: Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 1/8 inches (19.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. London Cries: Flowers

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Southampton Water

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Pen and gray ink and watercolor on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/4 × 14 1/2 inches (15.9 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A Ford at Wrentham, Suffolk

Creator:: Benjamin West, 1738–1820
Date:: undated
Materials & Techniques:: Pen and gray ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A View of Rome Taken from the Pincio

Creator:: William Pars, 1742–1782
Date:: 1776
Materials & Techniques:: Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. View on the Thames at Batersea

Creator:: William P. Sherlock, c.1780–1850
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 1/2 inches (20.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. A Design of Masks

Creator:: Francois Boitard, ca. 1670–1715
Date:: 1710
Materials & Techniques:: Pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 20 13/16 inches (37.1 × 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. A View at Lucerne

Creator:: William Pars, 1742–1782
Date:: 1775
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite with brown and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 × 23 1/8 inches (41.9 × 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Group of Three Young Women

Creator:: Biagio Rebecca, Italian, 1735–1808
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 8 11/16in. (26 x 22.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1805
Materials & Techniques:: Gray wash, pen and gray ink and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/8 x 3 1/2 inches (13.7 x 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and white grouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/16 × 17 inches (26.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. A View of Boxhill from Norbury Park, Surrey

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1775
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 39 1/8 inches (30.8 × 99.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. Position pour la Garde en Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/16 × 11 7/8 inches (26.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Premiere Position pour tirer L'Epée

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 10 9/16 × 8 5/16 inches (26.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Position pour la Garde en Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 11 1/4 inches (26 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Position pour la Garde en Quarte et le Coup de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 9/16 × 15 1/2 inches (26.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Position pour le Garde en Tierce et le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 1/8 inches (26.7 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Position de la Garde en Quarte, et le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The Prize Fight

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 18 1/8 x 27 3/8 inches (46 x 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Langley Park, Norfolk: Elevation

Creator:: John Sanderson, active 1730; died 1774
Date:: 1757
Materials & Techniques:: Pen and black, brown, and gray ink with gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 18 3/16 inches (28.7 x 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 13 1/16 inches (21.9 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 16 7/8 inches (26.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Views in the Levant: Study of Man with Long-stemmed Pipe

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 × 5 7/16 inches (18.1 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Views in the Levant: View of Harbor Town With Flagpole at Right, Seen From Sea

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 11 inches (16.2 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Views in the Levant: Men Loading a Small Sailing Boat With a View of Building and Large Moored Boat

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and black ink, gray ink, brown ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 7 7/16 inches (12.2 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Views in the Levant: Three Men in Small Boat Moored to Bank with a View of Buildings on Islands

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and black ink, gray ink, brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 13/16 × 7 7/16 inches (12.2 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Views in the Levant: Men Sailing Small Boat With Canopy Past Buildings and Many Palm Trees

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and black ink, gray ink, brown ink, graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/8 × 7 7/16 inches (12.4 × 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Views in the Levant: Landscape with Domed Building in Compound....

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, with gray wash, and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 12 5/16 × 19 15/16 inches (31.3 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Views in the Levant: Man on Horseback Approaching Gateway to a Town

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Pen and black ink, pen and gray ink, graphiite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 5 5/8 inches (19.1 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Views in the Levant: Landscape with Various Shaped Roofs in Foreground

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and gray ink, black ink, graphite, gray wash, and black wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 17 3/8 inches (32.4 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Sketch of Goths Entering Rome, from Shakespeare's Play, Titus Andronicus

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Pen and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 13 5/8 inches (24.8 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. View of the Cascine Near Florence

Creator:: Henry Swinburne, 1743–1803
Date:: 1787
Materials & Techniques:: Watercolor, with pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A Rocky Stream

Creator:: Samuel Woodforde, 1763–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 15 13/16 inches (31.3 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

85. Haymaking

Creator:: Heinrich W. Schweickhardt, 1746–1797
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 × 12 9/16 inches (17.8 × 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Three Greyhounds in a Room

Creator:: Peter Casteels, 1684–1749
Date:: undated
Materials & Techniques:: Graphite, watercolor, and pen in gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 9/16 × 10 9/16 inches (24.3 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Check

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. The Death

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 7/16 × 11 3/4 inches (24 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: undated
Materials & Techniques:: Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Snipe Shooting

Creator:: Robert Dighton, 1752–1814
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/16 × 14 7/16 inches (25.6 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Tattersall's Training School

Creator:: unknown artist
Date:: 1771
Materials & Techniques:: Pen and gray ink, brown ink, graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 3/8 × 14 7/16 inches (31.4 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Fireflies and Gadfly, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 7 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor with pen in brown ink and gray ink, over graphite, with gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 7 1/8 inches (19.4 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Iguana, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 9 A]

Creator:: Mrs. P. D. H. Page, 20th century
Date:: undated
Materials & Techniques:: Watercolor, pen and ink, graphite, and gouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 8 5/16 inches (14.4 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Going out of Kennel

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Going to Cover

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:: Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Sporting Lady

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gouache, and graphite, with squared lines on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 9/16 x 8 7/16 inches (16.7 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Racing Scene

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:: Mount: 11 9/16 × 15 15/16 inches (29.4 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 × 16 5/8 inches (27.8 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques gray ink

Materials & Techniques laid paper

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1. Satan Approaching the Court of Chaos

2. John Henderson as Falstaff

3. Study of the Head of a Young Man

4. David before Saul

5. Howard Visiting a Prison

6. Howard Visiting a Prison

7. Sundorne Castle, Near Shrewsbury, Shropshire

8. Tree amidst Houses

9. Docks, September 6, 1777

10. Cinquieme Position du Salut

11. De la Parade de Quarte au Dedans des Armes sur le Coup de Quarte

12. De la Parade Dequinte sur le Coup de Quinte

13. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

14. De la Risposte de Quarte apres la Parade de Quarte

15. De la Passe en Quarte du Dehors des Armes

16. Du Coupé sur Pointe de Quarte en Quarte sur les Armes

17. Position Aprés Avoir Desarmé sur le Coup de Quarte

18. Position de la Garde Italienne de L'Epée & Poignard

19. L'Epée & Lanterne Combattüe par L'Epée et Manteau

20. Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B.

21. Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne

22. De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson

23. Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan

24. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

25. Le Port De Brest: Dessiné Du Point K Marqué sur Le Plan

26. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

27. Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:

28. Le Port de L'Orient: Dessine du Point B. Marque fur la Carte:

29. A View from Lord Suffok's Bedchamber Window At Elford Down into the Stable Court, 1759

30. Landscape with Church in Background

31. Landscape with Deer

32. Windsor Castle

33. A Dwelling

34. A Dwelling

35. Landscape with Large Cruciform

36. Landscape

37. River Landscape with Castle in the Distance

38. Landscape with Castle on Riverbank

39. Several Ships in Formation for Battle in Heavy Seas

40. Several Battleships at Battle: Row Boats with Figures

41. Battle Scene, Three Battleships, One Sinking; Figures on Left in Rowboat and Standing Pier

42. Two Frigates

43. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

44. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

45. Mrs. Abington

46. Westminster Bridge from Lambeth Walk

47. Design for a Ceiling

48. London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

49. London Cries: Flowers

50. Southampton Water

51. A Ford at Wrentham, Suffolk

52. A View of Rome Taken from the Pincio

53. View on the Thames at Batersea

54. A Design of Masks

55. A View at Lucerne

56. Group of Three Young Women

57. A Girl with a Watering Can facing left: Sarah Hough, Mrs. T.P. Sandby's Nursery Maid

58. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

59. A View of Boxhill from Norbury Park, Surrey

60. Position pour la Garde en Quarte

61. Premiere Position pour tirer L'Epée

62. Position pour la Garde en Tierce

63. Position de la Garde de Tierce et le Coup de Seconde

64. Position de la Garde en Quarte, et le Coup de Quarte Basse

65. Position pour la Garde en Quarte et le Coup de Quarte

66. Position pour le Garde en Tierce et le Coup de Tierce

67. Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes

68. Position de la Garde en Quarte, et le Coup de Flanconnade

69. The Prize Fight

70. Langley Park, Norfolk: Elevation

71. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

72. Views in the Levant: Landscape with Town and Harbour and Distant View of the Sea

73. Views in the Levant: Temple of Pergamon (?) with Statues of Horsemen on Plinths at Each Side of the Steps