Creator: Rowlandson, Thomas, 1756–1827 - YCBA Collections Search Search Results

201. The Departure

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1805
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. A Maiden Aunt Smelling Fire

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1804
Materials & Techniques:: Watercolor and graphite with pen and red-brown and pen and gray ink on medium, slightly textured, beige wove paper
Dimensions:: Mount: 14 5/16 x 11 1/2 inches (36.4 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. The Duchess of Devonshire and the Countess of Bessborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1790
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on cream laid paper
Dimensions:: Sheet: 19 11/16 x 16 3/4 inches (50 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Ivory Coast, West Africa

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor, pen and brown ink, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 21 9/16 inches (37.5 x 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Bodmin Cornwall: French Prisoners on Parole

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/8 x 15 1/8 inches (23.8 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. View of the Market Place at Juliers in Westphalia

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Watercolor with pen and brown, black, and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 x 21 1/16 inches (31.6 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Bradwell Lodge, Bradwell Quay, Essex

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 22 5/8 inches (35.1 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Scene outside the Half-Moon Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink and pen and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 5/16 inches (14.6 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Ploughing

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/16 x 5 3/8 inches (17.9 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1809 and 1811
Materials & Techniques:: Watercolor with pen and brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 3/8 inches (14 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Soldiers in St. James Park

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Mr. Michell's Picture Gallery, Grove House, Enfield 1817

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1817
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 7/16 inches (14.9 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. The Gaming Table

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Watercolor with pen and brown and gray ink, over graphite on moderately thick, moderatedly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. A Book Auction

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1810 and 1815
Materials & Techniques:: Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 13/16 inches (15.2 x 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Dr Syntax Meditating on the Tombstones

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Loading a Stage-Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 8 15/16 inches (14.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Vauxhall Gardens

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1784
Materials & Techniques:: Watercolor, pen and black ink, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 1/16 x 20 11/16 inches (38.3 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Netting a Salmon Pool

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 10 1/8 inches (16.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. The Billiard Room

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1801
Materials & Techniques:: Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 x 7 3/4 inches (11.9 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. The Undercliff, Steephill, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 17 1/8 inches (12.1 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. A Punch and Judy Show

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Sandown Fort

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 17 1/4 inches (12.1 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. The Opera Singers

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/2 x 4 11/16 inches (14 x 11.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Checkmate

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Travelling in France

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1785 and 1789
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. A Race on the Knavesmire at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:: Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. The Stable of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:: Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. The Return from the Hunt

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 8 1/16 x 11 7/8 inches (20.5 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. The Runaway Coach

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1791
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 9 3/4 inches (20 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Fox-Hunting [set of six]: 1. Going Out in the Morning

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 3/4 x 20 1/8in. (40 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Fox-hunting: How to Twist your Neck [from 'Advice to Sportsmen']

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Materials & Techniques:: Etching
Dimensions:: Sheet: 3 1/8 x 5 1/2in. (7.9 x 14cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored including borders
Dimensions:: Sheet: 14 3/4 x 19 5/8in. (37.5 x 49.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Fox-hunting [a pair]: 1. Four O'Clock in the Country

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1788
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 x 11 3/4in. (22.9 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Fox-hunting [one of a set of six]: The Dinner

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Coaching: Paris Diligence

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1810
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 9 3/8 x 14in. (23.8 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Racing [set of six]: 1. Racing

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Mr. H. Angelo's Fencing Academy

Creator:: Charles Rosenberg, active 1790–1820
Date:: 1791
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 7/8 x 19 3/4in. (32.7 x 50.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Racing [set of four]: The High Mettled Racer. 1. The Racehorse

Creator:: John Hassell, 1767–1825
Date:: 1789
Materials & Techniques:: Aquatint, hand-colored, with engraved titles and verses with aquatinted border
Dimensions:: Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Hare Hunting

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1789
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 9 11/16 x 13 5/8in. (24.6 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1787
Materials & Techniques:: Hand colored etching
Dimensions:: Sheet: 6 1/4 x 10 1/4in. (15.9 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Morning

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 7/8 inches (10.2 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Set of eight (1): Cries of London

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Etching with aquatint, colored by hand
Dimensions:: Sheet: 14 1/2 x 11 3/4in. (36.8 x 29.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"

An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: 150 sketches on ninety-one leaves variously executed in graphite, pen and ink, many with brown or gray wash
Dimensions:: Sheet: 9 x 6 3/4in. (22.9 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Evening

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 × 5 13/16 inches (10.2 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Mid-Day

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. The Gardener's Offering

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1803 and 1805
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 7/8 x 14 15/16 inches (27.6 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. A Dutch Packet in a Rising Breeze

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 10 13/16 inches (19.7 x 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Viewing at the Royal Academy

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Picking Mulberries

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 7 1/4 x 10 5/16 inches (18.4 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Gardening

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 1/16 inches (12.1 x 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. The Drunken Nurse

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 x 7 9/16 inches (14.4 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. A Stage Coach Outside of the Entrance of an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Brown wash, gray wash, pen and black ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 10 1/16 inches (14.9 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Pigs at a Trough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1790
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 9/16 x 6 1/4 inches (9 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Greenwich

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795 to 1800
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. A Ball at Scarborough

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1820
Materials & Techniques:: Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. The Annual Sculling Race for Doggett's Coat and Badge

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. A Picture of Misery

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 9 5/8 x 13 3/4 inches (24.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

258. The Cobbler's Cure for a Scolding Wife

Creator:: Thomas Rowlandson, 1756–1827
Materials & Techniques:: Etching on wove paper
Dimensions:: Sheet: 14 7/8 x 9 7/8 inches (37.8 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Fry Print Collection

259. Pass-Room Bridewell

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1813
Materials & Techniques:: Aquatint, colored
Dimensions:: Sheet: 5 3/4 x 9 1/4 inches (14.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leatrice and Mervyn Schacht

261. Miseries Personal

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1807
Materials & Techniques:: Etching, colored
Dimensions:: Sheet: 11 x 14 1/2 inches (27.9 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection,Gift of Mrs. Paul Moore

262. Castle Baynard Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Langbourn Ward Volunteer

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Heralds College, the Hall

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Society for the Encouragement of Arts, and &c. Adelphi

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1809
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Water Engine, Cold-Bath-Field's Prison

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Great Subscription Room at Brooks's

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Workhouse, St. James's Parish

Creator:: Thomas Sunderland, 1744–1828
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Westminster Hall

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Entrance from Mile End or White Chapel Turnpike

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

Creator:: Heinrich Joseph Schutz, active 1798
Date:: 1798
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Drawing Room, St. James's

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint hand colored
Dimensions:: Image: 7 7/8 x 10 1/4in. (20 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Debating Society, Piccadilly

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. St. Luke's Hospital

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Bartholomew Fair

Creator:: John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. A Bird Eye View of Smithfield Market

Creator:: John Bluck, active 1791–1831
Date:: 1811
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Somerset House, Strand

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Society for the Encouragement of Arts

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. New Covent Garden Theatre

Creator:: John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Vauxhall Garden

Creator:: John Bluck, active 1791–1831
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Vauxhall

Creator:: unknown artist
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Quakers Meeting

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1809
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Two Men on Horseback Seen from Behind

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/4 x 4 1/2 inches (14.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Mother Bundle in a Rage or Too late for the Stage

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1809
Materials & Techniques:: Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. The Bookmaker and his Client outside the Ram Inn, Newmarket

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 7 9/16 inches (24 x 19.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. A Review on Blackheath, May 1785

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1785
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. A Review of the Northapmton Militia at Brackley

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Dr. Syntax with Kitty Cowslip

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1821
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink and pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 3/16 x 8 7/16 inches (13.2 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Bathers in a Landscape

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown and gray ink, over graphite; verso: graphite with watercolor stain on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 15/16 inches (15.2 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Dr. Syntax Attends the Execution

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. The Mausoleum

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 x 8 11/16 inches (12.7 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Death and the Debauchee

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1814 and 1816
Materials & Techniques:: Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/16 x 8 1/2 inches (13.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Alterations in the Ale Cellar at Bullstrode

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown ink, over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 1/4 inches (14.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Death Turned Pilot

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1816
Materials & Techniques:: Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Time and Death and Goody Barton

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and red-brown and gray brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/16 x 8 3/8 inches (13.2 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Two Girls Tippling

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 7/8 x 8 1/16 inches (22.5 x 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. The Elopement

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and gray and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 8 inches (27.5 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. The Woolpack Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and red-brown and gray ink with wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 7 inches (11 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. A Road by a Farm

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 3/8 inches (14.9 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Rowlandson, Thomas, 1756–1827

Search Results

201. The Departure

202. A Maiden Aunt Smelling Fire

203. The Duchess of Devonshire and the Countess of Bessborough

204. The Ivory Coast, West Africa

205. Bodmin Cornwall: French Prisoners on Parole

206. View of the Market Place at Juliers in Westphalia

207. Bradwell Lodge, Bradwell Quay, Essex

208. Scene outside the Half-Moon Inn

209. Ploughing

210. 'The Doctor is so Severely Bruised that Cupping is Judged Necessary'

211. Soldiers in St. James Park

212. Mr. Michell's Picture Gallery, Grove House, Enfield 1817

213. The Gaming Table

214. A Book Auction

215. Dr Syntax Meditating on the Tombstones

216. Loading a Stage-Coach

217. Vauxhall Gardens

218. Netting a Salmon Pool

219. The Billiard Room

220. The Undercliff, Steephill, Isle of Wight

221. A Punch and Judy Show

222. Sandown Fort

223. The Opera Singers

224. Checkmate

225. Travelling in France

226. A Race on the Knavesmire at York

227. The Stable of an Inn

228. The Return from the Hunt

229. The Runaway Coach

230. Fox-Hunting [set of six]: 1. Going Out in the Morning

231. Fox-hunting: How to Twist your Neck [from 'Advice to Sportsmen']

232. Fox-hunting [set of four]: 1.Going Out in the Morning. / Scene near Windsor Forest

233. Fox-hunting [a pair]: 1. Four O'Clock in the Country

234. Fox-hunting [one of a set of six]: The Dinner

235. Coaching: Paris Diligence

236. Racing [set of six]: 1. Racing

237. Mr. H. Angelo's Fencing Academy

238. Racing [set of four]: The High Mettled Racer. 1. The Racehorse

239. Hare Hunting

240. Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon

241. Morning

242. Set of eight (1): Cries of London

243. An Album of Sketches compiled by the Artist, including many figure and landscape studies at Blackheath, Deptford and Greenwich, Dover and elsewhere, drawings for "The English Dance of Death", Gambado's "Academy for Grown Horsemen"

244. Evening

245. Mid-Day

246. The Gardener's Offering

247. A Dutch Packet in a Rising Breeze

248. Viewing at the Royal Academy

249. Picking Mulberries

250. Gardening

251. The Drunken Nurse

252. A Stage Coach Outside of the Entrance of an Inn

253. Pigs at a Trough

254. Greenwich

255. A Ball at Scarborough

256. The Annual Sculling Race for Doggett's Coat and Badge

257. A Picture of Misery

258. The Cobbler's Cure for a Scolding Wife

259. Pass-Room Bridewell

260. Doctor Syntax, Rural Sports, from The Tour of Doctor Syntax in Search of the Picturesque

261. Miseries Personal

262. Castle Baynard Volunteer

263. Langbourn Ward Volunteer

264. Heralds College, the Hall

265. Society for the Encouragement of Arts, and &c. Adelphi

266. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

267. Water Engine, Cold-Bath-Field's Prison

268. Great Subscription Room at Brooks's

269. Workhouse, St. James's Parish

270. Westminster Hall

271. Entrance from Mile End or White Chapel Turnpike

272. Entrance of Tottenham Court Road Turnpike, with a View of St. Jame's Chapel

273. Drawing Room, St. James's

274. Debating Society, Piccadilly

275. St. Luke's Hospital