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Materials & Techniques black ink

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Collection Prints and Drawings

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Period 18th century

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Subject Terms river

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1. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."

The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Bridge, Walton on Thames

The Bridge, Walton on Thames
Creator:
Augustin Heckel, 1690–1770
Date:
ca. 1750
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 15 3/8 inches (23.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Clare Castle, Suffolk

Clare Castle, Suffolk
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
between 1797 and 1800
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/4 x 8 3/8 inches (15.9 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Crowcombe Court: a gentleman with his dog walking by the river

Crowcombe Court: a gentleman with his dog walking by the river
Creator:
Coplestone Warre Bampfylde, 1719–1791
Date:
ca. 1775
Materials & Techniques:
Pen and gray ink, gray wash, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 18 3/16 inches (29.5 × 46.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. London Bridge

London Bridge
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 × 5 9/16 inches (7.8 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Old Somerset House

Old Somerset House
Creator:
Samuel Wale, 1721–1786
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/16 × 5 9/16 inches (7.8 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Landscape with a man playing a pipe under an old tree

Landscape with a man playing a pipe under an old tree
Creator:
style of Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, graphite, black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 3/8 inches (37.5 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Lismore Castle, Ireland

Lismore Castle, Ireland
Creator:
Francis Wheatley, 1747–1801
Date:
1783
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Goodrich Castle on the Wye

Goodrich Castle on the Wye
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A Town Seen From the Banks of a River

A Town Seen From the Banks of a River
Creator:
John Alexander Gresse, 1741–1794
Date:
undated
Materials & Techniques:
Gray wash, pen and black ink, graphite on medium, slightly textured, white laid paper on backing sheet
Dimensions:
Sheet: 4 3/8 × 11 1/16 inches (11.1 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The River Avon: with Passing Vessels

The River Avon: with Passing Vessels
Creator:
Nicholas Pocock, 1740–1821
Date:
1785
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Rocky River Scene with Sepoys

Rocky River Scene with Sepoys
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 21 1/4 × 29 3/8 inches (54 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Carisbrooke Castle, Isle of Wight

Carisbrooke Castle, Isle of Wight
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Chamonix, Mer de Glace

Chamonix, Mer de Glace
Creator:
Charles Gore, 1729–1807
Date:
between 1778 and 1779
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream laid paper, pasted on thick, rough, blue wove paper
Dimensions:
Sheet: 10 1/16 x 16 13/16in. (25.6 x 42.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Heveningham Hall, Suffolk

Heveningham Hall, Suffolk
Creator:
unknown artist
Date:
between 1782 and 1790
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 x 10 inches (17.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. York Water Gate

York Water Gate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1795
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Gypsy Fortune-Teller

The Gypsy Fortune-Teller
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1758
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 12 1/8 inches (24.4 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Two Men Looking Into Landscape with Castle, River and Mountain Scene

Two Men Looking Into Landscape with Castle, River and Mountain Scene
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 x 10 3/8in. (16.5 x 26.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

22. Landscape with House at the Riverbank

Landscape with House at the Riverbank
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 4 × 6 1/4 inches (10.2 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

23. Landscape with Two Trees and Castle

Landscape with Two Trees and Castle
Creator:
Rev. William Gilpin, 1724–1804
Date:
1763
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/4in. (27.8 x 38.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

24. Landscape with Two Men and a Castle Ruin on the Riverbank

Landscape with Two Men and a Castle Ruin on the Riverbank
Creator:
Rev. William Gilpin, 1724–1804
Date:
1783
Materials & Techniques:
Watercolor, graphite, pen and brown ink and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 5 3/4 × 8 7/8 inches (14.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

25. Landscape

Landscape
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink and brown ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 9 3/8 inches (16.5 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

26. River Landscape with Castles

River Landscape with Castles
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 7/8 × 21 inches (32.7 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

27. Landscape with River, Castle and Mountains

Landscape with River, Castle and Mountains
Creator:
Rev. William Gilpin, 1724–1804
Date:
between 1762 and 1783
Materials & Techniques:
Gray wash, graphite, pen and black ink on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 5/8 x 21in. (32.1 x 53.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Arthur Weyhe

28. View of the Source of the Lycus River (Nahr el-Kelb)

View of the Source of the Lycus River (Nahr el-Kelb)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1751
Materials & Techniques:
Gray wash black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 21 1/2 inches (37.5 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)

Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 5/16 x 15 1/16 inches (54.1 x 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. View of Tivoli in the Direction of the North Wind

View of Tivoli in the Direction of the North Wind
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray and blue wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 5/16 inches (38 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The South View of Berwick Upon Tweed

The South View of Berwick Upon Tweed
Creator:
Samuel Buck, 1696–1779
Date:
ca. 1743-1745
Materials & Techniques:
Pen and black ink, with gray wash over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 31 7/8 inches (31.1 x 81 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

32. A Castle on a River

A Castle on a River
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Netting Partridges

Netting Partridges
Creator:
Thomas Ross, active from 1753
Date:
ca. 1750
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 × 11 13/16 inches (19.2 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Bridge Between Florence and Bologna

A Bridge Between Florence and Bologna
Creator:
Francis Towne, 1740–1816
Date:
1781
Materials & Techniques:
Watercolor and black and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 3/8 inches (15.6 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Ripon Minster, Yorkshire

Ripon Minster, Yorkshire
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor with pen and black and brown ink and scraping over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 13/16 x 17 3/16 inches (27.5 x 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Thames with Montagu House and Westminster Bridge

The Thames with Montagu House and Westminster Bridge
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream wove paper border, mounted on linen, backed with medium, slightly textured, blue laid paper
Dimensions:
Sheet: 17 1/4 x 36 inches (43.8 x 91.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

37. A Wood Yard on the Thames at Nine Elms

A Wood Yard on the Thames at Nine Elms
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 x 35 1/8 inches (34.9 x 89.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

38. Figures and Boats on the Thames

Figures and Boats on the Thames
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 34 7/8 inches (29.8 x 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

39. A Thames Wharf with Westminster Bridge in the Distance

A Thames Wharf with Westminster Bridge in the Distance
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 35 3/4 inches (36.8 x 90.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

40. Thames Side Buildings

Thames Side Buildings
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 33 inches (36.5 x 83.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

41. Mr. Vaughan's, Boys Hill, Dorset

Mr. Vaughan's, Boys Hill, Dorset
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 21 1/4 x 42 1/2 inches (54 x 108 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

42. Westminster Bridge under Construction

Westminster Bridge under Construction
Creator:
Samuel Scott, 1701/2–1772
Date:
undated
Materials & Techniques:
Gray wash, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/8 x 28 3/8 inches (35.9 x 72.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

43. Glasgow Cathedral

Glasgow Cathedral
Creator:
Thomas Girtin, 1775–1802
Date:
between 1794 and 1795
Materials & Techniques:
Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The New Walk, York

The New Walk, York
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1798
Materials & Techniques:
Watercolor with pen and black ink and brown ink over graphite with gouache on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 x 21 13/16 inches (31.3 x 55.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. London from Highgate Hill

London from Highgate Hill
Creator:
Thomas Girtin, 1775–1802
Date:
1792
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Vauxhall Stairs, from Millbank, July 5, 1797

Vauxhall Stairs, from Millbank, July 5, 1797
Creator:
Francis Towne, 1740–1816
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Pianura dell'Hermo in Faccia a Sardes

Pianura dell'Hermo in Faccia a Sardes
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black and brown ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 21 5/16 inches (37.5 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750

Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 x 21 1/4 inches (38.1 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. View of the Valley of Hierapolis (now Pamukkale)

View of the Valley of Hierapolis (now Pamukkale)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 3/8 inches (38.2 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Plan of Jerusalem

Plan of Jerusalem
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 21 7/16 x 15 inches (54.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. View of Maglova Aqueduct

View of Maglova Aqueduct
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 x 21 1/4 inches (37.3 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Dumbarton Rock and Castle

Dumbarton Rock and Castle
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor with pen and black ink and scraping over graphite on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 13/16 x 11 3/4 inches (22.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Rochester, Kent: from the North

Rochester, Kent: from the North
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The River Stour, St. Mildred's Church and the Castle of Canterbury

The River Stour, St. Mildred's Church and the Castle of Canterbury
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
1757
Materials & Techniques:
Watercolor with pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 21 7/8in. (21 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Upon the Aare between Unterseen and the Lake of Brientz

Upon the Aare between Unterseen and the Lake of Brientz
Creator:
John Robert Cozens, 1752–1797
Date:
1776
Materials & Techniques:
Watercolor, blue wash, gray wash, graphite, and pen and black ink on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 1/4 x 14 1/4 inches (23.5 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. River and Mountain, with Ruins

River and Mountain, with Ruins
Creator:
Alexander Cozens, 1717–1786
Date:
between 1750 and 1759
Materials & Techniques:
Brushed black ink, gray wash, pen and brown ink, and pen and black ink on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/2 x 6 3/4 inches (8.9 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. River Scene and Bridge with Artist Sketching in Foreground

River Scene and Bridge with Artist Sketching in Foreground
Creator:
Samuel Davis, 1760–1819
Date:
1777
Materials & Techniques:
Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 16 inches (29.8 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. View in China: Figures with Pagoda and Mountain

View in China: Figures with Pagoda and Mountain
Creator:
William Alexander, 1767–1816
Date:
1792 to 1794
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 3/4 x 9 3/4 inches (19.7 x 24.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Palace on a Cliff Above a River

Palace on a Cliff Above a River
Creator:
Joseph Farington, 1747–1821
Date:
1780-1789 (?)
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 7 1/2 inches (15.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. View of Ipswich, Suffolk

View of Ipswich, Suffolk
Creator:
Capt. Francis Grose, 1731–1791
Date:
1765
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured cream laid paper
Dimensions:
Sheet: 7 7/8 x 14 1/16in. (20 x 35.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. View of Taplow and Maidenhead from Cliveden

View of Taplow and Maidenhead from Cliveden
Creator:
Joseph Farington, 1747–1821
Date:
1792
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 7/8 inches (16.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. View in the Province of Kiang-nan, China, Taken from Nature

View in the Province of Kiang-nan, China, Taken from Nature
Creator:
William Alexander, 1767–1816
Date:
1793
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 7 9/16 x 9 11/16 inches (19.2 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. River and Boat

River and Boat
Creator:
Alexander Cozens, 1717–1786
Date:
ca. 1770
Materials & Techniques:
Brushed black ink, pen and black ink, graphite, light brown ground and varnish on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 x 6 1/2 inches (13 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. The Banks of the Avon at Hotwells

The Banks of the Avon at Hotwells
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1773
Materials & Techniques:
Pen and black ink on thin, smooth, cream laid paper, mounted on medium, rough, beige wove paper
Dimensions:
Sheet: 6 1/4 x 10 1/2 inches (15.9 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection