Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot and berries
ca. 1768
52
Luigi Balugani, 1737–1770
Coffea arabica L. (Arabica Coffee): finished drawing of leafy shoot, with details of flowers, leaf, and fruits
ca. 1768
53
Thomas Rowlandson, 1756–1827
The Recruiting Officer
1797
54
unknown artist
Sketch of Boats
undated
55
Samuel Wale, 1721–1786
Guys Hospital
undated
56
Sir David Wilkie, 1785–1841
A Group of Women at Mass
undated
57
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
58
William Swainson, 1789–1855
Rufous Necked Falcon
ca. 1837
59
Henri Gaudier-Brzeska, 1891–1915
Six Studies of Dancing Figures
between 1910 and 1915
60
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
61
Follower of Francis Barlow, 1622–1704
Illustration to Aesop's Fables: The Fox & the Crane
undated
62
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
63
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
64
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
65
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
66
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Attic Floor
undated
67
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
68
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Chamber Floor
undated
69
Samuel Wale, 1721–1786
Sion House
undated
70
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
71
George Richmond, 1809–1896
Portrait of Samuel Palmer, February 5, 1828
1828
72
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
73
John Wilson Carmichael, 1799–1868
A Fireworks Display
undated
74
Francis Wheatley, 1747–1801
An Old Fisherwoman with Two Women Digging for Bait
undated
75
Francis Wheatley, 1747–1801
Fisherfolk with Baskets and Nets
undated
76
James Bruce, 1730–1794
Sketch of Man, Woman and Child
undated
77
J. Findlay, active 1825–1857
Sir Violet Sighaway & Mr. Villiers
undated
78
J. Findlay, active 1825–1857
Peter Callam & Elvira
undated
79
Pierre-Etienne Falconet, 1741–1791
George Stubbs
undated
80
Robert Dighton, 1752–1814
William Molyneaux, second Earl of Sefton: on a Box Seat, Holding Reins and Whip
between 1801 and 1802
81
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
82
unknown artist
Morning
1799
83
unknown artist
Mid-Day
1799
84
John Collet, ca. 1725–1780
Stable Boy Holding a Horse in a Landscape
undated
85
Henry Swinburne, 1743–1803
Vue de la Colline Entre le Tonnelles & Lar Prês de Spa
undated
86
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan of Stables
ca. 1790
87
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
88
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
89
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London