plate etched between ca. 1880 and 1883; impression printed in 1924
2
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
3
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
4
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
5
Print made by Samuel Palmer, 1805–1881
The Sepulchre
etching begun ca. 1800; impression printed in 1924
6
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
7
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
8
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
9
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
10
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
11
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
12
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
13
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
14
Print made by Samuel Palmer, 1805–1881
The Sepulchre
between 1880 and 1883
15
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
16
Print made by Samuel Palmer, 1805–1881
The Vine
1852
17
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Aesacus and Hesperie
1819
18
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
19
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
20
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
21
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
22
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
23
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1851
24
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
25
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
26
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
27
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
28
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
29
Print made by Edward Goodall, 1795–1870
Carlisle
1834
30
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1839
31
Print made by William Miller, 1796–1882
Loch Achray
1834
32
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
33
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
34
Print made by James H. Baker, born 1829
Come Gentle Night: "Romeo and Juliet," Act III, Scene II