Attributed to Gangaram Chintaman Tambat, active 1790s
Vishnu Riding a Horse Composed of Women
undated
7
Sadanand Vyas, active late 18th century
Archer on Horseback
undated
8
Gangaram Chintaman Tambat, active 1790s
Jeytie Lifting Weights
undated
9
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
1792
10
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties
undated
11
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties Weightlifting
undated
12
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Exercising
undated
13
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Weightlifting
undated
14
Gangaram Chintaman Tambat, active 1790s
Two Jeyties Wrestling
1792
15
Gangaram Chintaman Tambat, active 1790s
A Pair of Jeyties
undated
16
Gangaram Chintaman Tambat, active 1790s
Three Jeyties Exercising
ca. 1792
17
Sadanand Vyas, active late 18th century
An Arab in the Clothes of Gujarat
undated
18
Sir Joshua Reynolds, 1723–1792
Man on Horseback
undated
19
James Gwin, 1700–1769
Position pour la Garde en Quarte
1763
20
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
21
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
22
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
23
James Gwin, 1700–1769
Premiere Position pour tirer L'Epée
1763
24
James Gwin, 1700–1769
Seconde Position du Salut
1763
25
James Gwin, 1700–1769
De la Parade de Seconde sur le Coup de Seconde
1763
26
James Gwin, 1700–1769
De la Parade de Prime sur le Coup de Seconde
1763
27
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
28
James Gwin, 1700–1769
De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce
1763
29
James Gwin, 1700–1769
De la Risposte en Quinte de Pied forme sur le Coup de Seconde
1763
30
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
31
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
32
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
33
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
34
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
35
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
36
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
37
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
38
Print made by John Smith, 1652–1743
Children Playing with a Mask
1703
39
Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
40
Print made by Robert Pollard, 1755–1838
Boys Playing at Peg Top
1786
41
Sawrey Gilpin, 1733–1807
A Horse and Three Groomers
1760
42
Sawrey Gilpin, 1733–1807
Flying Christian From the Life
1760
43
Valentine Green, 1739–1813
Charles William Henry, Earl of Dalkeith
1778
44
Print made by John Browne, 1741–1801
The Sportsman
1775
45
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
46
James Gwin, 1700–1769
Premiere Position du Salut
1763
47
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
48
James Gwin, 1700–1769
De la Parade de Quarte au Dehors des Armes sur le Coup de Quarte hors des Armes
1763
49
James Gwin, 1700–1769
De la Parade de Tierce, sur le Coup de Tierce
1763
50
James Gwin, 1700–1769
De la Parade du Demi-Cercle sur le Coup, de Quarte Basse
1763
51
James Gwin, 1700–1769
De la Parade du Cavé sur le Coup de Flanconnade
1763
52
James Gwin, 1700–1769
De la Parade Dequinte sur le Coup de Quinte
1763
53
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
54
James Gwin, 1700–1769
Du Coupé sur Pointe de Quarte en Quarte sur les Armes
1763
55
James Gwin, 1700–1769
De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde
1763
56
James Gwin, 1700–1769
De la Risposte du Cavé de Pied Ferme sur le Coup de Flanconnade a ceux qui n'Opposent pas de la Main Gauche
1763
57
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
58
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
59
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
60
James Gwin, 1700–1769
Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes
1763
61
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
62
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
63
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
64
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
65
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
66
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
67
Print made by Thomas Burford, ca. 1710–after 1774
The Death of the Fox
1794
68
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
69
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
70
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
71
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
72
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
73
James Seymour, 1702–1752
Coursing - After the Kill
undated
74
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
75
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
76
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
77
George Garrard, 1760–1826
Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
1786
78
Thomas Ross, active from 1753
Netting Partridges
ca. 1750
79
Thomas Rowlandson, 1756–1827
The Return from the Hunt
1787
80
John Wootton, 1682–1764
A Stag Hunt
undated
81
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
82
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
83
James Seymour, 1702–1752
Two Studies of Tumbler, a Dog
undated
84
James Seymour, 1702–1752
Horse Walking to Left
undated
85
James Seymour, 1702–1752
Horse with Rider Wearing Tricorne Hat
undated
86
James Seymour, 1702–1752
Profile of a Horse Facing Left
undated
87
James Seymour, 1702–1752
A Horse Lying Down
undated
88
James Seymour, 1702–1752
A Hound Facing Left
undated
89
James Seymour, 1702–1752
Studies of Stags' Heads
undated
90
James Seymour, 1702–1752
Foxhunting
undated
91
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
92
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
93
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
94
James Seymour, 1702–1752
Six Studies of Horses and Riders
undated
95
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
96
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
97
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
98
James Seymour, 1702–1752
A Chestnut Horse at Exercise
undated
99
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
100
Robert Healy, 1743–1771
Tom Conolly of Castletown Hunting with His Friends