Materials & Techniques: watercolor / Creator Gender: male / Date: 1792

1. Man with Horse and Cart Entering a Quarry

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 10 5/8in. (21 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Young's Night Thoughts, Page 27, "O treacherous conscience!"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Portrait of a Gentleman

Creator:: John Bogle, 1746–1804
Date:: 1792
Materials & Techniques:: Gouache and watercolor on ivory
Dimensions:: Image: 2 1/4 x 1 3/4 inches (5.7 x 4.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Tipu Sultan's Summer Palace

Creator:: Lieutenant James Hunter, died 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 13/16 inches (29.3 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Corsham Court, Wiltshire: Elevation of the North Front

Creator:: John Nash, 1752–1835
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 14 3/8 inches (19.2 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Lady Bective

Creator:: Andrew Robertson, 1777–1845
Date:: undated
Materials & Techniques:: Watercolor and gouache on ivory
Dimensions:: Image: 3 1/8 x 2 1/2 inches (7.9 x 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Raree Show

Creator:: William Alexander, 1767–1816
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 6 1/4 inches (19.4 × 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Scotsman with Sword; Modern Dress of a Highland Chieftan

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/8 × 2 15/16 inches (11.1 × 7.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Uncle George in the Dress of a Highland Herdsman

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 3/8 × 3 inches (11.1 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Industrious Jenny

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/2 × 3 inches (11.4 × 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Bridgnorth

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 9 13/16 × 14 7/16 inches (24.9 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Pirates

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Watercolor with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 11 5/8 inches (24.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Shore Scene with Sailing Ship at Quay

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Richmond Castle, Yorkshire

Creator:: follower of John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The River at Dusk, Oxford

Creator:: Rev. William Henry Barnard, 1767–1818
Date:: 1792
Materials & Techniques:: Watercolor, black chalk and graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 12 7/8 inches (20.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. River with Fishermen

Creator:: John Glover, 1767–1849
Date:: 1792
Materials & Techniques:: Watercolor and graphite on thick, moderately textured, beige laid paper
Dimensions:: Sheet: 4 x 6 inches (10.2 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Castle Acre Priory

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 11 5/8 inches (38.1 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Haymaking

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: 1792
Materials & Techniques:: Pen and gray ink, watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/8 inches (22.2 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Madiera, South East Extremity, 10 October

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Near the Ferry going to Gott's, Leeds

Creator:: attributed to John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 8 3/8 inches (26.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Near Mallwyd on the Dovey

Creator:: Sir Robert Ker Porter, 1777–1842
Date:: undated
Materials & Techniques:: Watercolor, wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/8 x 15 13/16in. (27 x 40.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. River Scene with Waterfall and High Trees

Creator:: J. S. Barth, active 1797–1809
Date:: 1792
Materials & Techniques:: Watercolor and pen and black ink with scraping on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 × 14 3/4 inches (25.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. A Church Porch

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 8 3/4 inches (20.3 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A View of Waltham Abbey, Herts, Essex

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 11 7/8 inches (21.6 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

Creator:: Christian von Mechel, 1737–1817
Date:: 1792
Materials & Techniques:: Colored engraving on textured, moderately thick, cream laid paper
Dimensions:: Sheet: 19 3/8 × 25 3/4 inches (49.2 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Dunnottar Castle

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Cawdor Castle, Scotland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Rustics Perform from "A Midsummer Night's Dream"

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Watercolor with brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 11/16 x 9 9/16 inches (14.4 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

68. The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 × 27 1/4 inches (47.9 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Racing Scene

Creator:: Samuel Howitt, 1756–1822
Date:: 1792
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on medium, smooth, cream wove paper
Dimensions:: Mount: 11 9/16 × 15 15/16 inches (29.4 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 13 9/16 inches (16.8 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. The Elopement

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and gray and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 13/16 x 8 inches (27.5 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Lyme Regis, Dorset

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 11/16 x 17 1/16 inches (22.1 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Island of Mayo, Cape de Verde, 2 November

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Teneriffe, to the East of Santa Cruz, 22 October

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Fort Santa Cruz, Rio de Janeiro

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 11/16 × 9 3/16 inches (9.3 × 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Marine sketch

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 11/16 × 9 3/16 inches (9.3 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Off Rio de Janeiro

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 9 3/16 inches (9.5 × 23.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Findlater Castle, Banff

Creator:: Thomas Girtin, 1775–1802
Date:: between 1792 and 1793
Materials & Techniques:: Watercolor and scratching out over graphite on medium, slightly textured, cream wove paper, pasted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 9 3/4 x 11 11/16 inches (24.8 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Estuary on the River Taw, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. St. Jago, Cape de Verde, 3 November

Creator:: Henry William Parish, active 1792
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 × 10 7/16 inches (10.5 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Cottage near Newcastle, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. St. Alban's Cathedral, Hertfordshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 9/16 x 9 11/16 inches (31.9 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. William Lee, October 1, 1792

Creator:: Robert Mabon, died 1798
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 6 inches (14 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A Durbar Scene, Poona, October 3, 1792

Creator:: Robert Mabon, died 1798
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 1/16 inches (11.4 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Two Jeyties Wrestling

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/4 × 9 inches (13.3 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. An Old Fisherman Repairing Nets with a Cottage in the Background

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 12 inches (30.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Young Girl Sitting on a Bank outside a Church

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 13 3/4 inches (25.7 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Miss Farren

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed etching and stipple engraving with hand coloring in watercolor (possibly fifth state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 13 1/2 inches (54.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

89. A Pier at Amsterdam (Version A)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1792
Materials & Techniques:: Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:: Sheet: 8 7/16 x 11 1/8 inches (21.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Mrs. Martha Udney

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Watercolor with gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 5 1/2 inches (22.5 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. Two Jeyties

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 8 15/16 inches (14.3 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

Creator:: John Warwick Smith, 1749–1831
Date:: July 14, 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. View on the River Bhima at Deval Gaun, 28 Miles East of Poona

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: 1792 to 1794
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Image: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Man Toasting Another Man . . .

Creator:: George Walker, active 1792–died 1795
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Fall of the Wolsey of the Woolsack

Creator:: James Gillray, 1756–1815
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor
Dimensions:: Sheet: 9 × 13 1/2 inches (22.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The World As It Goes

Creator:: Print made by Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Frame: 26 1/2 × 63 × 1 inches (67.3 × 160 × 2.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

97. An Admiralty Yacht Running Inshore at Tenby

Creator:: Nicholas Pocock, 1740–1821
Date:: 1792
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 16 1/2 in. (29.2 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

98. Country House

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 13 inches (20.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. London from Highgate Hill

Creator:: Thomas Girtin, 1775–1802
Date:: 1792
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/8 x 19 1/4 inches (34 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Kingswear Seen from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 7 5/8 x 12 13/16 inches (19.4 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques watercolor

Creator Gender male

Date 1792

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1. Man with Horse and Cart Entering a Quarry

2. North East View of Grantham Church, Lincolnshire

3. St. Augustine's Gate, Canterbury

4. Young's Night Thoughts, Page 72, "And vapid; sense and reason shew the door"

5. Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"

6. Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist"

7. Young's Night Thoughts, Page 80, "The thunder if in that the Almighty dwells"

8. Young's Night Thoughts, Page 92, "When faith is virtue, reason makes it so"

9. Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"

10. Young's Night Thoughts, Page 57, "Trembling each gulp, lest death should snatch the bowl"

11. Young's Night Thoughts, Page 73, "Draw the dire steel? -- ah no!"

12. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

13. Young's Night Thoughts, Page 90, "That touch, with charm celestial heals the soul"

14. Young's Night Thoughts, Page 95, "The goddess bursts in thunder and in flame"

15. Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

16. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

17. Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

18. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

19. Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"

20. Young's Night Thoughts, Page 13, "The present moment terminates our sight"

21. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

22. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

23. Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace"

24. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

25. Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"

26. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

27. Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"

28. Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"

29. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

30. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

31. Young's Night Thoughts, Page 46, "Where sense runs savage broke from reason's chain"

32. Young's Night Thoughts, Page 54, "The vale of death! that hush'd cimmerian vale"

33. Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"

34. Young's Night Thoughts, Page 27, "O treacherous conscience!"

35. Young's Night Thoughts, Page 33, "Like that, the dial speaks; and points to thee"

36. Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"

37. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

38. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

39. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

40. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

41. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

42. Portrait of a Gentleman

43. Tipu Sultan's Summer Palace

44. Corsham Court, Wiltshire: Elevation of the North Front

45. Lady Bective

46. A Raree Show

47. Scotsman with Sword; Modern Dress of a Highland Chieftan

48. Uncle George in the Dress of a Highland Herdsman

49. Industrious Jenny

50. Bridgnorth

51. Pirates

52. Shore Scene with Sailing Ship at Quay

53. Richmond Castle, Yorkshire

54. The River at Dusk, Oxford

55. River with Fishermen

56. Castle Acre Priory

57. Haymaking

58. Madiera, South East Extremity, 10 October

59. Near the Ferry going to Gott's, Leeds

60. Near Mallwyd on the Dovey

61. River Scene with Waterfall and High Trees

62. A Church Porch

63. A View of Waltham Abbey, Herts, Essex

64. Welgelegen: Vue de la Facade de la Maison de Campagne nommee Welgelegen au Bois de Harlem, Appartenante a Mr. Henry Hope d'Amsterdam

65. Dunnottar Castle

66. Cawdor Castle, Scotland

67. The Rustics Perform from "A Midsummer Night's Dream"

68. The Kill

69. Racing Scene

70. View near Bishopsgate Bridge with Cow Tower, looking towards Mousehold

71. The Elopement

72. Lyme Regis, Dorset

73. Island of Mayo, Cape de Verde, 2 November