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1. Jerusalem, Plate 33, "Turning his back to the Divine Vision...."

Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Jerusalem, Plate 35, "Then the Divine hand...."

Jerusalem, Plate 35, "Then the Divine hand...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Jerusalem, Plate 40, "Los shudderd at beholding Albion...."

Jerusalem, Plate 40, "Los shudderd at beholding Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Jerusalem, Plate 42, "Thus Albion sat...."

Jerusalem, Plate 42, "Thus Albion sat...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Jerusalem, Plate 45, "Bath, healing City!...."

Jerusalem, Plate 45, "Bath, healing City!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 46, "Bath, mild Physician...."

Jerusalem, Plate 46, "Bath, mild Physician...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 51

Jerusalem, Plate 51
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 14, "One hair nor particle of dust...."

Jerusalem, Plate 14, "One hair nor particle of dust...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."

Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Jerusalem, Plate 39, "By Satans Watch-fiends...."

Jerusalem, Plate 39, "By Satans Watch-fiends...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Jerusalem, Plate 50, "The Atlantic Mountains...."

Jerusalem, Plate 50, "The Atlantic Mountains...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."

America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)

Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Jerusalem, Plate 100

Jerusalem, Plate 100
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Jerusalem, Plate 12, "Why wilt thou give to her...."

Jerusalem, Plate 12, "Why wilt thou give to her...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Jerusalem, Plate 18, "From every-one of the Four Regions...."

Jerusalem, Plate 18, "From every-one of the Four Regions...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Jerusalem, Plate 19, "His children exil'd from his breast...."

Jerusalem, Plate 19, "His children exil'd from his breast...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Jerusalem, Plate 20, "But when they saw Albion...."

Jerusalem, Plate 20, "But when they saw Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Jerusalem, Plate 24, "What have I said?...."

Jerusalem, Plate 24, "What have I said?...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Jerusalem, Plate 75, "And Rahab Babylon the Great...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Jerusalem, Plate 76

Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Jerusalem, Plate 99, "All Human Forms identified...."

Jerusalem, Plate 99, "All Human Forms identified...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Jerusalem, Plate 7, "Was living: panting...."

Jerusalem, Plate 7, "Was living: panting...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Jerusalem, Plate 6, "His Spectre driv'n...."

Jerusalem, Plate 6, "His Spectre driv'n...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. America. A Prophecy, Plate 6, "Appear to the Americans...."

America. A Prophecy, Plate 6, "Appear to the Americans...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Europe. A Prophecy, Plate 1, Frontispiece

Europe. A Prophecy, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)

Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Lyons from Quayside on the Rhone

Lyons from Quayside on the Rhone
Creator:
James Duffield Harding, 1798–1863
Date:
ca. 1824
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Goodrich Castle on the Wye

Goodrich Castle on the Wye
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 × 14 1/2 inches (27.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Plymouth Roads

Plymouth Roads
Creator:
John Thomas Serres, 1759–1825
Date:
undated
Materials & Techniques:
Watercolor, pen with black ink over graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 7/8 × 25 inches (22.5 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. St. Paul's Cathedral and Blackfriar's Bridge

St. Paul's Cathedral and Blackfriar's Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and brown ink over graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 13 1/4 inches (22.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Chapel of the Greyfriars Monastery, Winchester

The Chapel of the Greyfriars Monastery, Winchester
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
between 1790 and 1795
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/8 inches (22.9 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. The Horse Guard's Parade, Whitehall

The Horse Guard's Parade, Whitehall
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 13 1/2 inches (22.9 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. River Landscape with Men Fishing and Cattle

River Landscape with Men Fishing and Cattle
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 13 5/8 inches (22.5 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Bathampton Mill

Bathampton Mill
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 12 1/4 inches (22.9 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

41. North East View of Mr. Hare's New House

North East View of Mr. Hare's New House
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1783
Materials & Techniques:
Watercolor with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:
Contemporary drawn border: 7 1/4 x 10 1/2 inches (18.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Meat Market

The Meat Market
Creator:
James Pollard, 1792–1867
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 10 3/4 inches (22.9 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Poultry Market

The Poultry Market
Creator:
James Pollard, 1792–1867
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 10 3/4 inches (23.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Creator:
Andreas Geiger, 1765–1856
Date:
undated
Materials & Techniques:
Etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 1/16 inches (24 x 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

45. Window West End, South Aisle, Saint Vincent

Window West End, South Aisle, Saint Vincent
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Action at Kowloon

Action at Kowloon
Creator:
Lt. Joseph Sparkhall Rundle, 1815–1880
Date:
1839
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted thick, moderately textured, cream wove paper
Dimensions:
Mount: 10 1/8 × 11 7/8 inches (25.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Grouse Shooting: The Wrong Sort

Grouse Shooting: The Wrong Sort
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Grouse Shooting: The Right Sort

Grouse Shooting: The Right Sort
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and red ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 13/16 inches (21.6 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Foxhunting: The Toast

Foxhunting: The Toast
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Rider Holding on to a Gray Horse After a Fall

Rider Holding on to a Gray Horse After a Fall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 9/16 inches (23.2 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Riding School

The Riding School
Creator:
Joseph Crawhall, 1861–1913
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 12 inches (22.9 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. The Leicestershire Hunt - A Struggle for the Start

The Leicestershire Hunt - A Struggle for the Start
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Two Riders and a Couple of Hounds Clearing a Wall

Two Riders and a Couple of Hounds Clearing a Wall
Creator:
Henry Thomas Alken, 1785–1851
Date:
1845
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 3/16 inches (23.2 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Gone Away

Gone Away
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 × 13 3/16 inches (23.3 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Huntsman, Galloping to Left and Encouraging Hounds

The Huntsman, Galloping to Left and Encouraging Hounds
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 12 9/16 inches (22.5 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Rider on a Brown Horse Going at a Wall

Rider on a Brown Horse Going at a Wall
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Harvesters Setting Out

Harvesters Setting Out
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/16 x 14 7/8 inches (23 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Death: Yokels Watching in Foreground

The Death: Yokels Watching in Foreground
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Two Jockeys Galloping Neck and Neck to Right

Two Jockeys Galloping Neck and Neck to Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. A Livery Stable

A Livery Stable
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Wall at Ashton Gifford (II)

The Wall at Ashton Gifford (II)
Creator:
Keith Vaughan, 1912–1977
Date:
1944
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker

64. Dr Syntax outside the Halfway House

Dr Syntax outside the Halfway House
Creator:
Thomas Rowlandson, 1756–1827
Date:
1821
Materials & Techniques:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 6 3/4 inches (10.5 x 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. The Inn Door (A Man escorted by two link boys to a door to the left)

The Inn Door (A Man escorted by two link boys to a door to the left)
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 x 13 1/8 inches (23 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Soldiers on a March

Soldiers on a March
Creator:
Thomas Rowlandson, 1756–1827
Date:
1805
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 10 3/16 x 14 1/2 inches (25.9 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Connoisseurs

The Connoisseurs
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor with pen and red, brown and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 12 inches (22.9 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Three Clerical Scholars

Three Clerical Scholars
Creator:
Thomas Rowlandson, 1756–1827
Date:
1789
Materials & Techniques:
Watercolor with pen and back and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 11 3/16 inches (22.7 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Feeding the Ducklings

Feeding the Ducklings
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond

A Trading Brig Preparing to Set Sail on the Thames, Warships Running Down the Estuary Beyond
Creator:
Samuel Atkins, active 1787–1808
Date:
between 1787 and 1808
Materials & Techniques:
Watercolor, pen, black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 13 1/4 inches (23.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

71. Quay at Straddon Point Near Plymouth

Quay at Straddon Point Near Plymouth
Creator:
Print made by William Daniell, 1769–1837
Date:
1825
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, sightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

72. View Near the City of Tientsin

View Near the City of Tientsin
Creator:
William Alexander, 1767–1816
Date:
1800
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 14 5/16 inches (22.9 x 36.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Landscape with Lime-Kiln and Workmen

Landscape with Lime-Kiln and Workmen
Creator:
William Marshall Craig, 1763 or 1764–1829
Date:
ca. 1808
Materials & Techniques:
Watercolor, pen and gray ink, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 x 7 3/8 inches (22.8 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd

Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd
Creator:
David Allan, 1744–1796
Date:
1788
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 6 5/8 inches (22.9 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. On the Monnow, Monmouth

On the Monnow, Monmouth
Creator:
Henry Edridge, 1769–1821
Date:
undated
Materials & Techniques:
Watercolor, white gouache, and graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 × 12 3/4 inches (22.9 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Holy Island and Castle, Northumberland

Holy Island and Castle, Northumberland
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Landscape with Two Men on a Road

No cover image available
Creator:
George Lambert, 1700–1765
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 13 3/16in. (22.5 x 33.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection