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Materials & Techniques wove paper

Credit Line Yale Center for British Art, Paul Mellon Collection

Genre literary theme

Abraham van Diepenbeeck Doctor Ass (A Satire on the Law)

Abraham van Diepenbeeck, 1596–1675

Doctor Ass (A Satire on the Law)

undated

Francis Barlow Illustration to Aesop's Fables: The Fox & the Crane

Follower of Francis Barlow, 1622–1704

Illustration to Aesop's Fables: The Fox & the Crane

undated

unknown artist When Swift They Saw John Gilpin Ride, Bare-Headed as Before

unknown artist

When Swift They Saw John Gilpin Ride, Bare-Headed as Before

undated

unknown artist Illustration to Tonson's Ovid Metamorphosis (two of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (two of four)

ca. 1710

unknown artist Illustration to Tonson's Ovid Metamorphosis (three of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (three of four)

ca. 1710

unknown artist Illustration to Tonson's Ovid Metamorphosis (one of four)

unknown artist

Illustration to Tonson's Ovid Metamorphosis (one of four)

ca. 1710

Thomas Carwitham The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

Thomas Carwitham, active 1723

The Daughters of Cecrops discover Ericthonius: Ovid, Metamorphoses, Book 2

1723

unknown artist Sir Richard Steele

unknown artist

Sir Richard Steele

ca.1733

George Vertue Sir John Suckling

George Vertue, 1684–1756

Sir John Suckling

1744

Joseph Slater Robin Hood and Clarinda Hunting Deer

Joseph Slater, c. 1750– died after 1789

Robin Hood and Clarinda Hunting Deer

undated

George Romney A Procession of the Damned: Study for the Damned in Dante's "Inferno"

George Romney, 1734–1802

A Procession of the Damned: Study for the Damned in Dante's "Inferno"

undated

James McArdell Dr. John Reynolds, S.T.B.

James McArdell, ca. 1729–1765

Dr. John Reynolds, S.T.B

1757

Charles Knight Edmond Malone, Esqr.

Charles Knight, 1743–c.1826

Edmond Malone, Esqr

undated

John Boyne Malvolio: Possibly a Self-Portrait in the Role

John Boyne, ca. 1750–1810

Malvolio: Possibly a Self-Portrait in the Role

undated

William Woollett Celadon and Amelia

Print made by William Woollett, 1735–1785

Celadon and Amelia

1766

Robert Smirke Illustration for Don Quixote, Two Figures at a Table

Robert Smirke, 1752–1845

Illustration for Don Quixote, Two Figures at a Table

undated

Robert Smirke Scenes from an Eastern Romance [Arabian Nights]

Robert Smirke, 1752–1845

Scenes from an Eastern Romance [Arabian Nights]

undated

Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)

undated

Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing

undated

Robert Smirke Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

Robert Smirke, 1752–1845

Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)

undated

Robert Smirke Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

Robert Smirke, 1752–1845

Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"

undated

Robert Smirke Sketch of a Battle Sceene, from Shakespeare's Play, Titus Andronicus

Robert Smirke, 1752–1845

Sketch of a Battle Sceene, from Shakespeare's Play, Titus Andronicus

undated

Robert Smirke Allegorical Sketch of Victory

Robert Smirke, 1752–1845

Allegorical Sketch of Victory

undated

Robert Smirke Sketch of Goths Entering Rome, from Shakespeare's Play, Titus Andronicus

Robert Smirke, 1752–1845

Sketch of Goths Entering Rome, from Shakespeare's Play, Titus Andronicus

undated

Robert Smirke Scene from Timon of Athens

Robert Smirke, 1752–1845

Scene from Timon of Athens

undated

Robert Smirke Study of a Roman Banquet Scene

Robert Smirke, 1752–1845

Study of a Roman Banquet Scene

undated

Robert Smirke Lady Jane Grey

Robert Smirke, 1752–1845

Lady Jane Grey

undated

Robert Smirke Study of a Soldier Attacking a Woman

Robert Smirke, 1752–1845

Study of a Soldier Attacking a Woman

undated

Robert Smirke Scene from Don Quixote

Robert Smirke, 1752–1845

Scene from Don Quixote

undated

Robert Smirke Scene from Shakespeare's, Romeo and Juliet

Robert Smirke, 1752–1845

Scene from Shakespeare's, Romeo and Juliet

undated

Robert Smirke Study of a Woman, Imploring for the Return of Her Captive Child

Robert Smirke, 1752–1845

Study of a Woman, Imploring for the Return of Her Captive Child

undated

Robert Smirke MSS Bible Regia

Robert Smirke, 1752–1845

MSS Bible Regia

undated

Robert Smirke Skech for Timon of Athens

Robert Smirke, 1752–1845

Skech for Timon of Athens

undated

John Flaxman To Phoebus at His Birth, From Aeschylus, Furies

John Flaxman, 1755–1826

To Phoebus at His Birth, From Aeschylus, Furies

undated

John Flaxman Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

John Flaxman, 1755–1826

Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels

undated

John Flaxman The Morn, All Beauteous to Behold, from Aeschylus, The Persians

after John Flaxman, 1755–1826

The Morn, All Beauteous to Behold, from Aeschylus, The Persians

undated

Henry William Bunbury The Siege of Namur

Print made by Henry William Bunbury, 1750–1811

The Siege of Namur

between 1773 and 1817

Henry William Bunbury The Battle of the Cataplasm

Print made by Henry William Bunbury, 1750–1811

The Battle of the Cataplasm

between 1773 and 1817

Henry William Bunbury Overthrow of Dr. Slop

Print made by Henry William Bunbury, 1750–1811

Overthrow of Dr. Slop

between 1773 and 1817

Henry William Bunbury The Damnation of Obadiah

Print made by Henry William Bunbury, 1750–1811

The Damnation of Obadiah

between 1773 and 1817

Julius Caesar Ibbetson Title page for "The Guardian"

Julius Caesar Ibbetson, 1759–1817

Title page for "The Guardian"

undated

John Hamilton Mortimer Caliban, from The Tempest

John Hamilton Mortimer, 1740–1779

Caliban, from The Tempest

1775

John Keyse Sherwin James Macpherson

John Keyse Sherwin, c.1751–1790

James Macpherson

1775

John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

Mary Hoare The Apparition of the Armed Head: Macbeth

Mary Hoare, 1744–1820

The Apparition of the Armed Head: Macbeth

ca. 1781

Mary Hoare Ferdinand and Ariel

Mary Hoare, 1744–1820

Ferdinand and Ariel

ca. 1781

Robert Laurie David Garrick, Esq.

Robert Laurie, 1755?–1836

David Garrick, Esq

1779

Richard Westall Greatheart's Battle with Grim

Richard Westall, 1765–1836

Greatheart's Battle with Grim

undated

Francesco Bartolozzi Concert Ticket: Benefit Night of Luigi Borghi

Francesco Bartolozzi, 1728–1815

Concert Ticket: Benefit Night of Luigi Borghi

1780

Mary Hoare Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

Mary Hoare, 1744–1820

Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II

1780

Mary Hoare Lady Macbeth, Sleepwalking

Mary Hoare, 1744–1820

Lady Macbeth, Sleepwalking

1781

Mary Hoare The Three Witches from Macbeth: Double, Double, Toil and Trouble

Mary Hoare, 1744–1820

The Three Witches from Macbeth: Double, Double, Toil and Trouble

1781

Mary Hoare Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Mary Hoare, 1744–1820

Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

1781

unknown artist Thomas Percy, Bishop of Dromore

unknown artist

Thomas Percy, Bishop of Dromore

undated

Mary Hoare Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Mary Hoare, 1744–1820

Imogen in the Cave, 'Cymbeline', Act III, Scene VI

1782

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

ca. 1788

William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)

ca. 1788

William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)

ca. 1788

William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

Francesco Bartolozzi Mrs. Abington as Thalia

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Abington as Thalia

1783

William Henry Pyne An Illustration to Rob Roy: Interior with a Party Drinking

William Henry Pyne, 1769–1843

An Illustration to Rob Roy: Interior with a Party Drinking

undated

Francesco Bartolozzi Ophelia: There's Rue for You, and Here's Some for Me

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There's Rue for You, and Here's Some for Me

1784

Gabriel Scorodomoff Reflections on Clarissa Harlow

Gabriel Scorodomoff, 1748–1792

Reflections on Clarissa Harlow

1785

Francesco Bartolozzi Miss Anna Brunton

Print made by Francesco Bartolozzi, 1728–1815

Miss Anna Brunton

1785

Anthony Cardon Dr. Joseph Warton

Anthony Cardon, 1772–1813

Dr. Joseph Warton

undated

William Blake The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

1789

William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

1789

William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 1, "Thel's Motto . . . ."

1789

William Blake The Book of Thel, Plate 2, Title Page

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

1789

William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

1789

William Blake The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

1789

William Blake Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)

1789

William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

1789

William Blake Songs of Innocence, Plate 26, "Spring" (Bentley 23)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 26, "Spring" (Bentley 23)

1789

William Blake Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

1789

William Blake Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

1789

William Blake Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

1789

William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

1789

William Blake The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

1789

William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

1789

William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 16, "Night" (Bentley 20)

1789

William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 2, Title Page (Bentley 3)

1789

William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)

1789

William Blake Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

1789

William Blake Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)

1789

William Blake Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)

1789

William Blake Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)

1789

William Blake Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)

1789

William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 1, "Thel's Motto . . . ."

1789

William Blake The Book of Thel, Plate 2, Title Page

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

William Blake The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

1789