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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionPeriod 19th century
Remove constraint Period: 19th centuryClassification Prints
Remove constraint Classification: PrintsSearch Results
401
- Jerusalem, Plate 15, "And Hand & Hyle...."
- 1804 to 1820
402
- Jerusalem, Plate 51
- 1804 to 1820
403
- Jerusalem, Plate 56, "Then Los heaved...."
- 1804 to 1820
404
- Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
- 1804 to 1820
405
- Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."
- 1804 to 1820
406
- Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."
- 1804 to 1820
407
- Jerusalem, Plate 62, "Repose on me...."
- 1804 to 1820
408
- Jerusalem, Plate 63, "Jehovah stood among the Druids...."
- 1804 to 1820
409
- Jerusalem, Plate 65, "To decide Two Worlds...."
- 1804 to 1820
410
- Jerusalem, Plate 69, "Then all the Males...."
- 1804 to 1820
411
- Jerusalem, Plate 77, "To the Christians...."
- 1804 to 1820
412
- Jerusalem, Plate 79, "My tents are fall'n...."
- 1804 to 1820
413
- Jerusalem, Plate 8, "Rose up against me...."
- 1804 to 1820
414
- Jerusalem, Plate 80, "Encompassd by the frozen net...."
- 1804 to 1820
415
- Jerusalem, Plate 98, "Then each an Arrow flaming...."
- 1804 to 1820
416
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
417
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
418
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
419
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
420
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
421
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
422
- The Life, and Posthumous Writings, of William Cowper (volume 3)
- 1803-1804
423
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
424
- Epicurus
- 1821
425
- Theocritus
- 1821
426
- Caius Julius Cæsar
- 1821
427
- Octavius Augustus Cæsar
- 1821
428
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
429
- Jerusalem, Plate 28 Proof Impression
- ca. 1820
430
- Jerusalem, Plate 26, "Such Visions Have...."
- 1804 to 1820
431
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
432
- Jerusalem, Plate 29, "Then the Divine Vision...."
- 1804 to 1820
433
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
434
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
435
- Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
- 1804 to 1820
436
- Jerusalem, Plate 34, "Elevate into the Region of Brotherhood...."
- 1804 to 1820
437
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
438
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
439
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
440
- Jerusalem, Plate 50, "The Atlantic Mountains...."
- 1804 to 1820
441
- Jerusalem, Plate 59, "And formed into Four precious stones...."
- 1804 to 1820
442
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
443
- Jerusalem, Plate 64, "Of the Mundane Shell...."
- 1804 to 1820
444
- Jerusalem, Plate 66, "In awful pomp & gold...."
- 1804 to 1820
445
- Jerusalem, Plate 67, "By those who drink their blood...."
- 1804 to 1820
446
- Jerusalem, Plate 68, "O Skofield why art thou cruel?...."
- 1804 to 1820
447
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
448
- Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
- 1804 to 1820
449
- Jerusalem, Plate 78, "The Spectres of..."
- 1804 to 1820
450
- Jerusalem, Plate 83, "Corruptability appears upon thy limbs...."
- 1804 to 1820
451
- Jerusalem, Plate 84, "Highgates heights & Hampstead...."
- 1804 to 1820
452
- Jerusalem, Plate 87, "Repelling weeping Enion...."
- 1804 to 1820
453
- For the Sexes: The Gates of Paradise, Plate 5, "Earth"
- 1826
454
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
455
- For the Sexes: The Gates of Paradise, Plate 7, "Fire"
- 1826
456
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
457
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
458
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
459
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
460
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
461
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
462
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
463
- Illustrations of Imitation of Eclogue I, Page 14
- 1821
464
- Illustrations of Imitation of Eclogue I, Page 17
- 1821
465
- Illustrations of Eclogue I, Introductory, The Giant Polypheme
- 1821
466
- From Antique Coins
- 1821
467
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
468
- Illustrations of Imitation of Eclogue I, Page 15
- 1821
469
- For the Sexes: The Gates of Paradise, London, 1826
- 1826
470
- Book of Job, Plate 10, Job Rebuked by His Friends
- 1825
471
- Illustrations of the Book of Job
- 1825
472
- Thomas Hayley (1780-1800)
- 1800
473
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
474
- Publius Virgilius Maro
- 1821
475
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
476
- A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
- 1804
477
- A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
- 1804
478
- View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
- 1802
479
- Soldiers on a March: "To pack up her tatters and follow the Drum"
- 1811
480
- Crofton Hall, Yorkshire
- 1813
481
- The Temple of Aphaia at Aegina: Elevations
- undated
482
- On the River Wye, Monmouthshire
483
- The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
- 1815
484
- St. Giles' Catholic Church: Elevation of the Steeple
- undated
485
- Designs for Gothic Candle Sticks and Branches
- undated
486
- Designs for Altar and Processional Crosses
- 1846
487
- A Mill
- 1830
488
- Mill Near Colchester
- 1845
489
- Noon
- 1830
490
- Flatford Mill
- 1844
491
- Summer Evening
- 1831
492
- Summer Morning
- 1831
493
- A Large Christmas Card
- 1895
494
- Designs for Gothic Standing Candlesticks and Incense Burners
- 1846
495
- The Port of Wisbech, Cambridgeshire
- 1840
496
- South View of the New Custom House
- 1817
497
- Perspective view of the Crescent now erecting near the town of Birmingham
- 1804
498
- Improvements opposite Carlton House (Showing the view up Regent Street)
- 1817
![Charles J. Hullmandel Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827](https://media.collections.yale.edu/thumbnail/ycba/f3ed05bb-ba12-4cb2-8d43-46933b91e536)
499
- Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827
- 1827
500
- Plan of ground floor of Herstmonceux Castle
- undated