Creator Gender: male / Period: 18th century / Classification: Prints - YCBA Collections Search Search Results

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Creator Gender male

Period 18th century

Classification Prints

William Blake The Book of Thel, Plate 2, Title Page

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Europe. A Prophecy, Plate 2, Title Page

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 2, Title Page

1794

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

1797

William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

1794

William Blake The First Book of Urizen, Plate 28 (Bentley 27)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 28 (Bentley 27)

1794

William Blake The First Book of Urizen, Plate 3 (Bentley 22)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 3 (Bentley 22)

1794

William Blake The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

1794

William Blake The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

1794

William Blake Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)

1794

William Blake The First Book of Urizen, Plate 4 (Bentley 24)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4 (Bentley 24)

1794

William Blake The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

1794

William Blake The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

1794

William Blake Beggar's Opera, Act III

William Blake, 1757–1827

Beggar's Opera, Act III

1790

William Blake "The Book of Thel William Blake Original Wrappers 1789"

William Blake, 1757–1827

"The Book of Thel William Blake Original Wrappers 1789"

1789

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake The Complaint and the Consolation; or Night Thoughts

William Blake, 1757–1827

The Complaint and the Consolation; or Night Thoughts

1797

William Blake The Complaint and The Consolation: or Night Thoughts

William Blake, 1757–1827

The Complaint and The Consolation: or Night Thoughts

ca. 1797

William Blake "Visions of the Daughters of Albion", London, by William Blake

William Blake, 1757–1827

"Visions of the Daughters of Albion", London, by William Blake

1793

William Blake For Children. The Gates of Paradise, London, by William Blake

William Blake, 1757–1827

For Children. The Gates of Paradise, London, by William Blake

1793

William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman

William Blake, 1757–1827

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Pity

Print made by William Blake, 1757–1827

Pity

ca. 1795

William Blake The First Book of Urizen, Plate 18 (Bentley 21)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 18 (Bentley 21)

1794

William Blake The First Book of Urizen, Plate 21 (Bentley 16)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 21 (Bentley 16)

1794

William Blake The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 22, "Stretch'd for a Work of Eternity...." (Bentley 20)

1794

William Blake The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

1794

William Blake The First Book of Urizen, Plate 25 (Bentley 26)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 25 (Bentley 26)

1794

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake Spring, from Songs of Innocence

Print made by William Blake, 1757–1827

Spring, from Songs of Innocence

ca. 1795

William Blake The Death of Juliet

Print made by William Blake, 1757–1827

The Death of Juliet

1799

William Blake Beggar's Opera, Act III

William Blake, 1757–1827

Beggar's Opera, Act III

c.1790

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

ca. 1797

William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman

William Blake, 1757–1827

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

William Blake An Essay on Sculpture on a Series of Epistles to John Flaxman

William Blake, 1757–1827

An Essay on Sculpture on a Series of Epistles to John Flaxman

1800

William Blake Introduction to the Fables, The Shepherd and the Philosopher

Print made by William Blake, 1757–1827

Introduction to the Fables, The Shepherd and the Philosopher

1793

William Blake Fable VI. The Miser and Plutus

Print made by William Blake, 1757–1827

Fable VI. The Miser and Plutus

1793

William Blake Fable XIII. The Tame Stag

Print made by William Blake, 1757–1827

Fable XIII. The Tame Stag

1793

William Blake Fable XVI. The Pin and the Needle

Print made by William Blake, 1757–1827

Fable XVI. The Pin and the Needle

1793

William Blake Fable XXII. The Goat Without a Beard

Print made by William Blake, 1757–1827

Fable XXII. The Goat Without a Beard

1793

William Blake Fable XXVIII. The Persian, the Sun, and the Cloud

Print made by William Blake, 1757–1827

Fable XXVIII. The Persian, the Sun, and the Cloud

1793

William Blake Fable XII. Pan and Fortune

Print made by William Blake, 1757–1827

Fable XII. Pan and Fortune

1793

William Blake Fable XLI. The Owl and the Farmer

Print made by William Blake, 1757–1827

Fable XLI. The Owl and the Farmer

1793

William Blake Fable XXX. The Setting-dog and the Partridge

Print made by William Blake, 1757–1827

Fable XXX. The Setting-dog and the Partridge

1793

William Blake Fable XXIV. The Butterfly and the Snail

Print made by William Blake, 1757–1827

Fable XXIV. The Butterfly and the Snail

1793

William Blake Fable I. The Dog and the Fox

Print made by William Blake, 1757–1827

Fable I. The Dog and the Fox

1793

William Blake Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Print made by William Blake, 1757–1827

Fable XVI. The Ravens, the Sexton, and the Earth-Worm

1793

John Faber the Younger William Blakeney, Esq.

John Faber the Younger, ca. 1695–1756

William Blakeney, Esq

1748

George Saunders Monument for Sir Joshua Reynolds

George Saunders, c.1762–1839

Monument for Sir Joshua Reynolds

1792

Thomas Trotter Dr. Samuel Johnson

Thomas Trotter, ca. 1750–1803

Dr. Samuel Johnson

1792

Cornelis Apostool Here Nature List'ning Stood

Print made by Cornelis Apostool, 1762–1844

Here Nature List'ning Stood

1795

Francesco Bartolozzi Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V

Francesco Bartolozzi, 1728–1815

Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V

1789

Francesco Bartolozzi Ophelia: There Is Rue for You and Here's Some for Me

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There Is Rue for You and Here's Some for Me

1784

Daniel Berger Die Maussalle.... - "Hamlet," Act III, Scene II

Print made by Daniel Berger, 1744–1824

Die Maussalle.... - "Hamlet," Act III, Scene II

between 1778 and 1780

unknown artist Falstaff at Hern's Oak - "Merry Wives of Windsor," Act V, Scene V

unknown artist

Falstaff at Hern's Oak - "Merry Wives of Windsor," Act V, Scene V

1793

Jan J. van den Bergh Falstaff with Hotspur on his Back - "Henry IV," Part I, Act V, Scene IV

Jan J. van den Bergh, active 1793–1800

Falstaff with Hotspur on his Back - "Henry IV," Part I, Act V, Scene IV

1794

Jan J. van den Bergh Romeo and Juliet in Friar Lawrence's Cell - "Romeo and Juliet," Act II, Scene VI

Jan J. van den Bergh, active 1793–1800

Romeo and Juliet in Friar Lawrence's Cell - "Romeo and Juliet," Act II, Scene VI

1794

John Chapman Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III

John Chapman, active ca. 1792–1823

Rosalind, Celia and Touchstone - "As You Like It," Act II, Scene III

1792

John Chapman Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V

John Chapman, active ca. 1792–1823

Helena in the Dress of a Pilgrim - "All's Well That Eends Well," Act III, Scene V

1792

John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

John Chapman, active ca. 1792–1823

Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

1792

John Chapman Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

John Chapman, active ca. 1792–1823

Falstaff's Escape - "The Merry Wives of Windsor," Act IV, Scene II

1792

John Chapman Jacques discovered by the Duke- "As You Like It," Act II, Scene I

John Chapman, active ca. 1792–1823

Jacques discovered by the Duke- "As You Like It," Act II, Scene I

1795

Thomas Cheesman The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV

Print made by Thomas Cheesman, 1760–1834/35

The Supposed Death of Imogen, 'Cymbeline,' Act IV, Scene IV

1792

Daniel Nikolaus Chodowieki ...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

1778

unknown artist Dick the Butcher and Smith the Weaver seizing the Clerk - "Henry VI," Part II, Act I, Scene II

unknown artist

Dick the Butcher and Smith the Weaver seizing the Clerk - "Henry VI," Part II, Act I, Scene II

1795

unknown artist Macbeth and the Murderers - "Macbeth," Act III, Scene I

unknown artist

Macbeth and the Murderers - "Macbeth," Act III, Scene I

1792

R. Clamp William Sommers, King Henry VIII's Jester

Print made by R. Clamp, fl.1789–1798

William Sommers, King Henry VIII's Jester

undated

Daniel Nikolaus Chodowieki Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

1778

William Nelson Gardiner Mr. Kemble, of the Theatre Royal, Drury Lane

Print made by William Nelson Gardiner, 1766–1814

Mr. Kemble, of the Theatre Royal, Drury Lane

1797

Francis Legat "King Lear", Act V, Scene III

Francis Legat, 1755–1809

"King Lear", Act V, Scene III

1792